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Cannes 2018

February 2019

  • Nadine Labaki photographed at the Picture House Cinema in Central London.

    Observer New Review Q&A
    Nadine Labaki: ‘I really believe cinema can effect social change’

    The Oscar nominee talks about being a female director in Lebanon, the child poverty that inspired her latest film and the Syrian refugee crisis

September 2018

  • Joanna Kulig and Tomasz Kot in Cold War.

    Mark Kermode's film of the week
    Cold War review – love in a communist climate

    Paweł Pawlikowski’s love letter to his parents is a sweeping tale of passion and politics set in the shadow of the iron curtain

August 2018

  • From left, directors Mike Leigh, Jennifer Kent and Paul Greengrass.

    Venice film festival 2018: all star lineup, despite lack of female film-makers

    The festival, opening Wednesday, has come under fire for featuring only one female director in competition – yet this year looks only to cement its position as the prime Oscars launchpad
  • 71st Cannes Film Festival – Closing ceremony – Cannes, France, May 19, 2018. Asia Argento and jury member Ava DuVernay are seen on stage. REUTERS/Stephane Mahe

    Cannes film festival's sexual harassment hotline – did it work?

    Leading industry women spoke out passionately about sexual harassment – but some female film-makers said they continued to be mistreated
  • Climax director Gaspar Noé on the beach at Cannes.

    Gaspar Noé: 'Six people walked out of Climax? No! I usually have 25%'

    The director’s violent, sexually charged films repel as many viewers as they entrance – but at Cannes, almost everyone loved his latest, LSD-soaked dance drama Climax. So where did he go wrong?
  • Protest at Cannes.

    Cannes of worms: true gender equality in film will take more than 'just add women'

    Deb Verhoeven and Bronwyn Coate
    Women working solo direct 15% of new releases – but many of those films aren’t widely screened. The problem’s not just access, but gatekeeping too
  • ‘My favourite thing is watching other people watch’ … The Wild Immersion, a 360-degree virtual reality documentary.

    Nuzzle a panda, kiss a lioness: Jane Goodall takes us on her wildest adventure yet

    The wildlife legend wants to take the whole world on safari. As her stunning new VR film series launches, she talks about firing up David Attenborough – and explains why Andy Serkis was ‘fantastic’ as an ape
  • FRANCE-CANNES-FILM-FESTIVAL<br>Japanese director Hirokazu Kore-Eda poses with his trophy on May 19, 2018 during a photocall after he won the Palme d'Or for the film "Shoplifters (Manbiki Kazoku)" at the 71st edition of the Cannes Film Festival in Cannes, southern France.  / AFP PHOTO / LOIC VENANCELOIC VENANCE/AFP/Getty Images

    Cannes 2018: cheering – if baffling – set of prizes caps a curious year

    Hirokazu Kore-eda’s Shoplifters swiped the Palme d’Or from hotter tips but few could begrudge this masterful veteran of world cinema his time in the sun
  • Hirokazu Kore-eda

    Cannes 2018: unfancied Japanese film Shoplifters takes Palme d'Or

    Spike Lee and Jean-Luc Godard were also among the prizewinners at the 71st annual film festival
    • Cannes 2018: Hirokazu Kore-eda's Shoplifters wins the Palme d'Or – as it happened

    • Names in the news
      Give Kristen Stewart a Palme d’Or for putting her best foot forward

      Rebecca Nicholson
    • Cannes 2018: A search for meaning on the Croisette

  • Film still : The Wild Pear Tree, directed by Nuri Bilge Ceylan

    The Wild Pear Tree review – Nuri Bilge Ceylan's delicious, humane tableaux

  • THE MAN WHO KILLED DON QUIXOTE (Terry Gilliam)

    First look review
    The Man Who Killed Don Quixote review – Terry Gilliam's epic journey finds a joyous end

  • Terry Gilliam.

    ‘I didn’t have a stroke’: Terry Gilliam on health scare and Don Quixote

  • Shoplifters, Leave No Trace and Capernaum

    Early warning: why are films about childhood in crisis looming over Cannes?

  • Cannes 2018 verdict: sombre brilliance wins day despite Von Trier's unwelcome return

  • Capernaum review – kid sues parents in angry tale of Beirut child poverty

  • Knife + Heart review – bizarre shaggy-dog story of cheesy 70s porn

  • Does Lars von Trier’s ‘vomitive’ new film spell the end for provocative cinema?

About 94 results for Cannes 2018
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