Journal Description
Heritage
Heritage
is an international, peer-reviewed, open access journal of cultural and natural heritage science published monthly by MDPI.
- Open Access— free for readers, with article processing charges (APC) paid by authors or their institutions.
- High Visibility: indexed within Scopus, ESCI (Web of Science), and other databases.
- Journal Rank: JCR - Q2 (Multidisciplinary Sciences) / CiteScore - Q1 (Conservation)
- Rapid Publication: manuscripts are peer-reviewed and a first decision is provided to authors approximately 17.7 days after submission; acceptance to publication is undertaken in 4 days (median values for papers published in this journal in the first half of 2024).
- Recognition of Reviewers: reviewers who provide timely, thorough peer-review reports receive vouchers entitling them to a discount on the APC of their next publication in any MDPI journal, in appreciation of the work done.
Impact Factor:
2.0 (2023);
5-Year Impact Factor:
1.9 (2023)
Latest Articles
The Study of Pigments in Cultural Heritage: A Review Using Machine Learning
Heritage 2024, 7(7), 3664-3695; https://doi.org/10.3390/heritage7070174 (registering DOI) - 11 Jul 2024
Abstract
In this review, topic modeling—an unsupervised machine learning tool—is employed to analyze research on pigments in cultural heritage published from 1999–2023. The review answers the following question: What are topics and time trends in the past three decades in the analytical study of
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In this review, topic modeling—an unsupervised machine learning tool—is employed to analyze research on pigments in cultural heritage published from 1999–2023. The review answers the following question: What are topics and time trends in the past three decades in the analytical study of pigments within cultural heritage (CH) assets? In total, 932 articles are reviewed, ten topics are identified and time trends in the share of these topics are revealed. Each topic is discussed in-depth to elucidate the community, purpose and tools involved in the topic. The time trend analysis shows that dominant topics over time include T1 (the spectroscopic and microscopic study of the stratigraphy of painted CH assets) and T5 (X-ray based techniques for CH, conservation science and archaeometry). However, both topics have experienced a decrease in attention in favor of other topics that more than doubled their topic share, enabled by new technologies and methods for imaging spectroscopy and imaging processing. These topics include T6 (spectral imaging techniques for chemical mapping of painting surfaces) and T10 (the technical study of the pigments and painting methods of historical and contemporary artists). Implications for the field are discussed in conclusion.
Full article
(This article belongs to the Special Issue Latest Trends and Challenges in the Study of Pigments and Dyes and Their Degradation in Cultural Heritage Objects)
Open AccessArticle
Traditional Fish Leather Dyeing Methods with Indigenous Arctic Plants
by
Elisa Palomino, Lotta Rahme, Katrín María Káradóttir, Mitsuhiro Kokita and Sigmundur Páll Freysteinsson
Heritage 2024, 7(7), 3643-3663; https://doi.org/10.3390/heritage7070173 (registering DOI) - 11 Jul 2024
Abstract
Along the Arctic and sub-Arctic coasts of Alaska, Siberia, north-eastern China, Hokkaido, Scandinavia and Iceland, people have dressed in clothes or worn shoes made of fish skin for millennia. (Within this article, the terms fish skin and fish leather are used to indicate
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Along the Arctic and sub-Arctic coasts of Alaska, Siberia, north-eastern China, Hokkaido, Scandinavia and Iceland, people have dressed in clothes or worn shoes made of fish skin for millennia. (Within this article, the terms fish skin and fish leather are used to indicate different processes of the same material. Fish skin: Skin indicates the superficial dermis of an animal. Fish skin is referred to as the historical raw material that is tanned following traditional methods such as mechanical, oiling and smoking tanning, using materials such as bark, brain, urine, fish eggs and corn flour. Fish leather is used to refer that the fish skin has passed one or more stages of industrial vegetable or chrome tanning production and is ready to be used to produce leather goods). These items are often decorated with a rich colour palette of natural dyes provided by nature. In this study, minerals and raw materials of plant origin were collected from riverbanks and processed by Arctic seamstresses who operated as designers, biochemists, zoologists, and climatologists simultaneously. During our research, an international team of fashion, tanning and education specialists used local Arctic and sub-Arctic flora from Sweden, Iceland, and Japan to dye fish leather. Several plants were gathered and sampled on a small scale to test the process and determine the colours they generated based on the historical literature and verbal advice from local experts. This paper describes the process and illustrates the historical use of natural dyes by the Arctic groups originally involved in this craft, building on the traditional cultural heritage that has enabled us to develop sustainable dyeing processes. The results are promising and confirm the applicability of these local plants for dyeing fish skins, providing a basis for a range of natural dye colours from local Arctic flora. The aim is to develop a moderate-sized industrial production of fish leather in this colour palette to replace current unsustainable chemical dyeing processes. This project represents an innovation in material design driven by traditional technologies, addressing changes in interactions between humans and with our environment. The results indicate that new materials, processes, and techniques are often the fruitful marriage of fashion and historical research of traditional methods, helping the industry move towards a more sustainable future.
