Here Be Monstrous Architects: On Joshua Comaroff and Ong Ker-Shing’s “Horror in Architecture”
Stephanie Schoellman reviews Joshua Comaroff and Ong Ker-Shing’s “Horror in Architecture: The Reanimated Edition.”
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
Stephanie Schoellman reviews Joshua Comaroff and Ong Ker-Shing’s “Horror in Architecture: The Reanimated Edition.”
Stephanie SchoellmanMay 23
Leigh-Michil George reviews Cookie Woolner’s “The Famous Lady Lovers: Black Women and Queer Desire Before Stonewall.”
Leigh-Michil GeorgeMay 21
Diana Arterian reviews Alison C. Rollins’s “Black Bell.”
Diana ArterianMay 19
Anna Levett reviews Mark Polizzotti’s “Why Surrealism Matters.”
Anna LevettMay 14
Adam Fleming Petty reviews Lucas Mann’s “Attachments: Essays on Fatherhood and Other Performance,” rooting his analysis in his personal experience.
Adam Fleming PettyMay 6
Margo Steines reviews Lucas Mann's “Attachments: Essays on Fatherhood and Other Performances.”
Margo SteinesMay 6
Ian Ellison reviews Brian K. Goodman’s “The Nonconformists: American and Czech Writers Across the Iron Curtain.”
Ian EllisonApr 27
Jonathan van Harmelen reveals a lesser-known, unappreciated history of American film through the work of Asian American makers and studios.
Jonathan van HarmelenApr 25
In honor of National Talk Like Shakespeare Day, Frank Bergon writes about Shakespeare’s possible use of the Basque language.
Frank BergonApr 23
Jayson Buford revisits Curtis Hanson and Eminem’s “8 Mile.”
Jayson BufordApr 14
Sarah Moorhouse reviews Eli Friedlander’s “Walter Benjamin and the Idea of Natural History.”
Sarah MoorhouseApr 7
Leah Mandel reviews Emmeline Clein’s “Dead Weight: Essays on Hunger and Harm.”
Leah MandelApr 6