Jamie Turpin

D. Collins Design Co. was hired to art direct and redesign Dinosaur Magazine. The magazine looked at culture and what has taken place in the past, what is taking place in the present, and where that trajectory is arcing into the future, all from the perspective of “generation x” (loosely speaking, those of us born between 1961 and 1981). This generation is interesting because it is the last generation to see an analog era wane to that of the internet age; this generation has the clearest understanding of what has been gained and lost within this transition. The idea for the “mirror image” logo was discovered in the rear view mirror when at a stop sign. An ambulance pulled up behind, and the right-reading image of the word “ambulance” appeared in the rear view mirror. And that’s when the visual metaphor presented itself. We often look behind us to gather information about the present moment and how to proceed in the future. This is not unlike how Dinosaur functioned as a magazine. Photos by Steven Miller and Greg Dohler. While redesigning Dinosaur, I was looking at quite a bit of magazine designs from the 90s, post-punk record covers, and music ephemera from the late 80s and early 90s—the stuff concocted by those who belonged to Gen X. I consciously made the attempt to capture the spirit of this era; I knew the attempt was futile. I came to realize that I didn’t want to replicate the past but did want to reinterpret it, reinvent it, and present it in more contemporary terms. Fred Woodward (creative director, 1990s era, Rolling Stone Magazine). The work done during the 1990s at Rolling Stone magazine is, in my humble opinion, the pinnacle of magazine design. After a seemingly more regimented “invisible” design approach practiced at Rolling Stone during the 1980s, Woodward had made the magazine relevant and fun again. https://lnkd.in/gXikz7YB Vaughan Oliver I bought His Name is Alive’s Livonia" album. I never heard of this band or of the now seminal 4AD record label before this. I found myself mesmerized by the ghost like black and white photo, badged by a formal postmodern script typeface stamped in gold upon a dried-blood burgundy rectangle. The timing was ripe. After a good ten years immersed in punk and hardcore, I was beginning to get of my “give me punk, er gimme nothin!” screed. I had been preaching the tenants of an open mind in defense of punk, but ten years on, I found it was time to open my own.  https://lnkd.in/gpqcna7w

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NeoCon and Fulton Market Design Days 2024 Recap: A Joyful Fusion of Colors, Shapes, and Textures! Earlier this week, Tracy Ho and I enjoyed a few thrilling days filled with discovery, knowledge-sharing, networking, and a vibrant celebration of creativity and innovation at THE MART and in #FultonMarket. Our key takeaways: > Sustainability Focus: Manufacturers are emphasizing their commitment to sustainability through storytelling, highlighting the full lifecycle of their products and improvements at every step. > Attracting Employees: Employers continue to seek effective ways to bring people back to the office. > Evolving Amenities: There’s a shift from large group-focused spaces to private, individual spaces. > Semi-Enclosed Furniture: These designs foster intimate and comfortable conversations, enhancing workplace connections. > Neuroaesthetics: Top of mind for manufacturers, with products designed to ease over-stimulation and recognize the impact of light, color, and texture on our brains. > Concierge Services: Becoming an expected standard in the workplace. > Focus Areas: Prioritizing 'psycho-physical' and 'sensory comfort,' using sound-absorbing surfaces, textiles, curtains, and flooring to create tranquil meeting areas. > Sensory Design: When designing commercial interiors, engage all five senses! Exciting shifts are happening in our industry, and we’re eager to see where things go from here! #SDIdesign #SDIretail #SDIhospitality #Sustainability #OfficeDesign #Collaboration #Design #Innovation #InteriorDesign #ExperienceDesign #RetailDesign #HospitalityDesign #CommercialInteriors #CommercialDesign #WorkplaceDesign #WorkplaceInnovation #FutureOfWork #Chicago #TheMART #DesignDays #NeoCon2024

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Hey Chris - I feel this is a really interesting piece. When I was at university - I loved the lectures or talks by practitioners, or practitioners who came in to teach particular classes. It gave shape to what a designer or creative person looks and sounds like. Universities would do well to consider the value that professional designers can bring to their courses and students by cultivating reciprocal and commercial relationship. As professionals, we have hourly rates, and at your level it’s likely $300 plus per hour. If you were engaged to deliver a series of talks for x amount - it might become part of your business practice. In architecture - professionals are paid their hourly rate to do this work to encourage the next generation to join the profession. Visual communication degrees and courses need to do this - because there are so many experienced designers out there who would love to impart their knowledge of how challenging and rewarding it is - to be a designer and get paid.