Full article
(This article belongs to the Special Issue Dyes in History and Archaeology 42)
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Open AccessArticle
Practices and Rules of 16th Century Genoese Gilding: Exploring Gold Leaf Thickness and Caratage through X-ray and Ion Beam Techniques
by
Letizia Ciarlo, Massimo Chiari, Maria Clelia Galassi, Maurizio Ferretti, Elias Sideras-Haddad, Alessandro Zucchiatti and Elena Castagnotto
Heritage 2024, 7(7), 3630-3642; https://doi.org/10.3390/heritage7070172 (registering DOI) - 11 Jul 2024
Abstract
This study investigates the practices and rules of Genoese gilding, drawing insights from a 16th-century manuscript containing regulations for gold leaf production. Employing X-ray and ion beam techniques, we quantitatively assess the manuscript’s gold leaf thickness without destructive sampling. Artisanal goldbeater-produced leaves of
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This study investigates the practices and rules of Genoese gilding, drawing insights from a 16th-century manuscript containing regulations for gold leaf production. Employing X-ray and ion beam techniques, we quantitatively assess the manuscript’s gold leaf thickness without destructive sampling. Artisanal goldbeater-produced leaves of different thicknesses, applied with a guazzo or mordant technique, served as standards. Further analysis of samples with unknown thickness from the furniture of Palazzo Spinola di Pellicceria in Genoa (Italy) has confirmed the method’s applicability to practical cases. External beam Rutherford backscattering spectrometry (RBS) and particle-induced X-ray emission (PIXE) analyses were carried out using 3 MeV protons at the LABEC accelerator laboratory in Florence. A linear relationship between Gold Lα peak yield and leaf thickness, as measured by RBS, has been established for optimal calibration of portable or hand-held X-Ray fluorescence (XRF) instrumentation for in situ measurements. Moreover, the caratage of the gold foil preserved in the manuscript has been assessed.
Full article
(This article belongs to the Special Issue X-ray Physics and Digital Imaging for the Study, Preservation and Protection of Cultural Properties)
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Open AccessArticle
New Evidence of Traditional Japanese Dyeing Techniques: A Spectroscopic Investigation
by
Ludovico Geminiani, Francesco Paolo Campione, Cristina Corti, Moira Luraschi, Sandro Recchia and Laura Rampazzi
Heritage 2024, 7(7), 3610-3629; https://doi.org/10.3390/heritage7070171 (registering DOI) - 10 Jul 2024
Abstract
The Japanese textile tradition is renowned for its intricate designs achieved through a variety of dyeing techniques, including kasuri, shibori, and paste-resist dyeing. These techniques are often combined within a single textile, resulting in exceptionally elaborate creations. Our paper delves into
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The Japanese textile tradition is renowned for its intricate designs achieved through a variety of dyeing techniques, including kasuri, shibori, and paste-resist dyeing. These techniques are often combined within a single textile, resulting in exceptionally elaborate creations. Our paper delves into the technical aspects and complexities of these methods, highlighting the dynamic interplay between tradition and innovation in Japanese textile production. Our scientific endeavour focused on some textiles dating between the 19th and 20th centuries and belonging to the Montgomery Collection of Japanese folk art. Employing non-invasive techniques such as visible reflectance spectroscopy and ER-FTIR spectroscopy, we uncovered key insights into the materials and methods utilized in the creation of these textiles. Our analysis revealed a diverse array of pigments and dyes, including plant-derived, inorganic, and synthetic variants. These findings illuminate the cultural syncretism between traditional Japanese practices and the adoption of new materials from the West, underscoring the dynamic nature of textile production in Japan. Furthermore, ER-FTIR spectroscopy elucidated the predominant use of cotton as the primary fibre in the textiles, aligning with historical records of Japan’s role as a major producer of cotton yarn. Analysis of white areas within the textiles revealed evidence of resist-paste dyeing techniques, particularly tsutsugaki and katazome, through the absence of dye penetration and the characteristic appearance of white lines. Confirmation of indigo dyeing techniques (aizome) was achieved through ER-FTIR spectroscopy, providing reliable identification of indigo and Prussian blue in various shades of blue present in the textiles. Additionally, the detection of Western-derived dyeing method (utsushi-yūzen) and free-hand painting (kaki-e), offers insights into the diversity of dyeing practices employed by Japanese artisans. The presence of proteinaceous materials and synthetic dyes observed in some textiles has implications for conservation practices, suggesting the need for tailored approaches to ensure the preservation of these culturally significant artifacts. Overall, these scientific results shed new light on the materials, techniques, and cultural contexts underlying Japanese textile production, advancing our understanding of this rich artistic heritage and informing future research endeavours in textile science and conservation.
