Classical Archaeology Research Papers

Missione Archeologica Unibo ad Agrigento 6 giugno alle ore 9:28 · Field School 2018 - Hellenistic painting The Archaeological and Landscape Park “Valley of the Temples” of Agrigento, in collaboration with the University of Bologna,... more

No serious study of ancient Roman topography and its monuments is undertaken without consulting the work of Rodolfo Lanciani (1845-1929), the archaeologist and scholar of ancient Rome. His Forma Urbis Romae, a large map published in... more

No serious study of ancient Roman topography and its monuments is undertaken without consulting the work of Rodolfo Lanciani (1845-1929), the archaeologist and scholar of ancient Rome. His Forma Urbis Romae, a large map published in sections between 1893 and 1901, captures all that was then known of the existence of the built world in the city. His multi-volumed Storia degli Scavi (1902-1913) is a formidable reference work, filled with notices of archaeological finds made in Rome from c. 1000 to 1870. Beginning in c. 1871, Lanciani provided innumerable articles and notes for two primary journals published by the Italian state and Rome' s municipal government, respectively, Notizie degli Scavi and Bulletino della Commissione archeologica comunale di Roma, on artifacts or buildings being freshly unearthed in Rome. In addition, he wrote English-language books and articles, using the recent discoveries to educate an Anglo-American audience about ancient Roman culture.

Although his life has been fully examined by Domenico Palombi in 2006, a rigorous examination of Lanciani' s formidable scholarly production has not yet been undertaken. This monograph will do this, positioning some of his fascinations, interpretations, and presentations of ancient Rome within a broad context of historical and cultural events in late 19th- / early 20th-century Rome. It scrutinizes Lanciani' s published work with the following in mind: the subtle transformations in the practice of archaeology in Italy, the extreme destruction of ancient Rome during the construction of the modern capital, the variable oversight of the bureaucratic archaeological services in Rome, and the heated political discourse over the ownership and display of cultural patrimony in the new nation. In addition, it takes into account that Lanciani's publications significantly contributed and responded to the interests of a nexus of international scholars, archaeologists, collectors, and museum professionals, including those from the United States.

Susan M. Dixon is Chair of the Art Department and Associate Professor of Art History at La Salle University, Philadelphia, PA.
Bibliography:
2006: Between the Real and the Ideal: The Accademia degli Arcadi and its garden in eighteenth-century Rome (Newark, DE: University of Delaware Press/Associated University Presses)
Edited Books:
2015: Art and Social Change: Essays on the La Salle University Art Museum Collection, co-editor with Klare Scarborough (Philadelphia: La Salle University Art Museum)
2014: Printmakers of the Baroque: Explorations of Space and Light in 17th-Century Prints, editor, exhibition catalogue (Philadelphia: La Salle University Art Museum) - undergraduate student essays
2008: Italian Baroque Art: An Anthology of Teaching Sources, editor (London: Blackwell Publishing)

Dixon Susan M.

Year: 2019
Publisher: L'ERMA di BRETSCHNEIDER
Series: Studia Archaeologica, 231
ISBN: 978-88-913-1874-9
Binding: Paperbacj
Pages: 180, 40 ill. B/N
Size: 17 x 24 cm

Το νέο βιβλίο του Δημήτρη Πλάντζου εντάσσεται στον χώρο της πολιτισμικής κριτικής και στόχος του είναι να διερευνήσει τους τρό-πους με τους οποίους η κλασική αρχαιότητα επιβάλλεται ως βιο-πολιτικό εργαλείο στη σημερινή Ελλάδα· δηλαδή ως... more