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Great work speaks for itself

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My sketchbooks are always filled with wild ideas, diagrams of Morphic app logic, sketches of cool places from vacation and guest appearance drawings. Figured I'd share a little glimpse into my craziness. 🤪 #sketchbook #design #sketches #diagrams #notes #brainstorming #ideation #ideas #logic #drawings #architecture #conceptdesign #app #logic

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🏞️✨ Introducing the Final Logo for Midwest Outdoor Skill Training (MOST)! After an exciting journey of exploration and collaboration, we've landed on the perfect logo for MOST. Initially drawn to a particular design, the client suggested an iteration incorporating a tree motif. Although hesitant at first, the final result seamlessly integrates the client's vision with the essence of MOST's mission. Take a look at the two variations below and share your thoughts #BrandingDesign #OutdoorSkills #Adventure #GraphicDesign #LogoDesign #99designs 🏕️🎒

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In episode 73, we are going over the final settings for subdivision surface modeling. This episode focuses on the Open Subdiv settings. It feels like finishing a chapter in a book. #learning #podcast #videoproduction #3d #3dmodeling #3dmodelling #maxon #c4d #cinema4d #freelancer #freelancedesigner #podcast #youtube #tutorial

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📣Open for Contract opportunities📣 School is out, and in the spirit of having a few months off I want to take some time to refine my portfolio… When it comes to design, having an education isn’t enough. I tell my students all the time that A WELL CRAFTED PORTFOLIO IS KING 👑  I’m no exception to this rule, and I can admit I’ve been feeling the heat of being a hypocrite for a minute now. So I’m challenging myself to use AI to generate some creative briefs in areas I can use more experience in and showcase my own growth as a seasoned designer with over 7 years in the game. My chosen pedagogy has been design for social justice, and during my recent time at Sam Houston I’ve urged students to lean into design for community engagement and accessibility. Nowadays, it’s not enough just to kale things the “look pretty”, design has to solve an issue and serve a purpose. Shldr, was an app I developed during my MFA program at Pratt. It was a design response to the climate after COVID-19 where many of my friends and I were left to deal with real life events during one of the most trying times of our generation. I interviewed close friends, including my friend Lea who was in Residency at a major hospital in Houston, and my friend Ria who gave birth to her first child during the pandemic to see how their mental health was impacted by not being able to have a “normal” birthing experience. ✅ The solution: An app that uses a similar algorithm as Tinder to “match” women with women who are currently experience the same trials to form a sense of community at a time where we may feel isolation and can’t have direct contact with loved ones. Shldr asks users a series of questions at sign up to create group chats, connect users with the suicide prevention hotline, and curate organic connections. ✅ My work: User research  Interviews Testing Brand Identity Prototyping (using Figma and Adobe XD) Video Editing Mockups View the full case study here https://lnkd.in/gKyPqyq6

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Redesign Exteriors, Interiors, Gardens, PatiosIn with AI, in Less than 🕜 30 Seconds Upload your photo, choose a mode and pick from over 75 design styles. Reimagine Any Home Interior, Exterior, or Garden using AI.

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🚀 Are you ready for the design talent surge? 🌟 In the ever-evolving digital landscape, the demand for top-notch design talent is like the ebb and flow of the ocean. It's not about *if* the need will pick up again—it's about *when*. And let me tell you, the tide is turning! As businesses continue to realize that exceptional design isn't just a luxury but a pivotal aspect of their success, the hunt for skilled designers is heating up. With brands striving to stand out in a crowded marketplace, the value of a designer who can create engaging, user-friendly experiences is skyrocketing. Here's the scoop: companies are ramping up their efforts to captivate audiences with stunning visuals and seamless interfaces. This means they're on the lookout for creatives who can bring fresh ideas to the table and transform the user experience from ordinary to extraordinary. If you're a designer, now's the time to polish your portfolio and showcase your skills. If you're a business, it's time to invest in talent that will propel your brand to new heights. The resurgence is on the horizon, and those who are prepared will ride the wave of opportunity. Drop a comment below or connect with us at https://lnkd.in/eFc6uVED #DesignTalent #CreativeCareers #DigitalFuture

