DQR Studies in Literature Online
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This collection contains the electronic version of the following volumes published in this series: Volume 1 – Volume 63.
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Volume Editor:
In an engaging and dynamic collection of essays on South African writing, an international cast of contributors pay detailed attention to the shifting parameters of scholarly debates on apartheid and the apartheid era.
Investigating a range of literary and critical perspectives on a period that shaped the literature of South Africa for much of the twentieth century, the contributors offer a rich survey. The volume focuses on internationally acclaimed writers (Nadine Gordimer and J.M. Coetzee) as well as those writers who are yet to receive sustained critical attention (Mtutuzeli Matshoba, Alex La Guma, Bessie Head, Ahmed Essop, Ronnie Govender).
Apartheid Narratives will be welcomed by academics and students of South African writing as a stimulating collection which maps the literary terrain of apartheid.
Investigating a range of literary and critical perspectives on a period that shaped the literature of South Africa for much of the twentieth century, the contributors offer a rich survey. The volume focuses on internationally acclaimed writers (Nadine Gordimer and J.M. Coetzee) as well as those writers who are yet to receive sustained critical attention (Mtutuzeli Matshoba, Alex La Guma, Bessie Head, Ahmed Essop, Ronnie Govender).
Apartheid Narratives will be welcomed by academics and students of South African writing as a stimulating collection which maps the literary terrain of apartheid.
Christina Rossetti, Walter Pater, R.L. Stevenson and Their Contemporaries
1994 marked the centenary of the deaths of Walter Pater, Christina Rossetti and Robert Louis Stevenson, and Beauty and the Beast is largely devoted to an exploration of aspects of their lives and their writings, and the role they played in the development of British literature. Both individually and as a group, these writers offer interesting opportunities to investigate a distinctive ambivalence in the literature of the last three decades of the nineteenth century. Thus we may observe how Pater as the founder of Aestheticism in British literature addressed the Victorian dilemma how to live in Marius the Epicurean; how Rossetti's poetry expresses both spiritual and erotic tendencies, while Stevenson's The Strange Case of Dr Jekyll and Mr Hyde is perhaps the epitome of the fin-de-siècle tension between good and evil, beauty and beast. Yet the scope of this book also includes an examination of the relationships between these three authors and their contemporaries, and of their setting, on the British Isles as well as on the Continent. Thus George Moore makes his appearance, next to Anton Chekhov, Arthur Schnitzler, Oscar Wilde, Alain Fournier and Louis Couperus. The various discussions of these French, German, Russian, Italian, Irish and Dutch connections in this book reflect the international setting of the European fin-de-siècle as a background against which the theme of Beauty and the Beast is discussed.
Contributors are: Wim Tigges, C.C. Barfoot, Jan Marsh, Valeria Tinkler-Villani, Amanda Gilroy, Peter van de Kamp, Billie Andrew Inman, Laurel Brake, Peter Costello, Ans Kabel, Douglas S. Mack, Tim Youngs, Neil Cornwell, Sjef Houppermans, Jacques B.H. Alblas, John Stokes, Susan de Sola Rodstein.
Contributors are: Wim Tigges, C.C. Barfoot, Jan Marsh, Valeria Tinkler-Villani, Amanda Gilroy, Peter van de Kamp, Billie Andrew Inman, Laurel Brake, Peter Costello, Ans Kabel, Douglas S. Mack, Tim Youngs, Neil Cornwell, Sjef Houppermans, Jacques B.H. Alblas, John Stokes, Susan de Sola Rodstein.
The Myth and Making of William and Mary
Volume Editor:
Of the many fine scholars who made and have maintained the high reputation of the Dutch Republic in the sixteenth and seventeenth centuries, Franciscus Junius the Younger (1591-1677) is one who has not yet been given the attention he deserves. Born and brought up among the élite Calvinist scholars of Leiden University, he began his career as a theologian. As a consequence of the religious quarrels between the Arminians and Gomarists, he resigned from his office, and went to England where in 1620 he was attached as a tutor and librarian to the household of the Earl of Arundel, an assiduous art-collector. His work as Arundel's librarian resulted in the publication in 1637 of De pictura veterum, a penetrating analysis of the Classical arts. This book laid the foundation of modern art-history. Later in his life Junius devoted most of his time and energy to the study of the Old Germanic languages, culminating in 1665 in the publication of the first edition of the Gothic Bible, together with a Gothic dictionary.
