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Stuffed Animals Quotes

Quotes tagged as "stuffed-animals" Showing 1-15 of 15
“Sister, why do you do that?"
"Do what?"
"Cage the animals at night?"
"Well..." She looked up and out through the barred window before answering me."We don't want to, Jennings, but we have to. You see, the animals that are given to us we have to take care of. If we didn't cage them up in one place, we might lose them, they might get hurt or damaged. It's not the best thing, but it's the only way we have to take care of them."

"But if somebody loved one them," I asked, "wouldn't it be a good idea to let them have one? To keep, I mean?"

"Yes, it would be. But not everyone would love them and take care of them as you would. I wish I could give them all away tomorrow." She looked at me. There were tears in her eyes. "But I can't. My heart would break if I saw just one of those animals lying by the wayside uncared for, unloved. No, Jennings. It's better if we keep them together.”
Jennings Michael Burch, They Cage the Animals at Night: The True Story of an Abandoned Child's Struggle for Emotional Survival

Nathan Reese Maher
“Patches don’t look it, but when attached to your soul they can get pretty heavy. They go over the holes in your soul, like when you patch a sock. When you have a hole in your soul, it’s because you’re hurting from something. I don’t know if you noticed, but that girl had a lot of holes.”
Nathan Reese Maher, Lights Out: Book 2

Nathan Reese Maher
“The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off.”
Nathan Reese Maher, Lights Out: Book 2

Nathan Reese Maher
“There’s nothing wrong with you at all. Sometimes people say or do things that are mean because there's something the matter with them. With Lydia, it seems there’s always something wrong with her.”
Nathan Reese Maher, Lights Out: Book 2

Shea Ernshaw
“You're the only rag dolls I've seen in Dream Town," I comment, seeing myself reflected back in the features of their faces--something I've never known until now.
The seams of Albert's mouth lift into a half smile. "There are a few others. Rag dolls like us, and also several Teddy Bears and Floppy-Eared Rabbits. They are all sleep-weavers, but they spend most of their time in the human world, helping lull children to sleep.”
Shea Ernshaw, Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas

Nathan Reese Maher
“She could spin it between her legs, skip with it, twirl it around her neck and transfer it from one arm to the other. Shelly hooped because she enjoyed it; it calmed her whenever she would have an argument or a bad day at school, and it also allowed her to think. Today, she needed to hoop more than ever.”
Nathan Reese Maher, Lights Out: Book 2

Nathan Reese Maher
“Shelly shook her head and made sure she had plenty of space so that she wouldn’t hit anything. As many times before, she kept the hoop close to her waist and then twirled it with small, tight bursts of speed. As the hoop gathered in momentum it started to give off a hum that soon took on a light blue illumination far brighter than the streetlamps. It was so bright, that it lit up the entire backyard.”
Nathan Reese Maher, Lights Out: Book 2

Nathan Reese Maher
“It’s no big deal. It’s kind of like a tattoo. It won’t hurt, not too much, just a few stitches and it’ll be all over. It’s really interesting how it’s done. You won’t believe where your soul hides. Go on, take a guess. Where do you think it is?”
Nathan Reese Maher, Lights Out: Book 2

“Like the Velveteen Rabbit of Margery Williams's perennially best-selling children's book, plush makers are animated by the prospect of their creations becoming the first thing a child loves and values.”
Zac Bissonnette, The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute