Red Flags/Green Flags
LARB social media director Maya Chen rounds up her ultimate relationship red and green flags for 2024.
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
LARB social media director Maya Chen rounds up her ultimate relationship red and green flags for 2024.
Maya ChenFeb 14
Christian Lewis reviews Sasha Velour’s “The Big Reveal: An Illustrated Manifesto of Drag.”
Christian LewisFeb 12
In a preview of the upcoming LARB Quarterly issue, no. 41: “Truth,” Claire Shaffer muses on how Taylor Swift has begun to recast her personal story...
Claire ShafferFeb 10
Rachel Carroll reviews Saretta Morgan’s “Alt-Nature.”
Rachel CarrollFeb 6
Michael Sandlin reviews Jason Ruiz’s “Narcomedia: Latinidad, Popular Culture, and the War on Drugs.”
Michael SandlinFeb 2
Michael Downs considers the troubled state of the institution that preserves the work of H. L. Mencken.
Michael DownsFeb 2
Grace Byron reviews Anna Kornbluh’s “Immediacy: Or, The Style of Too Late Capitalism.”
Grace ByronJan 31
Christina Fogarasi reviews Anna Kornbluh’s “Immediacy: Or, the Style of Too Late Capitalism.”
Christina FogarasiJan 31
Philippa Snow examines the anti-heroism offered by Bravo’s reality show “Vanderpump Rules.”
Philippa SnowJan 29
Eliana Rozinov revisits Jane Campion's “A Girl’s Own Story” and “The Piano” on the 30th anniversary of the latter film.
Eliana RozinovJan 27
Patrick A. Howell and Gennike A. Mayers write about the history of interchange between hip-hop music and the Caribbean Community.
Adedayo Agarau reviews Sarah Ghazal Ali’s “Theophanies.”
Adedayo AgarauJan 16