Full article
(This article belongs to the Special Issue Dyes in History and Archaeology 42)
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Graphical abstract
Open AccessArticle
Generative Artificial Intelligence, Human Agency and the Future of Cultural Heritage
by
Dirk H. R. Spennemann
Heritage 2024, 7(7), 3597-3609; https://doi.org/10.3390/heritage7070170 - 9 Jul 2024
Abstract
The first half of 2023 was dominated by a public discussion of the nature and implications of generative artificial intelligence (genAI) models that are poised to become the most significant cross-cultural global disruptor since the invention of the World-Wide Web. It can be
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The first half of 2023 was dominated by a public discussion of the nature and implications of generative artificial intelligence (genAI) models that are poised to become the most significant cross-cultural global disruptor since the invention of the World-Wide Web. It can be predicted that genAI will affect how cultural heritage is being managed and practiced, primarily by providing analysis and decision-making tools, but also by genAI generated texts and images, in particular reconstructions of objects and sites. The more speculative interpretations of contexts and alternative interpretations generated by genAI models may constitute manifestations of cultural heritage in their own right. But do these constitute human cultural heritage, or are they AI cultural heritage? This paper is a deliberation of the realities and future(s) of cultural heritage in a genAI and post-genAI world.
Full article
(This article belongs to the Special Issue AI and the Future of Cultural Heritage)
Open AccessArticle
Developing a Multitasking Augmented Reality Application for Theatrical and Cultural Content
by
Irene Mamakou, Georgios Karafotias, Gabriel Gkourdoglou, Georgios Loumos, Antonios Kargas and Dimitrios Varoutas
Heritage 2024, 7(7), 3578-3596; https://doi.org/10.3390/heritage7070169 - 5 Jul 2024
Abstract
Implementing digital technologies, such as augmented reality and 3D modeling, to various cultural sectors is an ongoing procedure, especially favorable after the COVID-19 pandemic. Even though such technologies are common to museums, galleries and archaeological places all over the world, little research or
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Implementing digital technologies, such as augmented reality and 3D modeling, to various cultural sectors is an ongoing procedure, especially favorable after the COVID-19 pandemic. Even though such technologies are common to museums, galleries and archaeological places all over the world, little research or practical cases have been developed when it comes to theaters and theatrical costumes. The proposed research article describes the methodology of both reference material collection and application development, while an analysis of functions and aesthetic results are described, especially when it comes to 3D modeling. This paper’s aim is to reveal that theatrical operations (as part of the cultural sector) as well as structured parts (such as acts, performances and costumes) can be preserved and served to larger audiences via technological means, such as an augmented reality application.
Full article
(This article belongs to the Section Digital Heritage)
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Open AccessCorrection
Correction: Walker et al. Winds of Change: Urgent Challenges and Emerging Opportunities in Submerged Prehistory, a Perspective from the North Sea. Heritage 2024, 7, 1947–1968
by
James Walker, Vincent Gaffney, Rachel Harding, Andrew Iain Fraser, Simon Fitch and Victoria Boothby
Heritage 2024, 7(7), 3577; https://doi.org/10.3390/heritage7070168 - 5 Jul 2024
Abstract
Order of Authorship [...]
Full article
Open AccessArticle
Methodological Proposal to Resolve the Dichotomy between Improving Energy Efficiency and Preserving Heritage. Case Study: Brutalist Built Heritage
by
Eneko J. Uranga, Iñigo Lizundia and Leire Azcona
Heritage 2024, 7(7), 3554-3576; https://doi.org/10.3390/heritage7070167 - 3 Jul 2024
Abstract
The debate about how to conduct energy interventions in built heritage remains open. At present, the various European and national regulations allow the absence of energy intervention in cases where the character of a building with recognized heritage value would be jeopardized. This
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The debate about how to conduct energy interventions in built heritage remains open. At present, the various European and national regulations allow the absence of energy intervention in cases where the character of a building with recognized heritage value would be jeopardized. This situation means that heritage preservation and energy improvement are divided into two airtight and unconnected blocs. It is possible and necessary to break that dichotomy by taking steps that enable both blocs to interrelate. Based on a methodology previously proposed by the authors to regulate changes in the urban landscape due to the rehabilitation of residential building façades, as a novel aspect, this article proposes taking a further step in the methodological process. Several criteria to balance the level of energy intervention for all buildings are thus introduced, according to the urban and architectural characteristics of each building, irrespective of their use and degree of protection. It is concluded that such a balance is possible when certain indicators are used and when determined action criteria are applied. However, one of the architectural characteristics more susceptible to being affected when undertaking an energy intervention on a building’s thermal enclosure is the materiality, which becomes especially important in the case of brutalist architecture with reinforced concrete, one of its most identifying features, giving it a specific personality. That architectural movement was therefore chosen for a case study, applying the proposed methodology to three brutalist buildings in the area of San Sebastián, Spain.
