miart

miart

Artisti e scrittori

Milan, Lombardy 2.276 follower

International modern and contemporary art fair of Milan. Next edition: April 4-6, 2025 📆

Chi siamo

Fiera Internazionale d'Arte Moderna e Contemporanea di Milano. Dal 12 al 14 aprile 2024.

Sito Web
https://www.miart.it/en/
Settore
Artisti e scrittori
Dimensioni dell’azienda
11-50 dipendenti
Sede principale
Milan, Lombardy
Data di fondazione
1995

Aggiornamenti

  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    #ArtInTheCity The first retrospective devoted to Gae Aulenti (1927 – 2012), one of the most representative practitioners of contemporary architecture and design awaits you at Triennale Milano until January 12, 2025. The exhibition traces over 60 year of career of the multitalented designer, showing her personal mode of seeing, imagining and designing reality, which left its mark on several Italian and foreign contexts in the second half of the 20th century. ___ Ph. Alessandro Saletta, DSL Studio

    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    Applications for #miart2025 are now open! Fiera Milano SpA is thrilled to announce the 29th edition of miart, Milan's international modern and contemporary art fair, directed by Nicola Ricciardi. Join us from April 4 to 6, 2025, at Allianz MiCo, with a special VIP preview on April 3. 2025 promises to be even more exciting, with a unique blend of artworks spanning various periods and styles, curated by an esteemed team of experts. This year's edition aligns perfectly with Milan's vibrant cultural calendar, offering an exceptional opportunity for networking and discovery in the heart of the art world. Discover more about the details of the 2025 edition on our website, including information on sections, the Selection Committee, the curatorial team, and how to apply. Link: https://lnkd.in/dGV8qWSs

  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    #ArtInTheCity “Working with Aldo allowed me from the very beginning to transform the vision I had in my mind into real images" with these words, Giorgio Armani refers to the long collaboration with Aldo Fallai that led to the exhibition "Aldo Fallai for Giorgio Armani 1977 – 2021", on view at Armani / Silos until August 11, 2024. The exhibition narrates almost thirty years of uninterrupted artistic dialogue between Giorgio Armani and Aldo Fallai, exploring the boundaries of a unique collaboration that defined the very essence of an aesthetic that has made its way into the collective imagination: the images are pure invention yet they capture a real instant, they are immediate, timeless, aspiring to portray the best life possible, with scenes and situations in which the spectator could see themselves. ___ Courtesy: Armani/Silos

    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    #ArtInTheCity A significant group of works by Alighiero Boetti produced between the 1960s and 1980s is now part of the historic/artistic heritage safeguarded and promoted by Intesa Sanpaolo. Thanks to the curation of Luca Massimo Barbero, a new part of the permanent collection coming from the Luigi and Peppino Agrati Collection awaits you at the Milan venue of Gallerie D'Italia. ___ Credits: Alighiero Boetti, Il silenzio è d'oro, 1988. Collezione Intesa Sanpaolo Archivio Patrimonio Artistico / foto Paolo Vandrasch | Alighiero Boetti, Da uno a dieci (italiano, 1980. Collezione Luigi e Peppino Agrati, foto Luca Carrà | Alighiero Boetti, Pack, 1979. Collezione Luigi e Peppino Agrati, foto Luca Carrà.

    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    #ArtInTheCity On the occasion of the project "Thinking Like a Mountain", GAMeC - Galleria d'Arte Moderna e Contemporanea di Bergamo returns to the prestigious Palazzo della Ragione venue, in the heart of the old town, with "Benevolence", a new site-specific project conceived for the Sala delle Capriate by the English artist Sonia Boyce (London, 1962). The project for Palazzo della Ragione led the artist to approach the Bergamo area and its history with curiosity, and to focus her attention on traditional Italian folksongs. curiosity, and to focus her attention on traditional Italian folksongs. Boyce embarked on a collaboration project with three students from the Conservatorio Gaetano Donizetti who were invited last autumn to perform and improvise popular songs in the heart of Bergamo’s “Città Alta.” This dialogue between Sonia Boyce and the students shows a great deal about the process that led to the staging of Benevolence, consisting of six “visual monuments” that will occupy the Sala delle Capriate in Palazzo della Ragione. The exhibition runs until September 22, 2024. ___ Ph: Lorenzo Palmieri