Το νέο βιβλίο του Δημήτρη Πλάντζου εντάσσεται στον χώρο της πολιτισμικής κριτικής και στόχος του είναι να διερευνήσει τους τρό-πους με τους οποίους η κλασική αρχαιότητα επιβάλλεται ως βιο-πολιτικό εργαλείο στη σημερινή Ελλάδα· δηλαδή ως μηχανισμός οργάνωσης ομάδων και συλλογικοτήτων γύρω από συγκεκριμένες πολιτικές ή ιδεολογικές ατζέντες, με πρόσχημα ένα καταστατικό αρχαιολατρικό ήθος. Το βιβλίο καλύπτει την τελευταία περίπου δεκαετία – από την τελετή έναρξης του 2004 έως την Αμφίπολη. Ενδιαμέσως αναλύονται άλλες στιγμές του πρόσφατου εθνικού βίου: τελετές και επιτελέσεις μικρότερης εμβέλειας, αλλά και οι αρ-χαιολατρικές χρήσεις του παρελθόντος στα επεισόδια της Κερα-τέας, στις πιο πρόσφατες οργανωμένες αντιδράσεις στη λεγόμενη «μνημονιακή» πολιτική, ή στην πολιτική και κοινωνική δράση του ομοφυλόφιλου κινήματος. Το ιστορικό υπόβαθρο αυτών των εξε-λίξεων καλύπτεται με αναδρομές στην πνευματική παραγωγή 100 και πλέον χρόνων – από τους ποιητές της γενιάς του '30 έως τους σημερινούς επιγόνους τους, με ενδιάμεσους σταθμούς τον λαϊ-κό ελληνικό κινηματογράφο, τη μοντερνιστική αρχιτεκτονική και ζωγραφική, τον Χατζιδάκι, τον Θεοδωράκη, τον Σαββόπουλο, τη Γιουροβίζιον. Αν και δεν πρόκειται για ένα βιβλίο για την κρίση, Το πρόσφατο μέλ-λον επιχειρεί να σκιαγραφήσει την πολιτισμική ιστορία της κρίσης: τους λόγους περί βίας, κοινωνίας των πολιτών, και ευρωπαϊκού κεκτημένου, καθώς και τη διαπλοκή τους στον λόγο περί παρελ-θόντος ως μηχανισμού για τον καθορισμό (όσο και τον έλεγχο) του παρόντος. Τολμά επίσης την κριτική προσέγγιση σε ένα ακαν-θώδες ζήτημα της νεοελληνικής κουλτούρας: τον τρόπο που η κλασική κληρονομιά προσφέρεται για χρήση από τον ακροδε-ξιό χώρο (είτε πρόκειται για τη Χρυσή Αυγή είτε για ομάδες και συλλογικότητες που αφιερώνουν χρόνο και προσπάθεια στη διά-δοση και εμπέδωση υπερσυντηρητικών, ξενοφοβικών, σεξιστικών και ακραία εθνικιστικών ιδεών, με πρόσχημα την καλλιέργεια της κλασικής κληρονομιάς).

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- by Dimitris Plantzos
- •
- 5
  Cultural Studies, Classical Archaeology, Classics, Biopolitics

The density of decoration on Αttic Late Geometric vases led to the use of the term horror vacui (repulsion of emptiness) in order to qualify a dominant trend of vase painting of this era. But while the crowded decoration of the above... more

TABLE RONDE INTERNATIONALE
MER. 23.10.2019 | JEU. 24.10.2019
À L'ENSAM - MONTPELLIER (FRANCE)

5e ÉCHANGES TRANSDISCIPLINAIRES
SUR LES CONSTRUCTIONS EN TERRE CRUE

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- by Sabine Ladstaetter and +1
  Ephesos Excavations
- •
- 6
  Archaeology, Classical Archaeology, Archaeological Excavation, Asia Minor

This chapter presents the important but not very well known archival material relating to James Stewart’s Vounous excavations kept in the archive of the Medelhavsmuseet, Stockholm. The Medelhavsmuseet was founded in 1954 as a direct... more

Preface; I. Introduction: I.1 Prelude "To Imitate the Bees"; I.2 Towards an Interpretation of Spolia: Delimitations and Methods; I.3 Reuse The Development of a New Architectural Practice; II. Translatio of Materials: II.1 Fragments and... more

"Roma fue un ejemplo para la humanidad en la aplicación de la ciencia al servicio del hombre. Su avanzado derecho es hoy todavía la base del nuestro y la ingeniería era empleada en las grandes realizaciones al servicio del pueblo, las... more

From the Contents: François Salviat, Le vin de Thasos. Amphores, vin et sources écrites; François Salviat, Vignes et vins anciens de Maronée à Mende; François Salviat, Le vin de Rhodes et les plantations du Dème d' Amos; François Salviat,... more

Thoroughly rewritten 7th edition of a textbook for freshmen students of history, classics, archaeology, ancient studies and a general readership interested in the history of ancient Near East and the Graeco-Roman world. The new edition... more

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- by R.J. (Bert) van der Spek and +1
  Lukas de Blois
- •
- 26
  History, Ancient History, Economic History, Archaeology

Τhis lavishly illustrated book surveys Greek archaeology from the collapse of the Mycenaean palaces to the subordination of the last Hellenistic kingdoms to Rome. Its aim is to study Greek art through the material record, and against its... more

Excavations at Lefkandi have dispelled much of the gloom enshrouding the Early Iron Age, revealing a community with significant disposable wealth and with connections throughout the Mediterranean. The eastern imports in particular have... more

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- by Jenifer Neils
- •
- Classical Archaeology

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- by sophie bouffier and +1
  Iván Fumadó Ortega
- •
- 16
  Classical Archaeology, Geoarchaeology, Environmental Archaeology, Water History

An article considering the hoard of ten Roman gold aurei recently found in the Norfolk Broads.

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- by Adrian Marsden
- •
- 20
  History, Archaeology, Classical Archaeology, Numismatics

Textiles comprise a vast and wide category of material culture and constitute a crucial part of the ancient economy. Yet, studies of classical antiquity still often leave out this important category of material culture, partly due to the... more

Textiles comprise a vast and wide category of material culture and constitute a crucial part of the ancient economy. Yet, studies of classical antiquity still often leave out this important category of material culture, partly due to the textiles themselves being only rarely preserved in the archaeological record. This neglect is also prevalent in scholarship on ancient Greek religion and ritual, although it is one of the most vibrant and rapidly developing branches of classical scholarship. The aim of the present enquiry is, therefore, to introduce textiles into the study of ancient Greek religion and thereby illuminate the roles textiles played in the performance of Greek ritual and their wider consequences.