Full article
(This article belongs to the Special Issue Sustainable and Comprehensive Energy Renovation of Heritage Buildings)
Open AccessArticle
Intangible Heritage and Its Associative Objects as Exemplified by the Materiality of the Portable Material Culture of German Christmas Markets
by
Dirk H. R. Spennemann
Heritage 2024, 7(7), 3511-3553; https://doi.org/10.3390/heritage7070166 - 2 Jul 2024
Abstract
Many aspects of intangible cultural heritage have associated objects of material culture that augment or enable aspects of intangible heritage to be exercised or emphasized. Christmas markets have been publicized as the quintessential event in Germany leading up to Christmas, with the over
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Many aspects of intangible cultural heritage have associated objects of material culture that augment or enable aspects of intangible heritage to be exercised or emphasized. Christmas markets have been publicized as the quintessential event in Germany leading up to Christmas, with the over 2000 locations attracting large numbers of local, domestic, and international visitors. From their origins as mercantile venues during the medieval period, Christmas markets have evolved into multisensory social and experiential events, where the acquisition of Christmas decorations or gifts has been supplanted by the consumption of mulled wine in a social setting. Christmas markets represent intangible cultural heritage staged in ephemeral surroundings. While the abundance of material culture in Christmas markets is widely understood, this focuses on the objects offered for sale at the markets, rather than the objects that characterize a Christmas market and enable its functioning. This paper provides the first comprehensive assessment of the portable material culture associated with the German Christmas markets, covering objects as diverse as payment tokens, lapel pins, special postmarks, beer mats, and commemorative cups issued for the consumption of mulled wine. These objects, as well as numerous other manifestations of material culture, are discussed in the wider framing of the materiality of the markets, examining their ontological qualities within the multiple spheres in which these objects attain meaning (i.e., personal, event, social, and public spheres). It demonstrates that the wide range of alienable material culture associated with German Christmas markets has different manifestations of materiality, depending on the viewpoint of the user (i.e., participant, vendor, organizer), and these manifestations have different expressions of representativeness. On this foundation, this paper examines the various groups of portable and alienable material culture and discusses them in terms of their authenticity and to what extent these are representative of German Christmas markets. While all items have a connection with Christmas markets and function as symbolic shorthand souvenirs, commemorative cups issued for the consumption of hot drinks as well as the deposit tokens associated with these are both genuine and authentic and are also representative of the conceptual, social, and experiential dimensions of the event.
Full article
(This article belongs to the Section Cultural Heritage)
Open AccessArticle
Optimization of the Application of Commercial Hydrophobic Coatings for Natural Stone Protection and Preservation
by
Hurraira Hashim, Luís Dias, Sérgio Martins, Vera Pires, Mafalda Costa and Pedro Barrulas
Heritage 2024, 7(7), 3495-3510; https://doi.org/10.3390/heritage7070165 - 1 Jul 2024
Abstract
Natural stone has been used worldwide in the construction of archaeological and historical heritage. However, its preservation continues to be threatened by weathering and degradation phenomena. Water is widely recognized as the most threatening external component that contributes to stone deterioration, increasing the
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Natural stone has been used worldwide in the construction of archaeological and historical heritage. However, its preservation continues to be threatened by weathering and degradation phenomena. Water is widely recognized as the most threatening external component that contributes to stone deterioration, increasing the need for the development of protective hydrophobic coatings to eliminate water penetration. This study intends to contribute to the better understanding of natural stone treatment strategies to prevent water penetration and subsequent stone alteration by studying the effect of coating and stone substrate temperatures, and the number of coating applications, on the effectiveness, compatibility, and durability of commercial hydrophobic coatings. The results obtained revealed that while more than one application increases coating hydrophobic effectiveness, it frequently leads to changes in the aesthetic appearance of natural stone, including whitening and darkening of the substrate’s original hues. Improved hydrophobic effectiveness (maximum gain of ≈ 9%) is also achieved when applying the commercial coatings at 4 °C to natural stone substrates maintained at room temperature, conditions that are feasible to be used in real life. Additionally, the commercial coating composed of silane/siloxane with modified fluorinated additives was found to be the most effective and durable hydrophobic solution.
