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‘N/A’ Review: For Nancy Pelosi and A.O.C., It’s a House Divided
Is moral leadership possible without parliamentary power? Two very familiar congresswomen battle it out onstage.
By Jesse Green
Is moral leadership possible without parliamentary power? Two very familiar congresswomen battle it out onstage.
By Jesse Green
Elevator Repair Service’s staged reading of the huge James Joyce novel retains much of its humor, pathos and bawdiness.
By Jesse Green
A family gathering fuels Crystal Finn’s new play, in which an excellent cast teases out the many complications of inheritance.
By Elisabeth Vincentelli
Resetting the “Memory” musical in the world of ballroom competitions makes for a joyful reincarnation.
By Jesse Green
Marin Ireland’s play opens with Tatiana Maslany in a rotating cast of stars, and “What Became of Us” continues its own experiment with changing casts.
By Laura Collins-Hughes
A play from Denmark, with a South African cast, turns the heroic tropes of horse operas into the tools of tragedy at St. Ann’s Warehouse in Brooklyn.
By Jesse Green
A somber yet witty play set in 18th-century England is a clever perversion of a courtroom drama that features strong performances from an ensemble cast.
By Maya Phillips
Her frenetic new dance-theater work, which opens a new festival at the new park on the Hudson, includes references to Camus and music by T Bone Burnett.
By Naveen Kumar
Maury Yeston’s score, stupendously played and sung, is the star of the final production of an excellent Encores! season at New York City Center.
By Jesse Green
Samm-Art Williams’s 1979 play about the uprooting of a Black farmer returns to Broadway for the first time.
By Jesse Green
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