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***𝐖𝐡𝐲 𝐘𝐨𝐮𝐫 𝐁𝐮𝐬𝐢𝐧𝐞𝐬𝐬’𝐬 𝐕𝐢𝐬𝐮𝐚𝐥 𝐈𝐝𝐞𝐧𝐭𝐢𝐭𝐲 𝐌𝐚𝐭𝐭𝐞𝐫𝐬 𝐌𝐨𝐫𝐞 𝐓𝐡𝐚𝐧 𝐘𝐨𝐮 𝐓𝐡𝐢𝐧𝐤*** As the President & CEO at Copa Design & Breeze by Copa I’ve seen many businesses transform through the power of a strong visual identity. Today, I want to share why it’s crucial to weave your visual identity into the fabric of your business strategy—not just to look good, but to truly connect and resonate with your market. 𝐖𝐡𝐲 𝐕𝐢𝐬𝐮𝐚𝐥 𝐈𝐝𝐞𝐧𝐭𝐢𝐭𝐲 𝐢𝐬 𝐌𝐨𝐫𝐞 𝐭𝐡𝐚𝐧 𝐒𝐤𝐢𝐧 𝐃𝐞𝐞𝐩 Think of your visual identity as your business's face to the world. It includes your logo, color scheme, and design elements, and it speaks volumes about who you are and what you stand for before you even say a word. When this aligns with your business strategy, you're not just seen—you're understood. 𝐂𝐨𝐧𝐬𝐢𝐬𝐭𝐞𝐧𝐜𝐲 𝐢𝐬 𝐘𝐨𝐮𝐫 𝐁𝐞𝐬𝐭 𝐅𝐫𝐢𝐞𝐧𝐝 Imagine seeing your friend everyday, yet they appear extremely different each time. Confusing, right? That’s how customers feel when your visual identity varies across platforms. Consistent visual cues build trust and make your brand easy to recognize and remember. 𝐊𝐧𝐨𝐰 𝐚𝐧𝐝 𝐑𝐞𝐟𝐥𝐞𝐜𝐭 𝐘𝐨𝐮𝐫 𝐀𝐮𝐝𝐢𝐞𝐧𝐜𝐞 Your visual identity should mirror what your audience cares about. The strongest connections I've seen at Copa Design happen when a brand’s visuals echo the audience's values and lifestyle. Ask yourself, does your visual identity feel like a friend to your customers? 𝐒𝐭𝐚𝐲 𝐀𝐠𝐢𝐥𝐞, 𝐒𝐭𝐚𝐲 𝐑𝐞𝐥𝐞𝐯𝐚𝐧𝐭 Markets evolve, trends shift, and your visual identity should be flexible enough to adapt without losing its essence. Staying relevant is about being able to dance to the rhythm of the market while keeping your core message loud and clear. 𝐄𝐧𝐠𝐚𝐠𝐞 𝐚𝐧𝐝 𝐑𝐞𝐟𝐥𝐞𝐜𝐭 Take a look at the slides below on the essential elements of a strong visual identity. What’s your take? How does your brand's look align with what you’re aiming to achieve? . 𝐋𝐞𝐭'𝐬 𝐆𝐞𝐭 𝐑𝐞𝐚𝐥—𝐖𝐡𝐚𝐭’𝐬 𝐇𝐨𝐥𝐝𝐢𝐧𝐠 𝐘𝐨𝐮 𝐁𝐚𝐜𝐤? I’m curious, what stops you from stepping up your visual identity game? Is it the budget? Do you see it as a nice-to-have rather than a must-have? Or maybe you're not sure where to start? Getting past these hurdles can be a game changer for your business. We at Copa Design are passionate about helping businesses shine brighter with visual identities that do more than stand out—they stand for something. Drop your thoughts below! #BrandDesign #BusinessStrategy #VisualIdentity #Branding #CorporateIdentity #DesignThinking #MarketingStrategy #BrandConsistency #BusinessGrowth #CreativeBusiness #B2B #B2Bmarketing #ROI #BusinessConsultant #graphicdesign

