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Popcast (Deluxe): Did Dua Lipa Flop? + Miserable Pop Music Films
Discussing the imperfect rollout of Dua Lipa’s latest album, “Radical Optimism,” and the recent music movies “Back to Black” and “The Idea of You.”
Discussing the imperfect rollout of Dua Lipa’s latest album, “Radical Optimism,” and the recent music movies “Back to Black” and “The Idea of You.”
The filmmakers do more to align star and character than the novel did. But somehow that doesn’t make the movie indebted to the musician.
By Esther Zuckerman
Anne Hathaway protagoniza una película que tiene mucho que decir sobre los peligros de ser famoso.
By Alissa Wilkinson
Anne Hathaway headlines a movie that’s got a lot to say about the perils of fame.
By Alissa Wilkinson
On the debut of ‘The Interview,' the actress talks to David Marchese about learning to let go of other people’s opinions.
By David Marchese
Thomasin McKenzie and Anne Hathaway star in a period thriller that brings cathartic nastiness to a cold New England Christmas.
By Alissa Wilkinson
A love-triangle comedy from Rebecca Miller, starring Peter Dinklage, Marisa Tomei and Anne Hathaway, gets an emotional boost from an unexpected source.
By Lisa Kennedy
Selections from the Weekend section, including a review of the film "Armageddon Time."
By Danielle Dowling
New York in 1980 is the setting for James Gray’s brooding, bittersweet story of family conflict and interracial friendship.
By A.O. Scott
Anne Hathaway and Chiwetel Ejiofor play a couple sheltering in their London brownstone over the early weeks of the pandemic in this irritating heist comedy.
By Natalia Winkelman
“The Witches,” a film in which Anne Hathaway’s character has disfigured hands, has resurfaced the debate over depicting evil as disabled.
By Cara Buckley
In a world upended by a pandemic, the antics of a catastrophe-prone teenage princess reassure me.
By Sarah Bahr
Adapted from a Joan Didion novel, the movie plunges Anne Hathaway into the 1980s turmoil around the U.S. backing of Nicaraguan rebels.
By Glenn Kenny
The Amazon TV series inspired by the beloved column premieres this week. Daniel Jones, the Modern Love editor, and Miya Lee, the projects assistant, discuss what they’ve learned about love.
By Adriana Balsamo
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In 2008, Terri Cheney went public about her mental illness. The essay led to a new career as a writer and an episode of the ‘Modern Love’ television series starring Anne Hathaway.
By Daniel Jones
A major film career isn’t complete without one. This year it was Brad Pitt and Natalie Portman’s turns. They’re part of a long Hollywood tradition. Here’s a look back.
By Mekado Murphy
Rival con artists on the French Riviera are up to some familiar high jinks in an engagingly silly comedy.
By A.O. Scott
As Captain Baker Dill, McConaughey is asked to throw his ex-wife’s new husband into the ocean. He should have thrown the script in instead.
By Wesley Morris
She talks about playing a femme fatale in “Serenity,” doing “The Hustle” with Rebel Wilson, stealing the show in “Ocean’s 8” and Hollywood’s echo chamber of men.
By Kathryn Shattuck
Sandra Bullock, Cate Blanchett, Rihanna and friends are fun to watch. Too bad the movie doesn’t play with gender as lightly (and seriously) as with genre.
By Manohla Dargis
The strategy, meant to take advantage of President Trump’s star power among core Republican supporters, will take him to six states where he can bring a message devised to stoke partisan outrage.
By Julie Hirschfeld Davis, Maggie Haberman and Jonathan Martin
In Nacho Vigalondo’s film, two childhood friends drink, talk about life and bring their inner resentments to a scary boil.
By A.O. Scott
Robert De Niro plays Ben, a gentle father figure who comes equipped with a laundered handkerchief, in Nancy Meyers’s latest film.
By Manohla Dargis
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Over a 35-year career in Hollywood, Ms. Meyers has told the stories of men and women at work and in love.
By Carrie Rickey
Cate Blanchett, Julianne Moore and others on new films about women’s lives, and whether they’re a harbinger of change.
By Julie Bloom
On social media the market routs and fumbling government efforts to stop them have triggered an explosion of jokes, as Chinese investors try to find ways to ease the pain.
By Austin Ramzy
The Oscar-winning actress plays a cocky pilot raining bombs down from afar on Iraq and Afghanistan in this play by George Brant, directed by Julie Taymor.
By Charles Isherwood
The two women discuss their collaboration on George Brant’s play about a female fighter pilot.
By Michael Paulson
Bill Irwin explains how he wound up having to move around TARS, the inanimate hero of “Interstellar.”
By Cara Buckley
“Song One” arrived at last year’s festival amid a great deal of interest; it left without a buyer and is only now being released.
By Brooks Barnes
“Song One,” starring Anne Hathaway, offers a wispy meditation on the healing properties of a pretty folk song — especially when sung by a sensitive troubadour with bedroom eyes.
By Jeannette Catsoulis
The play is a 70-minute monologue about a fighter pilot who is reassigned to operate drone strikes when she becomes pregnant.
By Patrick Healy
The actress on trying new things, kicking old habits and finding self-acceptance in the midst of criticism.
Interview by Taffy Brodesser-Akner
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The director discusses a scene from his film.
By Mekado Murphy
Two stars of the movie answer the question: did you know what you were talking about when you had to say astrophysics-y things?
By Cara Buckley
Anne Hathaway talked about movies and politics while in Washington for a screening of “Interstellar.”
By Jada F. Smith
In Christopher Nolan’s science-fiction parable “Interstellar,” Earth is dying, and a team of astronauts searches the universe for a new home for the human race.
