Young Adult Contemporary Romance Quotes

“You can be Han Solo," he said, kissing her throat. "And I'll be Boba Fett. I'll cross the sky for you.”
― Rainbow Rowell, Eleanor & Park

“I love you," he said.

She looked up at him, her eyes shiny and black, then looked away. "I know," she said.

He pulled one of his arms out from under her and traced her outline against the couch. He could spend all day like this, running his hand down her ribs, into her waist, out to her hips and back again.... If he had all day, he would. If she weren't made of so many other miracles.

"You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know."

"I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh.

"Well, I'm not the Princess Leia," he said.

"Don't get so hung up on gender roles," Eleanor said.”
― Rainbow Rowell, Eleanor & Park

“The hours tick by as I lie in bed.
Memories keep surfacing, tormenting me into unbelievable sadness. I can't bring myself to move. I can't fight the memories that keep filling my thoughts. I stay curled in the fetal position as each memory plays out. I can't stop them from coming. I can't make them go away. Nothing can distract me. I can't block the memories, so they continue to come.”
― Ashley Earley, Alone in Paris

“ Lonely.
My heart grips as the word crosses my mind. So many different feelings come with the word, not just loneliness. The word went beyond its definition. Loneliness has a deeper meaning to those who truly know what it means to be alone.”
― Ashley Earley, Alone in Paris

“I am light and stardust in his hands.”
― Sierra Abrams, The Color Project

“I can feel that I'm in a dream, but I can't wake myself up.”
― Ashley Earley, The Darkest Light

“He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.”

I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.”

He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.”

I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand.

He lets his hand fall back to his side. “At least I got you to say something non-hostile.”

“I haven’t been hostile,” I object.

His eyebrows shoot up. “Oh, haven’t you?”

“Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door.

“Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me.

“That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.”
― Ashley Earley, Alone in Paris

“It feels like someone is gripping my heart and twisting it. It feels like I can't breathe. I shut my eyes tightly against the memory that is threatening to surface. I can't breathe.
Can't breathe. Can't breathe!”
― Ashley Earley, Alone in Paris

“I did it." Who leaves a message like that? Who is so paranoid that they have to be so cryptic? If this wasn't day one of my Summer of Nothing, I might be in a hurry to figure this out. but first: breakfast.”
― Julie Halpern, Don't Stop Now

“Normally I didn't attend my father's funerals unless I was scheduled to sing, but it wasn't every day Dad buried a rock star.”
― Linda Budzinski, The Funeral Singer

“I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me”
― Ashley Earley, Alone in Paris

“Every gesture and every look he gives me takes me by surprise and causes my heart to stutter.”
― Ashley Earley, Alone in Paris

“He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.”
― Ashley Earley, Alone in Paris

“One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore.
Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.”
― Ashley Earley, Alone in Paris

“He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask.
I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.”
― Ashley Earley, Alone in Paris

“I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.”
― Ashley Earley, Alone in Paris

“I'm being pulled under - father and farther from the surface. My lungs continue to scream for air. Panic is building inside me, threatening to combust. I can't break free.
Help! I can't break free!
I open my mouth to scream.”
― Ashley Earley, Alone in Paris

“Night has settled over Paris.
The streets have cleared of the crowds, and the city has been lit up. I set my book down, deciding to go for a walk. The Eiffel Tower is only a few blocks away. Now that there aren't many people out, I can walk there without having to fight my way through mobs of gawking tourists.”
― Ashley Earley, Alone in Paris

“I take in all the colorful locks that line the bridge. Each one told a story. Each lock represented a relationship that was once special, whether it ended or turned into true happiness. The locks represented a past, present, and a possible future.”
― Ashley Earley, Alone in Paris

“When we step onto the bridge, Nathan turns and spreads his arms out wide. ‘Welcome to Pont des Arts, a.k.a. The Lock Bridge.”
― Ashley Earley, Alone in Paris

“I freeze, my feet suddenly glued to the floor. It takes me a minute to gather the courage to turn around, but when I do, I immediately wish I hadn't. The boy is standing in the doorway at the end of the hall.
Why is he here again? I barely allow myself time to ask the question before I move. Panicked, I turn and run back downstairs as fast as I can.
"Hey! Wait!" he calls after me.
I don't stop.”
― Ashley Earley, Alone in Paris

“I chose to stay awake, this time lulled by the sounds of a very special mixtape made for me by a very special boy who just might have my heart.”
― E. S. Rosalynn

“I am ready for battle. I am ready to fight.”
― Ashley Earley, The Darkest Light

“The boy took my sketchbook.”
― Ashley Earley, Alone in Paris

“Ger,” he said. “My cousin Ger. Yours too by adoption. Remember him? The one you have yet to meet.”

“What about him?” “Pay attention. I said I can get him to beta read for you.”

“What? Why?”

“Why not? He’s got plenty of practice. His little sister, Bonnie, forces him to beta read all her namby pamby stuff. We can slip your draft into the stack and see what he has to say. Be warned though. He makes Bonnie cry.”

“Does he?”

“Uh-huh. He’s like Pa in that regard. They expect perfection everywhere and they can’t lie their way out of a paper bag when they encounter imperfection. So, won’t be great for your morale or anything, but your draft will get pounded into shape.”
― Sonal Panse, The Sunshine Time - Season 1 Episode 15