    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    #ArtInTheCity "CHIARA CAMONI. Chiamare a raduno. Sorelle. Falene e fiammelle. Ossa di leonesse, pietre e serpentesse" is waiting for you at Pirelli HangarBicocca until July 21, 2024. The show brings together the largest body of works ever presented by Chiara Camoni and, together with a series of new pro­ductions, gives life to an architecture of collectivity and memory, whose forms are inspired by the Italian gardens of the late Renaissance and the ancient am­phitheaters. The symmetrical and radial design of the floor plan creates corri­dors and rooms, paths and environments that divide the space into areas where visitors can linger or converse. This large installation houses numerous other works by the artist, including a great selection of polychrome and glazed terra­cotta sculptures. ___ Ph: Agostino Osio

    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    #ArtInTheCity Until September 23, 2024, Fondazione Prada presents an extensive retrospective dedicated to Italian artist Pino Pascali. The project aims to examine the innovative scope of Pascali’s work, particularly his sculpture, which, over the last five decades, has had a substantial impact on several generations of artists and critics and continues to attract the growing attention of an international audience. The exhibition, curated by Mark Godfrey, is divided into four sections, each presenting a unique perspective on Pascali’s work, and unfolds through three buildings of the Milan venue. ___ Images: “Pino Pascali”, Fondazione Prada, Milano, Ph. Roberto Marossi, Courtesy Fondazione Prada

    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    #ArtInTheCity MUDEC - Museo delle Culture continues its collaboration with Magnum Photos hosting “Martin Parr. Short & Sweet” exhibition until June 30, 2024, dedicated to one of the most established and recognised British documentary photographers of our time. Starting with his early works in black and white, the exhibition is focused on themes that are dear to Parr – from ‘sea life’ to tourism, displaying over 60 photographs that Martin Parr has personally selected for this project and presented together with over 200 images from the Common Sense series – that made him a household name – selected from the 350 displayed in the 1999 exhibition of the same name, which take a close look at mass consumption and waste culture, particularly in the West and Europe. __ Image: © Martin Parr / Magnum Photos | Martin Parr, Spain, Benidorm. From 'Common Sense' 1997

    • Nessuna descrizione alternativa per questa immagine
  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    #ArtInTheCity A wide-ranging retrospective, produced with Fondation Cartier pour l'art contemporain, on Alessandro Mendini’s work as an architect, designer, and artist awaits for you at Triennale Milano until October 13, 2024. With over 400 works with different formats, materials and subjects from many private and public collections, the exhibition is structured in different thematic sections. The title of the show, "Io sono un drago (I am a dragon)", is inspired by one of his most emblematic self-portraits, to emphasize his uniqueness in the world of design, architecture and art. __ Credits: Photo by Delfino Sisto Legnani, DSL Studio

    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
  • Visualizza la pagina dell’organizzazione di miart, immagine

    2.276 follower

    #ArtInTheCity In the venues of Museo del Novecento Milano, Fondazione Arnaldo Pomodoro presents "Off Script" the solo exhibition of Dutch artist Magali Reus winner of the 7th edition of the Arnaldo Pomodoro Sculpture Prize, on view until June 30, 2024. This exhibition, in collaboration with the Museo del Novecento and curated by Federico Giani, includes a selection of the artist's most recent sculptures, the Clementine series which take their visual cue from familiar jam and preserves jars. In these works the nostalgia of domestic food production is intertwined with the reality of mass production and distribution by multinational corporations; the re-appropriation and reuse of these objects within the domestic context transforms these jars into contradictory objects, containers of intimate and personal memories. __ Credits: Magali Reus. Photos: Eva Herzog

    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine
    • Nessuna descrizione alternativa per questa immagine

Pagine affiliate

Pagine simili