60s Quotes

“This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each.
Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime.
There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful.
If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love:

To Gaylene deceased
To Ray deceased
To Francy permanent psychosis
To Kathy permanent brain damage
To Jim deceased
To Val massive permanent brain damage
To Nancy permanent psychosis
To Joanne permanent brain damage
To Maren deceased
To Nick deceased
To Terry deceased
To Dennis deceased
To Phil permanent pancreatic damage
To Sue permanent vascular damage
To Jerri permanent psychosis and vascular damage

. . . and so forth.
In Memoriam.
These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.”
― Philip K. Dick, A Scanner Darkly

“The importance of Liking Yourself is a notion that fell heavily out of favor during the coptic, anti-ego frenzy of the Acid Era--but nobody guessed back then that the experiment might churn up this kind of hangover: a whole subculture of frightened illiterates with no faith in anything.”
― Hunter S. Thompson, Fear and Loathing on the Campaign Trail '72

“I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room.
Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.”
― Bob Dylan, Chronicles, Volume One

“All I can say is, it's a good thing we didn't win the revolution [laughter]. We would've ended up with people like Abie Hoffman and Eldridge Cleaver at the helm; we would've been in big trouble. Big trouble. It would've been such a Stalinist purge ... All those people that were the top names in those movements back then were all egotistical assholes, it turned out, every single one of them [laughter].”
― R. Crumb

“The children of the 1960's that you call the 'Manson Family' wanted to stop a war and turn the government and world to peace. They gave their lives when they took lives and they knew it.”
― Charles Manson

“I write about what life was like for typical young women of the sixties—not the type that made headlines, the Hanoi Janes or Angela Davises, but moderates who nonetheless got swept up by history's tides during that turbulent time. All that turmoil lends itself to drama, intrigue, and murder.”
― Kay Kendall, Desolation Row

“Like almost all of Beefheart's recorded work, it was not even "ahead" of its time in 1969. Then and now, it stands outside time, trends, fads, hypes, the rise and fall of whole genres eclectic as walking Christmas trees, constituting a genre unto itself: truly, a musical Monolith if ever there was one.”
― Lester Bangs

“You know, the guys there were so beautiful—they've lost that wounded look that fags all had 10 years ago.”
― Allen Ginsberg

“I hate being so nostalgic about the Sixties.”
― David Bailey

“When the hippie era ended and the hangover began, as idealism gives way to disillusionment, the hair of the marchers and street-dancers kept getting longer, and soon it began to tangle. Free love deteriorated into loveless promiscuity, our great electric Kool-Aid acid test churned out an entire generation of burnt-out old relics, and the hair, once a symbol of freedom, became symbolic of the new face of prison, a lawlessness which taken to its logical extreme would imprison all of society as our growing criminal element took to the streets.”
― Tommy Walker, Monstrous: The Autobiography of a Serial Killer but for the Grace of God

“Sympathy? Not for me. No mercy for a criminal freak in Las Vegas. This place is like the Army: the shark ethic prevails - eat the wounded. In a closed society where everybody's guilty, the only crime is getting caught. In a world of thieves, the only final sin is stupidity.”
― Hunter S. Thompson, Fear and Loathing in Las Vegas

“She slipped free crusty pies filled with apple-flavored lumps of sugar to the runaway rent boys she befriended who operated around the station
With no idea that in years to come she’d be attending their funerals
They didn’t realize unprotected sex meant a dance with death
Nobody did”
― Bernardine Evaristo, Girl, Woman, Other

“When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home”
― S. E. Hinton, The Outsiders

“Sometimes Karl, you have to realize your weeknesses and be willing to discuss them with adults.”
― Molly Maguire McGill, Growing Up in Levittown, Again!

“When people ask me what L.A. was like in the sixties, I tell them there wasn't as much terrible stucco as there is today: no mini malls with their approximation of Spanish two-story buildings, no oversized SUVs bulging out of parking-space lines. What used to say "Spanish-style" is now something diseased looking. Nobody seems to know how to stucco anymore.”
― Kim Gordon, Girl in a Band

“Pero nestes tempos e nestas latitudes, cada vez hai máis xente que non é rica nin pobre: soñan coa riqueza e poderían facerse ricos: é aí onde empezan as súas desgracias.”
― Georges Perec, Les Choses

“Querían pelexar e vencer. Querían loitar, conquista-la súa felicidade. Pero, ¿como loitar? ¿Contra quen? ¿Contra que? Vivían nun mundo estraño e irisado, o universo reverberante da civilización mercantil, os cárceres da abundancia, as trampas fascinantes da felicidade.”
― Georges Perec, Les Choses

“For those of us who identify with the movements of the sixties this period represents not so much a decade as a state of consciousness, characterized by the transpersonal expansion, the questioning of authority, a sense of empowerment, and the experience of sensuous beauty and community. This state of consciousness reached well into the seventies. In fact, one could say that the sixties came to an end only in December 1980 with the shot that killed John Lennon.”
― Fritjof Capra, Uncommon Wisdom : Conversations With Remarkable People

“The ruling class has figured out that a happy and productive population with free time on their hands is a mortal danger (think of what started to happen when this even began to be approximated in the 60s).”
― David Graeber