View allAll Photos Tagged analogue

Canon AE-1 Program Adox Color Implosion 100 pushed 2

www.instagram.com/analoguesouls/

Garden buddha (Southampton, England)

“All you need is love and Takumars” - The Fab 4

Ely Cathedral

Mamiya RZ67, Sekor 4.5/50, Rollei Infrared, infrared filter.

Nicca Type 4

Summicron 50mm f/2 collapsible (1952)

Ilford Pan 400

“Saigon. Shit. I'm still only in Saigon. Every time I think I'm gonna wake up back in the jungle. When I was home after my first tour, it was worse. I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now, waiting for a mission, getting softer. Every minute I stay in this room, I get weaker, and every minute Charlie squats in the bush, he gets stronger. Each time I looked around the walls moved in a little tighter.”

—Willard FROM “Apocalipse Now” (1979)

“So the problem is not so much to see what nobody has yet seen, as to think what nobody has yet thought concerning that which everybody sees.”

― Arthur Schopenhauer

Nikon F80

Nikkor 35mm f/2 Ai

Kodak Portra 160

Wells Cathedral - The Nave

The Intrepid Camera, Schneider Kreuznach Super Angulon 8/90, Fomapan 100, developed in HC-110 1+31 using the SP-445 developing tank.

Canon AE-1 Program - Adox Color Implosion

www.instagram.com/analoguesouls/

What can I say, I’m an analogue kinda guy.

Shown is my 1946 Smith Corona Sterling with my 1939 Graflex Speed Graphic camera and pocket watch sitting in a roll top desk of my own design and build. The early morning sun was streaming through the window signifying the start of a new day. I do use my tech gear extensively but it’s utilitarian. There is something tremendously freeing and satisfying about creating without the aid of a computer using just my eyes, mind and hands. Taken with Fujifilm XT3

 

Website: www.sollows.ca

 

Contact and my links

linktr.ee/jsollows

Shen Hao PTB45, Schneider Kreuznach lens, Fomapan100

Analogue lens PORST Tele 1:2,8/135 mm

Come on, you all know this one.

Berlin-Weißensee

Ilford FP4+ / Adox FX-39 II, 1+9, 6:00 min

Pentax Spotmatic SP / Super-Takumar 1.8/55

Sunpet

Analogue

35mm

“The purpose of art is washing the dust of daily life off our souls using Takumar lens” - Pablo Picasso

Nikon F80

Ilford Pan 400

Nikkor 28mm f/3.5 Ai

Sea and Sea MX 5

Lomo 400

“I couldn't remember what life was like before I started walking.”

― Teju Cole, Open City

Canterbury Cathedral, The Cloisters

The Intrepid Camera Mark I, Schneider Kreuznach Super Angulon 8/90, Fomapan 100 4x5" sheet film, developed in HC-110 1+31 using the SP-445 developing tank.

Canon AE-1 Program - Fujifilm Neopan 100 Acros

www.instagram.com/analoguesouls/

last year I sent 20 rolls of film to a lab in Germany for development, and they came back (after a 3-month delay) so sloppily handled -- chemical spots, dust, and smudges all over the negatives -- I basically put them in a drawer and forgot about them for a year. finally getting to work scanning and editing all the crap off...

 

...but it's so good to see and work with actual film again!

“The most important lens you have is your legs.” – Ernst Haas

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