The present volume contains contributions on many aspects of Junius's life, his work as an art-historian, as a Neo-Latin author, his studies of Philip Sydney and Edmund Spencer, and of his Germanic philology. A check-list of his correspondence completes the volume. Contributors include C.S.M. Rademaker, Philipp Fehl, Colette Nativel, Judith Dundas, Chris H. Heesakkers, Ph.H. Breuker, Peter J. Lucas, E.G. Stanley and Rolf H. Bremmer Jr., and Sophie van Romburgh.
The present volume contains contributions on many aspects of Junius's life, his work as an art-historian, as a Neo-Latin author, his studies of Philip Sydney and Edmund Spencer, and of his Germanic philology. A check-list of his correspondence completes the volume. Contributors include C.S.M. Rademaker, Philipp Fehl, Colette Nativel, Judith Dundas, Chris H. Heesakkers, Ph.H. Breuker, Peter J. Lucas, E.G. Stanley and Rolf H. Bremmer Jr., and Sophie van Romburgh.
The Low Countries as a cultural crossroads in the Renaissance and the eighteenth century
New Historical and Literary Contexts
Volume Editor:
Most of the essays in James Fenimore Cooper: New Historical and Literary Contexts are either directly or indirectly informed by the need to confront Cooper's tales with the indeterminate historical context from which they arose. Others start from the premise that our understanding of Cooper's work can benefit significantly from displacing it from its traditional position in American literary history and by repositioning it in a new literary context. What unites all the essays is a commitment to read Cooper's works as culturally-encoded documents that both reflect and give us access to the complex, equivocal mind that created them. This is not to say that the essays share a common critical or methodological approach; indeed, they were commissioned and selected with the specific intention of applying contending approaches in contemporary literary discourse to the canonical Cooper. While the array of critical approaches represented in the book is by no means exhaustive, interpretive strategies vary from textual, formalistic New Critical readings to old historical, contextual readings, and from new historical, revisionist readings to deconstructive readings. Through their critical diversity these essays will cast a new light on Cooper's work in relation to its historical context, and on the relevance of Cooper's work to both nineteenth-century and modern literary, historical, and ideological debates.
Poetics, Linguistics, History
In recent years there has been an increasing realization that language and literature are, so to speak, socioculturally consubstantial. Accordingly literary scholars and linguists now often define their interests in sociohistorical terms, and the 'lang.-lit.' divide is giving way to shared concerns which are interdisciplinary between the three poles: poetics, linguistics, society. To illustrate and consolidate this new interdisciplinarity, the editors of this volume have collected a number of articles specially written by an international team of scholars, including figures of the highest international distinction. Key interdisciplinary terms such as contextualization, addressivity, and convention are subjected to critical scrutiny and applied to particular texts. Some of the most widely canvassed theories of communication and literature, particularly Sperber and Wilson's relevance theory and Bakhtin's sociolinguistic poetics, are carefully assessed and extended to new areas. And there are contextualizing approaches to phenomena such as genre, historical genre modulation, irony, metaphor, Modernist impersonality, unreliable narration, informal style, and literary gossip.
The book's argument is carefully structured. An extensive introduction outlines the general background of ideas and the thirteen articles are grouped into four main sections, linked together by a clear line of questioning and discussion which is made explicit in sectional introductions.
The book is addressed to established scholars, postgraduate students, and advanced undergraduates who are interested in linguistics, literary theory, literary criticism, and sociocultural history and searching for ways of bringing these branches of learning into synergetic relation with each other.
The book's argument is carefully structured. An extensive introduction outlines the general background of ideas and the thirteen articles are grouped into four main sections, linked together by a clear line of questioning and discussion which is made explicit in sectional introductions.