Full article
(This article belongs to the Special Issue Protective Material Coatings for Cultural Heritage)
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Open AccessArticle
Digital Tools for the Preventive Conservation of Built Heritage: The Church of Santa Ana in Seville
by
Estefanía Chaves, Jaime Aguilar, Alberto Barontini, Nuno Mendes and Víctor Compán
Heritage 2024, 7(7), 3470-3494; https://doi.org/10.3390/heritage7070164 - 30 Jun 2024
Abstract
Historic Building Information Modelling (HBIM) plays a pivotal role in heritage conservation endeavours, offering a robust framework for digitally documenting existing structures and supporting conservation practices. However, HBIM’s efficacy hinges upon the implementation of case-specific approaches to address the requirements and resources of
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Historic Building Information Modelling (HBIM) plays a pivotal role in heritage conservation endeavours, offering a robust framework for digitally documenting existing structures and supporting conservation practices. However, HBIM’s efficacy hinges upon the implementation of case-specific approaches to address the requirements and resources of each individual asset and context. This paper defines a flexible and generalisable workflow that encompasses various aspects (i.e., documentation, surveying, vulnerability assessment) to support risk-informed decision making in heritage management tailored to the peculiar conservation needs of the structure. This methodology includes an initial investigation covering historical data collection, metric and condition surveys and non-destructive testing. The second stage includes Finite Element Method (FEM) modelling and structural analysis. All data generated and processed are managed in a multi-purpose HBIM model. The methodology is tested on a relevant case study, namely, the church of Santa Ana in Seville, chosen for its historical significance, intricacy and susceptibility to seismic action. The defined level of detail of the HBIM model is sufficient to inform the structural analysis, being balanced by a more accurate representation of the alterations, through linked orthophotos and a comprehensive list of alphanumerical parameters. This ensures an adequate level of information, optimising the trade-off between model complexity, investigation time requirements, computational burden and reliability in the decision-making process. Field testing and FEM analysis provide valuable insight into the main sources of vulnerability in the building, including the connection between the tower and nave and the slenderness of the columns.
Full article
(This article belongs to the Special Issue Architectural Heritage Management in Earthquake-Prone Areas)
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Open AccessArticle
Ephemeral Orchil in the Lady and the Unicorn Tapestry: Recipe, Experimentation, and Characterisation
by
Pauline Claisse, Charlotte Marembert, Francesca Galluzzi, Rémy Chapoulie, Mohamed Dallel and Aurélie Mounier
Heritage 2024, 7(7), 3455-3469; https://doi.org/10.3390/heritage7070163 - 30 Jun 2024
Abstract
Spectroscopic techniques were carried out to identify the dyes used on the famous mediaeval Lady and the Unicorn tapestries kept in the Cluny Museum. Among the six tapestries, La Vue shows a colour variation between the front, which appears blue, and the back,
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Spectroscopic techniques were carried out to identify the dyes used on the famous mediaeval Lady and the Unicorn tapestries kept in the Cluny Museum. Among the six tapestries, La Vue shows a colour variation between the front, which appears blue, and the back, which appears violet, on the Lady’s skirt. In the Middle Ages, it was common for the violet colour to be made with a blue dye bath (woad or indigo) followed by a red bath, which could be madder, cochineal, kermes, or orchil. Since orchil is known to be very unstable to light, its potential use in the original recipe was investigated and a study on this dye was performed. Contactless analyses (hyperspectral imaging in the visible-near-infrared range and UV fluorescence spectroscopy) were carried out on both the tapestry and mock-ups prepared following various mediaeval recipes. The investigation allowed for the identification of woad and orchil on the back of the tapestry, which was preserved from exposure to light. In addition, an ageing study elucidated colour degradation, revealing not only the different responses to light of different dyes but also the effect of specific dye preparations on light resistance. The experiments showed that the longer the maceration, the higher the light resistance of the dye. Furthermore, the red orchil colour fades faster than the woad.
Full article
(This article belongs to the Special Issue Dyes in History and Archaeology 42)
Open AccessArticle
Evaluating Crowdsourcing Applications with Map-Based Storytelling Capabilities in Cultural Heritage
by
Mariana Ziku, Konstantinos Kotis, Gerasimos Pavlogeorgatos, Evangelia Kavakli, Chara Zeeri and George Caridakis
Heritage 2024, 7(7), 3429-3454; https://doi.org/10.3390/heritage7070162 - 28 Jun 2024
Abstract
Crowdsourcing applications that integrate storytelling and geotagging capabilities offer new avenues for engaging the public in cultural heritage. However, standardised evaluation frameworks are lacking. This paper presents an applied evaluation methodology involving the analysis of relevant web-based tools. Towards this goal, this paper
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Crowdsourcing applications that integrate storytelling and geotagging capabilities offer new avenues for engaging the public in cultural heritage. However, standardised evaluation frameworks are lacking. This paper presents an applied evaluation methodology involving the analysis of relevant web-based tools. Towards this goal, this paper presents the development of crowdsourcing applications using, as a case study, the collection of myths and legends associated with the monumental heritage site of the Palace of the Grand Master of the Knights of Rhodes in Greece. Additionally, the paper presents an evaluation conducted through a criteria-based approach and user-based survey. The study reviews the concepts of crowdsourcing and digital storytelling within digital heritage, along with current concepts of living heritage and folklore, and examines relevant initiatives. The evaluation follows a four-stage methodology: (i) initial web-based tool selection based on the minimum requirements of web compatibility, crowdsourced data display, and map-based storytelling capability; (ii) application development using the selected web-based tools; (iii) a five-criteria assessment, based on the factors of open access, usability/tool support, participatory content/story creation, metrics provision and metadata model usage; and (iv) a crowd-based survey, indicating the most effective option. Findings from 100 respondents reveal limited exposure to participatory storytelling applications but interest in contributing content. Social media and influential figures serve as key channels for promoting crowdsourcing open calls. The results highlight gaps in understanding user expectations and perceptions, suggesting future research for gaining insights into engagement rates.