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I stumbled into my graphic design career. I was a HS & Tech school dropout, construction worker, x-ray tech, and bartender before starting down this design path. I'll tell the full story someday, but how did I go from dropout to Creative Director of my own creative studio without going back to school? Did I discover a way to unlock my hidden natural design talent? Did a mentor take me under their wing and pass down all their secrets?... nope.. it was magazines. Hundreds and hundreds of magazines... piles and stacks of magazines! I would read HOW and Print Magazine from cover to cover. Devour Computer Arts and Digital Arts magazines. Would loose myself if Tower Books happened to get a copy of Emigre or some cool UK design magazine. I would get all jacked up on creative juice, I would jump on my computer and try to design like everyone featured in the magazines. My computer, a stack of magazines and whole lot of late nights was my education. Of course everything I designed came out like crap because I didn't know the fundamentals of graphic design. I had taste and I knew what looked good but was lost when it came to type, color and layout. That’s where Before & After's online magazine came in. John McWade and his pdf tutorials taught me the basics in a way that a visual learner like myself could follow. Everything changed.. It all started to come together for me. If I have any design sensibilities at all, they are because of what I learned from B&A magazine. If I would have known back then that Mr. McWade was local to Sacramento, I probably would have bugged him with so many questions 😋. I honestly owe a lot to B&A.. It helped me become a legitimate graphic designer and propelled my career to where it is now 30 years later. Would I have gone to design school if I had the chance? Absolutely! While I don't think a formal education is necessary to be a good designer ( obviously 😁) .. I can only imagine how much better I would be if I was surrounded by like-minded, passionate designers back then. It would have been something. Not to mention the connections. Don't undervalue the importance of connections in this field. So what's my advice to someone trying to teach themselves graphic design? - Study the masters (Michael Bierut, Stefan Sagmeister, David Carson, Paula Scher so many more) - Learn what looks good, then obsess over why - Keep up with the trends, but learn the fundamentals - Join a local club or group, AND participate (Capitol Creative Alliance or one of Chris Do's The Futur™ business groups) - Copy all the good stuff until your ready steal it and make it your own #graphicdesign #designer #graphicdesigner

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How far back does something have to go to be a throwback? Yeah, I'm not sure either. Here is an illustration I did in grad school. It is a play on Norman Rockwell's Triple Self Portrait. It is based on a novel imaging technique that uses a synthesized form of scorpion venom to light up brain tumors and has shown promise in a clinical trial. The piece is entitled Tumor Paint. Graphite and Adobe Photoshop #throwback #medicalillustration #PatientEducation #HealthLiteracy #PatientEd #biomedicalvisualization #ccadalumni #editorialillustration #scientificillustration #TumorPaint

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How far back does something have to go to be a throwback? Yeah, I'm not sure either. Here is an illustration I did in grad school. It is a play on Norman Rockwell's Triple Self Portrait. It is based on a novel imaging technique that uses a synthesized form of scorpion venom to light up brain tumors and has shown promise in a clinical trial. The piece is entitled Tumor Paint. Graphite and Adobe Photoshop #throwback #medicalillustration #PatientEducation #HealthLiteracy #PatientEd #biomedicalvisualization #ccadalumni #editorialillustration #scientificillustration #TumorPaint

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BOOK COVER DESIGN, "OIL FICTIONS", PENN STATE UNIVERSITY PRESS Fossil fuel permeates every aspect of society, yet it has been largely ignored by cultural critics. By shining a light on non-Western literary responses to petroleum in a thorough and thoughtful way, this book exposes cross-national dimensions to the discourse on oil. Of all of the ideas presented for this project, this was the most simple and bold; Smeared charcoal was scanned and placed on a yellow backdrop. I have always found black and yellow to be an effective color scheme when something needs to be visually loud but not saturated or "cute." The subject matter of "Oil Fictions" lent itself well to this color scheme; this cover almost works as a warning sign. #universitypresses #bookcoverdesign #bookdesign #printisntdead While working on "Oil Fictions", I was looking at a lot of: Piotr Panasiewicz: https://lnkd.in/gSQJ2_m5 I was looking at quite a bit of the lithography of Piotr Panasiewicz. His work was a brand-spankin’-new discovery for me at the time. The smeared and heavy blacks, his sense of color, and his dedication to the craft of stone lithography struck a chord.   Franz Kline: https://lnkd.in/gGwJkJTK Looking at Panasiewicz stuff reminded me of Franz Kline somehow; I am not fully certain why, but I can say with certainty that I was drawn to the black-smeared approach of both artists. Bruce Licher: https://lnkd.in/gjWeyi9b Licher’s work is so goddamn immediate and open to improvisation during the letterpress printmaking process. His mind for resources and exploring limitations only makes for a richer experience. Without pause, I would much rather hire Licher to make a record cover for my (hypothetical) band using a used q-tip, ink, and toilet paper than commission AI to perfect the living soul out of it.

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Check out that input speed. Imagine what this means for AI applications with the heavy weight towards input tokens. Conversational AI applications, streaming data inputs, caching for summarization, etc. The horizon looks really bright for Groq.

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