Angélica Ksyvickis

Survey Reveals Missing or Erroneous Credits in 31% of Streaming Tracks - “The objective of the analysis was to understand the extent of the gap left by incomplete, incorrect, or non-existent metadata—as well as to decipher the inherent difficulties each platform faces when identifying tracks. What may seem like mere bureaucracy to the untrained eye becomes a drain where the money of rights holders flows. After all, any errors in metadata registration by labels and distributors, which are the sources used by DSPs (or platforms), can lead to errors in revenue distribution. Not to mention the invisibility of those who create the essential raw material of the music industry, a problem of moral rights.” #Spotify #UBC #Metadata #Streaming #Legal #StreamingRoyalties #Royalties #RecordedMusic #StreamingServices #StreamingMedia #ISRC #MusicTracks #MusicStreams #MusicRoyalties #Songs #Recordings #US #Music #MusicBusiness #Musica #MusicIndustry #Musique #Musik #MusicBiz #DSPs #Songwriters #Artists #Creators #MusicPublishing #RecordLabels #Musicians #Composers #Digital #GESAC #AppleMusic #Apple #Amazon #AmazonMusic #Deezer #YouTube #Brazil #Brasil #MoralRights #IP #IntellectualProperty #CopyrightLaw #Copyright #DerechoDeAutor #DroitdAuteur

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🎵 Breaking News: The music industry as we know it is splitting in two! 💥 Midia Research predicts major shifts ahead that will redefine how we create, share, and enjoy tunes. What does this mean for artists and fans alike? Dive into the details 👉 [https://lnkd.in/dh4yYZ3z) What's your take on these upcoming changes? Will it be a harmony or a discord? 🤔 Sound off in the comments! 🎤🎶 #Music #MusicIndustry #MusicProduction #Songwriting #MusicBusiness #TuneApp

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“...the system is turning artists to content creators whether they like it or not. This behavior is not sustainable long-term for the vast majority of music artists.” –MIDiA Research shares insights from an artist survey on the topic of establishing success in today’s music industry Read more here: bit.ly/3Vv0TCj

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European Portuguese vs. Brazilian Portuguese - What's The Difference? ▸ https://lttr.ai/ASj39 #voiceovercompany #portuguesevoiceover #portuguesevoiceactors #voiceoveragency #voiceovermarketplace #BrazilianPortuguese #EuropeanPortuguese #Portuguese #HiringVoiceActors

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𝗕𝗟𝗢𝗚 🌐 | The #IFIAudiovisual offers an attractive incentive for foreign productions, reimbursing up to 30% of qualified expenses incurred within #Chile, and 40% for those productions that are made entirely in regions outside Santiago 📽️🎬🍿 ✴️𝗥𝗲𝗮𝗱 𝗮𝗹𝗹 𝗮𝗯𝗼𝘂𝘁 𝗶𝘁 𝗛𝗘𝗥𝗘 👉 https://hubs.ly/Q02wgXGG0 Ministerio de Economía, Fomento y Turismo Corfo Ministerio de las Culturas #InvestChile #InvestinChile #InvestmentOpportunities #BusinessinChile #ChileanEconomy #DoingBusinessChile #ChileNews #FDI #ChileanEconomy #BusinessOpportunities #ForeignInvestment #ChileOutlook #IPA #Chile #IndustriasCreativas

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—> Navigating the World of Music Supervision and Sync Licensing At Last Leg Creative, we specialize in music supervision and navigating the complex world of sync licensing for film and TV. We are dedicated to helping you understand and manage synchronization royalties, ensuring that your creative projects are paired with the perfect music while making sure artists and rightsholders get paid fairly. Music synchronization royalties, often referred to as sync royalties, are crucial for musicians and songwriters. With as much as 17% of all music publishing revenues now coming from sync licensing, it’s more important than ever to get it right. The Recording Industry Association of America reported a 24.8% increase in sync royalties from 2021 to 2022, highlighting the growing significance of this revenue stream. Understanding how sync royalties are calculated and reported can be complex, especially with the rise of new platforms like YouTube and TikTok. But don’t worry—our expertise at Last Leg Creative ensures that you’re well-equipped to handle these challenges. Ready to dive into the details? Check out this comprehensive guide from Trolley.com that breaks down what synchronization royalties are, how they’re calculated, and best practices for music royalty management in the digital era. Let’s make your next project a success with expert music supervision and seamless sync licensing. Reach out to us at Last Leg Creative to learn more about how we can help! #MusicSupervision #SyncLicensing #FilmAndTV #MusicRoyalties #LastLegCreative

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𝗕𝗟𝗢𝗚 🌐 | The #IFIAudiovisual offers an attractive incentive for foreign productions, reimbursing up to 30% of qualified expenses incurred within #Chile, and 40% for those productions that are made entirely in regions outside Santiago 📽️🎬🍿 ✴️𝗥𝗲𝗮𝗱 𝗮𝗹𝗹 𝗮𝗯𝗼𝘂𝘁 𝗶𝘁 𝗛𝗘𝗥𝗘 👉 https://hubs.ly/Q02wgWhL0 Ministerio de Economía, Fomento y Turismo Corfo Ministerio de las Culturas #InvestChile #InvestinChile #InvestmentOpportunities #BusinessinChile #ChileanEconomy #DoingBusinessChile #ChileNews #FDI #ChileanEconomy #BusinessOpportunities #ForeignInvestment #ChileOutlook #IPA #Chile #IndustriasCreativas