The book is addressed to established scholars, postgraduate students, and advanced undergraduates who are interested in linguistics, literary theory, literary criticism, and sociocultural history and searching for ways of bringing these branches of learning into synergetic relation with each other.
Franklin to Cooper
If 1776 heralds America's Birth of the Nation, so, too, it witnesses the rise of a matching, and overlapping, American Literature. For between the 1770s and the 1820s American writing moves on from the ancestral Puritanism of New England and Virginia - though not, as yet, into the American Renaissance so strikingly called for by Ralph Waldo Emerson. Even so, the concourse of voices which arise in this period, that is between (and including) Benjamin Franklin and James Fenimore Cooper, mark both a key transitional literary generation and yet one all too easily passed over in its own imaginative right.
This collection of fifteen specially commissioned essays seeks to establish new bearings, a revision of one of the key political and literary eras in American culture. Not only are Franklin and Cooper themselves carefully re-evaluated in the making of America's new literary republic, but figures like Charles Brockden Brown, Washington Irving, Philip Frencau, William Cullen Bryant, the other Alexander Hamilton, and the playwrights Royall Tyler and William Dunlop. Other essays take a more inclusive perspective, whether American epistolary fiction, a first generation of American women-authored fiction, the public discourse of The Federalist Papers, the rise of the American periodical, or the founding African-American generation of Phillis Wheatley. What unites all the essays is the common assumption that the making of America was as much a matter of creating its national literature; as the making of American literature was a matter of shaping a national identity.
This collection of fifteen specially commissioned essays seeks to establish new bearings, a revision of one of the key political and literary eras in American culture. Not only are Franklin and Cooper themselves carefully re-evaluated in the making of America's new literary republic, but figures like Charles Brockden Brown, Washington Irving, Philip Frencau, William Cullen Bryant, the other Alexander Hamilton, and the playwrights Royall Tyler and William Dunlop. Other essays take a more inclusive perspective, whether American epistolary fiction, a first generation of American women-authored fiction, the public discourse of The Federalist Papers, the rise of the American periodical, or the founding African-American generation of Phillis Wheatley. What unites all the essays is the common assumption that the making of America was as much a matter of creating its national literature; as the making of American literature was a matter of shaping a national identity.
Aspects of the Literary Epiphany
Volume Editor:
... a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase in the mind itself. Thus Stephen Dedalus in James Joyce's Stephen Hero: defines the phenomenon that has ever since been known as the literary epiphany. The essays gathered in this volume comprise a wide survey of this phenomenon. With recurrent reference to its most famous creators, notably William Wordsworth, who was the first to consciously explore and delineate those momentous spots in time in his Prelude, Walter Pater, James Joyce and Virginia Woolf, this book intends to provide a broad and unbiased exploration into the various types and categories of the moment of moment that can be distinguished, ranging from William Blake, Ann Radcliffe and Charles Maturin through the nineteenth-century sonnet tradition and the naturalistic novel to modernist and postmodernist exponents such as Ezra Pound and Elizabeth Bowen, Philip larkin and Seamus Heaney, and include contributions by acclaimed experts in the field such as Martin Bidney, Robert Langbaum, Jay Losey, and Ashton Nichols.
The scope of the articles in Shades of Empire in Colonial and Post-Colonial Literatures, which are arranged in a broad sweep from East to West, with four short papers nestled in the middle on the theme of colonialism and motherhood, is extensive and varied. But in one way or another they all reflect the growing importance of literatures and cultures that might once have been regarded as marginal. During the colonial period the literature of the centre took possession of the margin, as well as of the imagination of the margin. But only recently has the question been raised as to why traditional English literary history has paid so little attention to colonial literature. Now post-colonial literatures are writing themselves back into the centre, and what used to be the margins of the English language world have now set themselves up as rival centres. An interesting question to arise from this is whether in the process the former colonial or colonizing literature has now itself turned into a post-colonial literature? What this book affirms is the importance and interest of a wide variety of literatures sharing a language but reflecting a rich and provocative diversity of histories, experiences and attitudes to the shared world which still also divides us.
Studies in Anglo-Dutch Literary Translation
Writers’ Reactions to Real and Imagined Revolutions 1789-1989