Among the questions posed are how and where we can detect the use of textiles in the sanctuaries, and how they were used in rituals including their impact on the performance of these rituals and the people involved. Chapters centre on three themes: first, the dedication of textiles and clothing accessories in Greek sanctuaries is investigated through a thorough examination of the temple inventories. Second, the use of textiles to dress ancient cult images is explored. The examination of Hellenistic and Roman copies of ancient cult images from Asia Minor as well as depictions of cult images in vase-painting in collocation with written sources illustrates the existence of this particular ritual custom in ancient Greece. Third, the existence of dress codes in the Greek sanctuaries is addressed through an investigation of the existence of particular attire for ritual personnel as well as visitors to the sanctuaries with the help of iconography and written sources.

By merging the study of Greek religion and the study of textiles, the current study illustrates how textiles are, indeed, central materialisations of Greek cult, by reason of their capacity to accentuate and epitomize aspects of identity, spirituality, position in the religious system, by their forms as links between the maker, user, wearer, but also as key material agents in the performance of rituals and communication with the divine.

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- by Eugene Y Wang
- •
- 12
  Classical Archaeology, Art History, Chinese Philosophy, Art Theory

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- by Sabine Ladstaetter and +1
  Ephesos Excavations
- •
- 6
  Archaeology, Classical Archaeology, Archaeological Excavation, Asia Minor

(review- english)
R. Sahin, Die Mosaiken Westkleinasiens (Tessellate des 2. Jahrhunderts v. Chr. bis Anfang des 7. Jahrhunderts n. Chr.), Veronika Scheibelreiter-Gail, JMR 8, 2015, 185-187.

Research undertaken in Durham University, Faculty of Social Sciences and Health: Department of Archaeology; supervised by Dr Anna Leone. Viva voce examination held on April 15th, 2016. Examiners: Prof. Roland R. R. Smith (University of... more

Though Odysseus’ tales to Eumaios and Aninoos in Odyssey 14.199–359 and 17.417–44, respectively, are presented as fictional tales within Homer’s larger myth, some elements have striking analogs in Late Bronze–Early Iron Age reality.... more

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- by Jeff Emanuel
- •
- 70
  Ancient History, Military History, Archaeology, Classical Archaeology

The recording and precise positioning of coin finds are extremely important for the study of monetary circulation in the region to the North of the Black Sea. In recent decades progress has been made in this field and the situation in the... more

Ninina Cuomo di Caprio Series: Studia Archaeologica, 144 Format: 17 x 24 cm Binding: Hardcover with dustjacket Pages and Illustrations: 720, 200 b/w ill Publication Year: 2007 PDF ISBN 9788891317490 ISBN:... more

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- by Achim Lichtenberger
- •
- 16
  Ancient History, Classical Archaeology, Classics, Iconography

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- by Dominik Maschek
- •
- 26
  History, Ancient History, Archaeology, Classical Archaeology

I membri del collegio di Nemesiaci oggetti di richiamo imperiale in un provvedimento del 412 nel Codice Teodosiano sono figure di controversa interpretazione nella storia degli studi. Per comprendere le attività da essi svolte e come... more

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- by Francesca Diosono
- •
- 17
  Classical Archaeology, Classics, Roman History, Roman Law

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- by Irene Lemos
- •
- 2
  Archaeology, Classical Archaeology

This is a published doctoral thesis in Turkish language at the Dokuz Eylül University, submitted by Gülseren Kan Şahin in 2015. In this dissertation pottery finds from Hadrianopolis and its chora in southwestern Paphlagonia (northwestern... more

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- by Daniel Fallmann and +1
  Catherine Krier
- •
- 4
  Classical Archaeology, History of Drinking, Ancient Greek Pottery, Greek symposion

This book presents a new study of Greek large-scale bronze statuary of the late Archaic and Classical periods. It examines the discovery, origin, style, date, artistic attribution, identification, and interpretation of the surviving... more

Preface; 1 Introduction; 2 Materials, technique and building devices; 3 The foundation and the core of the podium and of the tribunal; 4 The measuring system and proportions of the temple; 5 The facing of he podium and the tribunal; 6 The... more

Wachsmann, S. and D. D. Haldane (1997). Anchors. The Oxford Encyclopedia of Near Eastern Archaeology. E. M. Meyers, Ed. New York, Oxford University Press. I: 137-140.

Hadrianopolis is a site located on the principal western route from the Central Anatolian plain through the mountains to Bartın and the Black Sea, 3 km west of the modern town of Eskipazar, near Karabük, in what was in Roman times... more

Classical Archaeology

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