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STREAMS OF MÚSICA MEXICANA SOARED BY 440% IN FIVE YEARS ON SPOTIFY, PLATFORM SAYS It’s hardly news at this point that Latin Music is exploding in popularity worldwide, but within that broad category, one particular subset has been standing out: Música Mexicana. In a report released on Friday (May 3), Spotify put some hard numbers to this phenomenon. The DSP reported that streams of Música Mexicana grew by 55% globally in 2023; between 2018 and 2023, streams grew by 440%. The trend is a little more intense among youthful Gen-Z listeners, among whom streams of the genre have grown by 60% over the past year.

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Dear Producer (@Rebecca Green): "Rather than being about the work, the “Produced by” credit has become the token given to the person or brand who holds valuable IP or the star power to greenlight a movie. It is the reward for being “bankable.”" ... Pedro Correa (producer of HBO Max's "My Dead Dad"): I talk about this daily… Is the “producer” credit a financial credit? Packaging? Creative? A name-actor involved? The rep of a name-actor involved?! Do we need new sub-credits? It’s starting to feel this way. The credit “producer” has become likened to a luxury brand name — everyone seems to want it, but little people understand what it really* means to wear it, and the label* itself seems to be the sole focus (unlike work itself). It’s time that a bar be set, culturally, for the requirements to be able to call yourself a producer (outside just basic guild requirements). P.S. This is coming from the producer of “My Dead Dad” (HBO Max) — who also just so happened to be an actor in the film, and is often mistaken as ‘just an actor who got the producing credit’ — rather than the producer who, in reality, bled through their eyeballs for years getting the film made from A-to-Z. A revolution is needed. Read the Dear Producer Article: https://lnkd.in/e-pUXrxG

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The Music Specialist delivers: Content Licensing and Distribution Publishing Creation and Administration​ Question and answer group sessions Conference panel participation Multimedia presentations on Entertainment Industry back ​office structure Sync US and International Licensing

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TDious Experiences volume II: The Remote Broadcast Production Technical Director [Mobile Unit Setup Part 2c: Keyer Assignments & Keyer Priority] The default Keyer Priority on every popular switcher is Keyer 1 on top of 2 which is on top of 3 and so on. Remember to set your Keyer priorities as well as your transition rates for them before you begin storing EMEMS. My Effect 000 on all of my M/Es has a Source Hold (so that recalling this effect won��t take me to another source) but it does clear all of that M/Es keyers, sets them to their base assignments and appropriately layers the stack based on my needs for that show. For example, my PGM level Keyers may have Keyer 1 (Image Store 1 for Network branding) at the highest priority, followed by Keyer 2 (SpotBox A for Transitions) but then Keyer 6 may be THIRD in the stack for the Telestrator. The reason is because I generally assign a GPI to clear the Tele on my Replay Out move. Having the Tele UNDER the SpotBox transition allows that clear to happen seamlessly … unless, of course, I have a certain analyst we have lovingly nicknamed “Picasso” for his ability to paint the most amazing abstract art using this 1970s technology and who may just keep on drawing long after my GPI has cleared the screen. OK! I think that’s quite a lot to absorb for now. If there are questions or topics YOU would like to see covered here, shoot me a line. I wouldn’t have had the good fortune to be working the shows I work today without the kindness of so many early in my career and I’m here to pay it backwards AND forwards for anyone interested! Until next time Happy Switching!

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𝗕𝗟𝗢𝗚 🌐 | The #IFIAudiovisual offers an attractive incentive for foreign productions, reimbursing up to 30% of qualified expenses incurred within #Chile, and 40% for those productions that are made entirely in regions outside Santiago 📽️🎬🍿 ✴️𝗥𝗲𝗮𝗱 𝗮𝗹𝗹 𝗮𝗯𝗼𝘂𝘁 𝗶𝘁 𝗛𝗘𝗥𝗘 👉 https://hubs.ly/Q02wgWLG0 Ministerio de Economía, Fomento y Turismo Corfo Ministerio de las Culturas #InvestChile #InvestinChile #InvestmentOpportunities #BusinessinChile #ChileanEconomy #DoingBusinessChile #ChileNews #FDI #ChileanEconomy #BusinessOpportunities #ForeignInvestment #ChileOutlook #IPA #Chile #IndustriasCreativas

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Export transcripts with Speaker ID and SubCap files from your sequences in Media Composer ▶️ youtu.be/0AlTjAoSDzg #mediacomposer #newfeatures #editing #editor #postproduction #avidmediacomposer #avid #transcripts #speakerid #subcap

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Export transcripts with Speaker ID and SubCap files from your sequences in Media Composer ▶️ youtu.be/0AlTjAoSDzg #mediacomposer #newfeatures #editing #editor #postproduction #avidmediacomposer #avid #transcripts #speakerid #subcap

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From MIDiA Research: “Entertainment works as an industry because art has cultural value. However, today’s industry is almost entirely focused on the tech side...rather than individual successes." Read more here: bit.ly/3wOCI9G

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