Full article
(This article belongs to the Section Digital Heritage)
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Open AccessArticle
“Scouring for Prehistory”—An Opportunistic Methodology for Sea Floor Archaeology
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Ervan G. Garrison, Emily Carter Jones, Michael Robinson, Yasmine I. Rivera, Kelsey A. Williams, Benjamin Prueitt, Anderson L. Carter, Matthew A. Newton and C. Andrew Hemmings
Heritage 2024, 7(7), 3417-3428; https://doi.org/10.3390/heritage7070161 - 26 Jun 2024
Abstract
Finding prehistoric sites, on the sea floor off the United States, has proven to be a difficult task. Over four decades of innovative attempts have produced few discoveries. This discussion outlines the difficulties in finding submerged prehistory on the sea floor, examines current
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Finding prehistoric sites, on the sea floor off the United States, has proven to be a difficult task. Over four decades of innovative attempts have produced few discoveries. This discussion outlines the difficulties in finding submerged prehistory on the sea floor, examines current methodology(ies), and presents a new methodology that demonstrates promise based on research conducted over the past decade. The purpose of this discussion is to outline the problems facing archaeologists searching the sea floor for archaeological sites. It is less of a critique of past efforts and methodologies used in those attempts. Without those efforts, a reason for developing a different methodological approach would be unnecessary. Any “one size fits all” methodology is limiting, and the scant number of marine archaeological sites located off the shores of the United States can attest to the need for practitioners to continue refining their methods. This is especially the case on the continental shelf of the eastern United States, where sediment cover is often meters, or several meters, thick. This opportunistic methodology developed on the continental shelf of the Georgia Bight, western Atlantic Ocean, has located intact paleo-landforms with in situ, palaeoecological remains thereby offering promise for future archaeological discoveries.
Full article
(This article belongs to the Special Issue State of the Art in Underwater Cultural Heritage: Policies in the Era of Blue Economy and Incorporation into Maritime Spatial Planning)
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Open AccessArticle
Heritage in Transition: Vernacular Architectural Patterns in Rural Iran
by
Omid Ebrahimbaysalami and Xiang Ren
Heritage 2024, 7(7), 3393-3416; https://doi.org/10.3390/heritage7070160 - 26 Jun 2024
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The transition from vernacular architectural patterns to current architecture in rural Iran has led to various socio-cultural and environmental problems in the last decade. This study explores the nature of this transition, which has been overlooked in the studies of vernacular architecture in
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The transition from vernacular architectural patterns to current architecture in rural Iran has led to various socio-cultural and environmental problems in the last decade. This study explores the nature of this transition, which has been overlooked in the studies of vernacular architecture in Iran. Furthermore, this article contributes to the ongoing academic debate on the decline and transformation of vernacular architectural patterns in the context of modernization. It analyzes the forces behind the decline and rise of vernacular settlements in a case study area, the Salami region of the Khaf district in Iran’s Khorasan Razavi province, by exploring how it is possible to reinterpret vernacular architectural patterns in the context of current architecture to utilize the new developments in rural Iran not as an obstacle but as an opportunity for improvement. To this end, this article explores vernacular architectural patterns in a case study area in Iran, supported by socio-cultural aspects and the environmental conditions of the region. This study conducts architectural and anthropological fieldwork on three vernacular houses in a case study area and uses participant observation and informal interview methods to understand the people and their interaction with their built environment. The findings of this article thus contradict previous studies on learning from vernacular architecture by shedding light on vernacular architecture in Iran as a system by demonstrating the inextricable links between different vernacular architectural patterns. Therefore, this study argues that to draw lessons from vernacular architectural patterns for current architecture in rural Iran, it is necessary to limit its communication concerning people’s contemporary needs but not to neglect this communication completely.
