‘N/A’ Review: For Nancy Pelosi and A.O.C., It’s a House Divided
Is moral leadership possible without parliamentary power? Two very familiar congresswomen battle it out onstage.
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![Do you recognize these Democrats? Holland Taylor, left, as N and Ana Villafañe as A in Mario Correa’s play “N/A.”](https://cdn.statically.io/img/static01.nyt.com/images/2024/06/28/multimedia/27n-a-review-mzfg/27n-a-review-mzfg-thumbLarge.jpg?auto=webp)
![Do you recognize these Democrats? Holland Taylor, left, as N and Ana Villafañe as A in Mario Correa’s play “N/A.”](https://cdn.statically.io/img/static01.nyt.com/images/2024/06/28/multimedia/27n-a-review-mzfg/27n-a-review-mzfg-threeByTwoMediumAt2X.jpg?auto=webp)
Is moral leadership possible without parliamentary power? Two very familiar congresswomen battle it out onstage.
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Jonathan Tunick, Stephen Sondheim’s longtime collaborator, unveiled a grand orchestration of “A Little Night Music” that deserves more than a concert.
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The organization, which won this year’s best play revival Tony Award for “Appropriate,” has chosen Evan Cabnet as its next artistic director.
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“BOOP! The Betty Boop Musical” had a run in Chicago last year. It is slated to open at a Shubert theater in April.
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After a Brief Run, ‘Tommy’ Revival to Close on Broadway
“The Who’s Tommy,” which has a rock score by Pete Townshend, will end on July 21. A national tour is in the works.
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Review: A ‘Ulysses’ That Squeezes Bloomsday Into 2 Hours, 40 Minutes
Elevator Repair Service’s staged reading of the huge James Joyce novel retains much of its humor, pathos and bawdiness.
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‘I Might Be Real-Life Good at This’: Shooting for Broadway at the Jimmy Awards
The awards, which celebrated excellence in high school musical theater on Monday, have become a launchpad for future stars and Tony nominees.
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Review: In ‘Find Me Here,’ Sisters Grapple With a Father’s Will, and His Legacy
A family gathering fuels Crystal Finn’s new play, in which an excellent cast teases out the many complications of inheritance.
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What to See on London Stages This Summer
British theater recommendations for visitors and residents of all ages — and inclinations.
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The play will be produced by Second Stage, which is also planning an Off Broadway production of a two-character drama by Donald Margulies.
By Michael Paulson
He left a career in tech and found success as a producer, winning four Tonys. His mission: staging productions about underrepresented communities.
By Richard Sandomir
Gov. Ron DeSantis gave no explanation for zeroing out the $32 million in grants that were approved by state lawmakers.
By Patricia Mazzei
After an $80 million expansion, the Folger Shakespeare Library is reopening with a more welcoming approach — and all 82 of its First Folios on view.
By Jennifer Schuessler
The playwright Annie Baker shares the artistic influences behind her feature film debut.
By Robert Ito
Resetting the “Memory” musical in the world of ballroom competitions makes for a joyful reincarnation.
By Jesse Green
He turned “an insignificant trade house” into a powerhouse, publishing best sellers like “The Silence of the Lambs” and “All Creatures Great and Small.”
By Sam Roberts
BAM, which has faced cutbacks in recent years, unveiled a reorganization as it announced its Next Wave Festival for the fall.
By Annie Aguiar
Annie Baker’s debut feature film is a tiny masterpiece — a perfect coming-of-age story for both a misfit tween and her mother.
By Alissa Wilkinson
Marin Ireland’s play opens with Tatiana Maslany in a rotating cast of stars, and “What Became of Us” continues its own experiment with changing casts.
By Laura Collins-Hughes
As a journalist and later as a Yale professor, she provided the intellectual tools to help actors, directors and audiences understand challenging theatrical work.
By Clay Risen
Maria and Sonia Friedman discussed their long history with “Merrily We Roll Along,” after a bittersweet Tony Awards.
By Michael Paulson
“The Heart of Rock and Roll” is the first new Broadway musical to announce a closing plan following Sunday’s Tony Awards.
By Michael Paulson
The English actor was injured during a performance of “Player Kings,” and the show was abruptly canceled. He is expected to perform again on Wednesday.
By Claire Moses
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A new play from the writers of “The Jungle” dramatizes the 1997 Kyoto Protocol, a landmark climate agreement preceded by years of arguments over its wording.
By Alex Marshall
A play from Denmark, with a South African cast, turns the heroic tropes of horse operas into the tools of tragedy at St. Ann’s Warehouse in Brooklyn.
By Jesse Green
As part of a wave of reimagined Andrew Lloyd Webber musicals, a new revival of “Cats” unfolds as a ballroom competition.
By Joshua Barone
The event gave Broadway stars a chance to step out of their costumes and into outfits that showcased personal style.
By The Styles Desk
All of the actors who took home Tonys were first-time winners. Here’s what they had to say after their wins.
By Annie Aguiar
Spirited celebrations that included an official after-party at Lincoln Center and a gathering at the Carlyle Hotel, where revelers broke out in show tunes, continued until nearly 5 a.m.
By Nancy Coleman and Sarah Bahr
The two stars brought down the house with “Empire State of Mind,” their 2009 love song to New York City, which they had recorded earlier on a grand marble staircase outside the auditorium.
By Julia Jacobs and Michael Paulson
Alicia Keys and Jay-Z’s high-wattage performance was a highlight, as were first-time wins for Kecia Lewis, Jonathan Groff and David Adjmi.
By The New York Times
Moon, 21, made her Broadway debut in the Alicia Keys musical “Hell’s Kitchen.”
By The New York Times
The gritty, bloody and relentlessly youthful musical features some of the most effectively vivid violence seen on a Broadway stage.
By Michael Paulson
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The gregarious performer who loves and is loved by Broadway picked up a trophy for best leading actor in a musical.
By Michael Paulson
In the searing family drama “Appropriate,” Paulson plays an elder sister intent on protecting her father’s legacy.
By Julia Jacobs
The musical by Stephen Sondheim follows the implosion of a three-way friendship in reverse chronological order.
By Michael Paulson
It was the fifth award of the night for the production, a meditation on the joy and torture of creative collaboration.
By Alexis Soloski
Rivera, who dazzled Broadway audiences for nearly seven decades, died in January at the age of 91.
By The New York Times
“Merrily We Roll Along” is Radcliffe’s fifth show on Broadway, but the first for which he was even nominated for a Tony Award.
By Michael Paulson
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