The Experientialists reposted this
Taking my Swiftie 10-year-old daughter and her dutiful-but-Taylor-Swift-hating 13-year-old brother to the Eras Tour in Amsterdam was like watching an opera performed by cats—it shouldn't work, but somehow it does. The crowd, a mix of Dutch folks and fans from around the world, uniting in a synchronized frenzy, made clear my son and I were missing out on some profound empathetic vibe that these devotees clearly got. So, what is it about Taylor Swift that captivates 10-year-old girls (and, I mean "10" both in age and at heart... same open definition with "girls")? Is it her ability to weave tales of teenage love, heartbreak, and self-discovery with a dash of nostalgia? Or is there more to it? Is it, maybe, the empowering liberation of the archetypal girl next door, who – in a silent pact with her fans – is unabashedly revealing her ferocious independence and rebellious spirit in pop songs too subtle for me and my son to catch... a "good girl" agent provocateur wielding glitter-bombs and a bedazzled guitar? While it remains a challenge for me (and my son) to relate to teen angst pop accompanied by 50 costume changes and a 30-foot inflatable snake, I can't help but marvel at Swift's authenticity and charisma, which captivates and unites such diverse audiences. Her songs, with their “tolerable” dark sides, offer a wide spectrum of emotions and motivations that are clearly liberating and empowering her listeners. It's like she’s handing out permission slips for emotional complexity, and who doesn’t want to sign up for that field trip? Witnessing tens of thousands of people from different backgrounds and native languages sing "Love Story" in unison reminded me of the important role music has always played in social change. It is a contemporary example: If Taylor Swift can bridge cultural divides with her blend of vulnerability and strength, then social change, at the right and precise moment, can just be a catchy chorus and a sparkly outfit away. More practically, professionally that is, so far as it informs experiential design, it made me wonder how much shared experience depends on empathy for its potency. Perhaps Swift's magic lies in her ability to create a communal space where everyone's inner drama queen can thrive, and maybe—just maybe—that's what too many boys (my son and I, included) are missing: Swifties’ pent-up expression of the joy of shared, unbridled, and emotionally complex humanity. If that is true, whether I (or my son, who might now have serious spinal damage from holding her up) enjoy a song doesn’t matter. Whatever it is, I'm grateful someone can make my daughter feel this way and share it safely with such a large and supportive community of good souls.
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