Full article
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Open AccessCase Report
Metastatic Prostate Carcinoma in an Early 18th-Century South German Abbot—Interdisciplinary Research Reveals Clues to His Final Disease History
by
Andreas G. Nerlich, Stephanie Panzer, Christine Lehn, Christian Hamann, Simon T. Donell and Oliver K. Peschel
Heritage 2024, 7(7), 3372-3392; https://doi.org/10.3390/heritage7070159 - 25 Jun 2024
Abstract
This interdisciplinary investigation of the human remains of Balduin Helm, one of the most important abbots of the Fürstenfeld monastery, provides novel information on this historic individual. This is particularly interesting since Balduin, during the early 18th century, was involved in the renovation
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This interdisciplinary investigation of the human remains of Balduin Helm, one of the most important abbots of the Fürstenfeld monastery, provides novel information on this historic individual. This is particularly interesting since Balduin, during the early 18th century, was involved in the renovation of this large Bavarian monastery. Metastatic prostate cancer was found as evidenced by multiple mixed osteolytic–osteoblastic bone lesions in all available vertebral bodies, fragments of both os coxae, and isolated metastases in skull bones. Distribution, radio- and histomorphology, and especially the immunohistochemical detection of prostate-specific antigens in those metastases definitively confirm this diagnosis. Further investigation, especially by stable isotope analysis, showed a balanced high-level diet with considerable contribution from animal protein and significant freshwater fish. These additional findings suggest a significant radiocarbon reservoir effect as an explanation for a “too old” radiocarbon date. Finally, the obviously high-level protein diet may have contributed to the tumorigenesis which caused the death of the abbot at an advanced age.
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(This article belongs to the Special Issue Virtual Anthropology. Digital Approaches for Paleoanthropology and Paleopathology)
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Open AccessArticle
Preserving Heritage Riverine Bridges: A Hydrological Approach to the Case Study of the Grau Bridge in Peru
by
Joel Ccanccapa Puma, Alejandro Víctor Hidalgo Valdivia, Alain Jorge Espinoza Vigil and Julian Booker
Heritage 2024, 7(7), 3350-3371; https://doi.org/10.3390/heritage7070158 - 24 Jun 2024
Abstract
Heritage bridges constitute an integral feature of the urban landscape in numerous cities. However, it is common for these structures to surpass their life cycle, rendering them ill-equipped to withstand the dynamic demands of users and extreme events, particularly hydrological occurrences. This research
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Heritage bridges constitute an integral feature of the urban landscape in numerous cities. However, it is common for these structures to surpass their life cycle, rendering them ill-equipped to withstand the dynamic demands of users and extreme events, particularly hydrological occurrences. This research presents a methodology for the assessment of heritage riverine bridges, with a focus on the Grau Bridge in Peru as a case study. The investigation commences with an exhaustive literature review, complemented by a historical examination, followed by a preliminary diagnosis. Subsequently, hydrological and hydraulic studies are presented, encompassing drone surveys of the riverbed and the bridge, soil analyses, and the application of 1D and 2D models in HEC-RAS. The outcomes of this comprehensive analysis reveal the high vulnerability of the Grau Bridge. Finally, strategic interventions for its conservation are recommended.
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(This article belongs to the Special Issue Advances in Built Heritage Conservation: Materials, Methods and Management)
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Open AccessArticle
Automatic Removal of Non-Architectural Elements in 3D Models of Historic Buildings with Language Embedded Radiance Fields
by
Alexander Rusnak, Bryan G. Pantoja-Rosero, Frédéric Kaplan and Katrin Beyer
Heritage 2024, 7(6), 3332-3349; https://doi.org/10.3390/heritage7060157 - 18 Jun 2024
Abstract
Neural radiance fields have emerged as a dominant paradigm for creating complex 3D environments incorporating synthetic novel views. However, 3D object removal applications utilizing neural radiance fields have lagged behind in effectiveness, particularly when open set queries are necessary for determining the relevant
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Neural radiance fields have emerged as a dominant paradigm for creating complex 3D environments incorporating synthetic novel views. However, 3D object removal applications utilizing neural radiance fields have lagged behind in effectiveness, particularly when open set queries are necessary for determining the relevant objects. One such application area is in architectural heritage preservation, where the automatic removal of non-architectural objects from 3D environments is necessary for many downstream tasks. Furthermore, when modeling occupied buildings, it is crucial for modeling techniques to be privacy preserving by default; this also motivates the removal of non-architectural elements. In this paper, we propose a pipeline for the automatic creation of cleaned, architectural structure only point clouds utilizing a language embedded radiance field (LERF) with a specific application toward generating suitable point clouds for the structural integrity assessment of occupied buildings. We then validated the efficacy of our approach on the rooms of the historic Sion hospital, a national historic monument in Valais, Switzerland. By using our automatic removal pipeline on the point clouds of rooms filled with furniture, we decreased the average earth mover’s distance (EMD) to the ground truth point clouds of the physically emptied rooms by 31 percent. The success of our research points the way toward new paradigms in architectural modeling and cultural preservation.
