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Car Crash Quotes

Quotes tagged as "car-crash" Showing 1-29 of 30
Maggie Stiefvater
“There was no other sound in the world like a car crash.”
Maggie Stiefvater, The Dream Thieves

Ashley Earley
“The hours tick by as I lie in bed.
Memories keep surfacing, tormenting me into unbelievable sadness. I can't bring myself to move. I can't fight the memories that keep filling my thoughts. I stay curled in the fetal position as each memory plays out. I can't stop them from coming. I can't make them go away. Nothing can distract me. I can't block the memories, so they continue to come.”
Ashley Earley, Alone in Paris

Ashley Earley
Lonely.
My heart grips as the word crosses my mind. So many different feelings come with the word, not just loneliness. The word went beyond its definition. Loneliness has a deeper meaning to those who truly know what it means to be alone.”
Ashley Earley, Alone in Paris

J.G. Ballard
“If we really feared the crash, most of us would be unable to look at a car, let lone drive one.”
JG Ballard

Ashley Earley
“He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.”

I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.”

He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.”

I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand.

He lets his hand fall back to his side. “At least I got you to say something non-hostile.”

“I haven’t been hostile,” I object.

His eyebrows shoot up. “Oh, haven’t you?”

“Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door.

“Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me.

“That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.”
Ashley Earley, Alone in Paris

Ashley Earley
“One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore.
Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.”
Ashley Earley, Alone in Paris

Ashley Earley
“He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask.
I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.”
Ashley Earley, Alone in Paris

Leif Enger
“I'd have sunk in the car if Marcus Jetty hadn't been doing a little late-season beachcombing. Marcus runs Greenstone Salvage and Tinker, a famous local eyesore of bike frames, tube amps, hula poppers, oil drums, and knobs of driftwood. He was picking along the jagged strand in his raincoat, eye on a fat cork from somebody's herring net, when a car approached on the highway above. He later described the sounds of a whining V6 and thumping bass line before the barrier burst to shrapnel and the world for a moment muffled itself.”
Leif Enger, Virgil Wander

Kurt Vonnegut Jr.
“The gaping trunk looked like the mouth of a village idiot who was explaining that he didn't know anything about anything.”
Kurt Vonnegut, Slaughterhouse-Five

Douglas Coupland
“I think that emotions affect you as much as x-rays and vitamins and car crashes.”
Douglas Coupland

Ashley Earley
“I'm being pulled under - father and farther from the surface. My lungs continue to scream for air. Panic is building inside me, threatening to combust. I can't break free.
Help! I can't break free!
I open my mouth to scream.”
Ashley Earley, Alone in Paris

Ashley Earley
“Night has settled over Paris.
The streets have cleared of the crowds, and the city has been lit up. I set my book down, deciding to go for a walk. The Eiffel Tower is only a few blocks away. Now that there aren't many people out, I can walk there without having to fight my way through mobs of gawking tourists.”
Ashley Earley, Alone in Paris

“Everything started to move in slow motion. A vehicle was coming up the hill in the opposite direction, facing us but in its own lane. With vehicles parked on both sides of the road, this meant that there was just a narrow passage area for both vehicles to pass through. However, he had yet to reduce his speed, and now I knew which car he was going to hit. I was frozen stiff with fear in the front passenger seat, as I helplessly watched him slam into the back of a parked car. I was not wearing a seat belt, so upon impact my head crashed into the windshield. I was then slammed back into my seat, but with such force that everything went black.”
Drexel Deal, The Fight of My Life is Wrapped Up in My Father

Ashley Earley
“I take in all the colorful locks that line the bridge. Each one told a story. Each lock represented a relationship that was once special, whether it ended or turned into true happiness. The locks represented a past, present, and a possible future.”
Ashley Earley, Alone in Paris

Ashley Earley
“I freeze, my feet suddenly glued to the floor. It takes me a minute to gather the courage to turn around, but when I do, I immediately wish I hadn't. The boy is standing in the doorway at the end of the hall.
Why is he here again? I barely allow myself time to ask the question before I move. Panicked, I turn and run back downstairs as fast as I can.
"Hey! Wait!" he calls after me.
I don't stop.”
Ashley Earley, Alone in Paris

Katherine McIntyre
“Train Wreck and Car Crash hadn’t just referred to the continual disappointments they were to friends and family. Their collisions were legendary—and inevitable.”
Katherine McIntyre, Forged Redemption

Elly Blue
“Teen drivers are more dangerous even than drivers in their eighties. And safety education, including showing teens gory movies of car crashes, has little effect.”
Elly Blue, Bikenomics: How Bicycling Can Save The Economy

Carla H. Krueger
“Writing Skinny Chris was a very odd process – it felt like I had brought back to life a dead man and then killed him again.”
Carla H. Krueger

Curtis Tyrone Jones
“You're such a sweet catastrophe you dance disastrously on my mind, distracting me with beautiful texts to crash into each other's lives.”
Curtis Tyrone Jones

Criss Jami
“Every now and then, even the best driver around can still crash - granted, if the surrounding people are sound asleep at the dash.”
Criss Jami

“Driving your body under the influence is a cause of car accidents.”
Tamerlan Kuzgov

“Improving road safety is not merely a matter of reducing fatalities; it is an integral aspect of achieving broader sustainable development goals. As the global community strives towards creating safer and more inclusive societies, road safety must occupy a central place in policy discussions. This involves not only addressing immediate challenges but also fostering a culture of responsible driving, improving emergency response capabilities, and implementing sustainable urban planning practices.”
Shivanshu K. Srivastava

“As the world navigates the complex crossroads of urbanization, technology, and societal needs, ensuring the safety of road users must be a shared responsibility, transcending borders and economic divides.”
Shivanshu K. Srivastava