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(This article belongs to the Special Issue 3D Reconstruction of Cultural Heritage and 3D Assets Utilisation)
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Open AccessArticle
Modern Muralists in the Spotlight: Technical and Material Characteristics of the 1946–1949 Mural Paintings by Almada Negreiros in Lisbon (Part1)
by
Milene Gil, Inês Cardoso, Mafalda Costa and José C. Frade
Heritage 2024, 7(6), 3310-3331; https://doi.org/10.3390/heritage7060156 - 14 Jun 2024
Abstract
This paper presents the first insight into how Almada Negreiros, a key artist of the first generation of modernism in Portugal, created his mural painting masterpiece in the maritime station of Rocha do Conde de Óbidos in Lisbon. This set of six monumental
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This paper presents the first insight into how Almada Negreiros, a key artist of the first generation of modernism in Portugal, created his mural painting masterpiece in the maritime station of Rocha do Conde de Óbidos in Lisbon. This set of six monumental mural paintings dates from 1946 to 1949 and is considered Almada’s artistic epitome. As part of the ALMADA project: Unveiling the mural painting art of Almada Negreiros, the murals are being analyzed from a technical and material perspective to understand his modus operandi and the material used. This is the first study of this nature carried out on site and in the laboratory using standard and more advanced imaging, non-invasive analysis, and microanalysis techniques. This article reports the results obtained with visual examination, technical photography in visible (Vis), visible raking (Vis-Rak), complemented by 2D and 3D optical microscopy (OM), scanning electron microscopy with energy-dispersive spectrometry (SEM-EDS), and Fourier transform infrared micro-spectroscopy (µ-FTIR) of the paint layers. The results show the similarities, differences, and technical difficulties that the painter may have had when working on the first, third, and presumably last mural to be painted. Vis-Rak light images were particularly useful in providing a clear idea of how the work progressed from top to bottom through large sections of plaster made with lime mortars. It also revealed an innovative pounced technique used by Almada Negreiros to transfer the drawings in full scale to the walls. Other technical characteristics highlighted by the analytical setup are the use of textured, opaque, and transparent paint layers. The structure of the paintings does not follow a rigid build-up from light to dark, showing that the artist freely adapted according to the motif represented. As far as the colour palette is concerned, Almada masterfully uses primary and complementary colours made with Fe-based pigments and with synthetic ultramarine blue, cadmium pigments, and emerald green.
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(This article belongs to the Section Cultural Heritage)
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Open AccessArticle
Exploring Burial and Dietary Patterns at the Copper Age Necropolis of Selvicciola (Viterbo, Italy): New Perspectives from 14C and Stable Isotope Data
by
Maria Rosa di Cicco, Simona Altieri, Noemi Mantile, Patrizia Petitti, Carlo Persiani, Anna Maria Conti, Luciana Allegrezza, Claudio Cavazzuti and Carmine Lubritto
Heritage 2024, 7(6), 3291-3309; https://doi.org/10.3390/heritage7060155 - 14 Jun 2024
Abstract
The Selvicciola necropolis is a large burial site dated to the Copper Age, located on the mid-Tyrrhenian side of Central Italy, in the Fiora river valley. Despite post-depositional disturbances, 32 prehistoric tombs were found, generally in a good state of preservation, with a
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The Selvicciola necropolis is a large burial site dated to the Copper Age, located on the mid-Tyrrhenian side of Central Italy, in the Fiora river valley. Despite post-depositional disturbances, 32 prehistoric tombs were found, generally in a good state of preservation, with a total number of 119 individuals identified. In the present study, radiocarbon and stable isotope measurements on bone collagen are combined with skeletal data for 71 of these individuals. We aim to investigate possible changes in food practices and burial patterns throughout time. In detail, the results allowed us to define a timeframe for the use of the cemetery of at least 2000 years, with the two most ancient individuals found in tomb 17 and dated to around 3950 cal BC, assigning this a necropolis chronological investigation of the so-called Rinaldone culture. Stable carbon and nitrogen isotope analysis confirmed a predominantly agropastoral subsistence strategy for this prehistoric community. Although the plant intake consisted mainly of C3 species, we further discuss the fact that the stable isotope data suggest an increase in the consumption of C4 plants over time. The integration of radiocarbon and isotopic data with the skeletal evidence and material culture provides an interesting insight into the funerary world of this community, highlighting the importance of Selvicciola for the understanding of life in the Mediterranean at the transition between the fourth and the third millennia BC.
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(This article belongs to the Special Issue Advances in Archaeology and Anthropology of the Ancient World)
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