By A.O. Scott
The actress picked a daring Christopher Kane design for the 28th American Cinematheque Awards red carpet.
By Angela Koh
Matthew McConaughey, Anne Hathaway and Jessica Chastain discuss “Interstellar”; its director, Christopher Nolan; and the humor of physicists.
By Dave Itzkoff
By the fifth day of the 10-day Sundance Film Festival, with distributors having sampled about 50 films, movies have been selling on the cheap.
By Brooks Barnes
The Lincoln Center spring gala raises $9.4 million, a record for the organization.
By Robin Pogrebin
Alan Cumming would reprise his Tony-winning role as the M.C.
By Patrick Healy
Anne Hathaway’s success has not shielded her from the “Hathahaters.” Why is everyone picking on her?
By Alex Williams
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Twitter didn’t light up for the Oscars the way it did for the Super Bowl or the Grammys, according to tweet-per-minute stats.
By Melena Ryzik
Taking a look at what other prognosticators around the Web are expecting.
By Melena Ryzik
Naomi Watts, Christoph Waltz and others stop by “Between Two Ferns” to chat with Zach Galifianakis.
By Melena Ryzik
A critic argues that Anne Hathaway’s performance is the worst of the best supporting actress contenders.
By Melena Ryzik
A video parody of Anne Hathaway’s big number in “Les Misérables” is making the rounds.
By Melena Ryzik
With so much attention paid to the Golden Globes and the Oscars, the red carpet at the Screen Actors Guild awards always seemed a bit of a drag. But this time the stars were in sync with the recent haute couture shows.
By Cathy Horyn
After a weekend of guild awards ceremonies, “Argo” suddenly has the momentum of a sprinter, but other films can’t be counted out.
By Melena Ryzik
The Screen Actors Guild gives “Argo” its equivalent of best picture along with wins for two actors from “Lincoln.”
By Melena Ryzik
Hugh Jackman and Anne Hathaway were both nominated for their roles in “Les Miz,” but wish their director could have been included as well.
By Melena Ryzik
Theater made “Les Misérables” part of the canon of the most successful musicals. What has film done with the screen version?
By Charles Isherwood
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The New York Times critics on “Les Misérables,” “Django Unchained” and “West of Memphis.”
Gabe Johnson
Amid the grime, power ballads and surging strings, there is a familiar, reassuring story of oppression, liberation and redemption.
By Manohla Dargis
The making of a movie of “Les Misérables,” which first appeared onstage in London in 1987, has long been the dream of the producer Cameron Mackintosh.
By Roslyn Sulcas
Anne Hathaway, Rihanna and Beyoncé Knowles wear the festive color best, with a lot of texture and high contrast.
By Edward Barsamian
A video gallery of dreams and transformations, featuring 13 actresses whose performances defined the year in film.
A dreamy performance by Anne Hathaway, one of the 13 actresses featured in this year's Hollywood Issue.
Tierney Gearon
The actress shines in an navy and gold bustier and skirt by Altuzarra.
By Edward Barsamian
Late entrants this week have altered the shape of the Oscar race since awards season began, all of two days ago.
By Melena Ryzik
The Oscars host next year will be Seth MacFarlane, the academy announced.
By Michael Cieply
Stuffy no more, the New York City Ballet and the Metropolitan Opera are drawing younger names to bring in the money.
By Ruth La Ferla
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The concert will celebrate the renovation of the Public Theater.
By Felicia R. Lee
President Obama finished an evening of fund-raising with an event at the Connecticut home of the movie mogul Harvey Weinstein.
By Peter Baker
Christopher Nolan’s “Dark Knight Rises” wraps up his post-Sept. 11 epic of ambivalent good vs. multidimensional evil with a burst of light.
By Manohla Dargis
The actress of “The Dark Knight Rises” makes an impact in a Givenchy dress.
By Edward Barsamian
Tailored shorts look fresh this year, and can be worn with a jacket or camisole.
By Cathy Horyn
An early look at Tom Hooper’s adaptation of “Les Misérables” offers tantalizing glimpses of Hollywood A-listers playing sad Parisians, but the focus is firmly on Anne Hathaway, who plays the ill-fated Fantine.
By Dave Itzkoff
In our latest feature, T tracks what stylish women are wearing to keep warm. Here, Miranda Kerr, Olivia Wilde and Anne Hathaway button up for the end of autumn.
By Edward Barsamian
A thematic look at scenes from both the television show and the movie version of "Get Smart" and how they compare to each other.
“One Day,” directed by Lone Scherfig, follows a man and a woman for more than 20 years, with the action taking place on a single date, July 15, every year.
A. O. SCOTT
An animated comedy about a blue macaw’s adventures in Rio, with the voice of Jesse Eisenberg as Blu, the macaw.
By Andy Webster
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At the 83rd annual Academy Awards ceremony, the actress changed her outfit seven times, outdressing many of the starlets in attendance.
Despite a pair of young hosts and some new ideas for the ceremony, ratings for this year’s Academy Awards fell from a year ago.
By Michael Cieply and Brooks Barnes
Though the hosts, James Franco and Anne Hathaway, joked about being the “hip” Oscars from the start of the show, and then acted on it, their performances drew decidedly mixed reviews.
By Melena Ryzik
This year’s ceremony had a pair of youthful hosts (but hoary writing) and social media name dropping.
By Alessandra Stanley
Like most Americans, like most of the planet, I am a sucker for this over-inflated attempt to summarize and recognize the year’s movies.
By David Carr
Anne Hathaway and James Franco continued to dole out clips that hint at what they will be doing when they host the show.
By Melena Ryzik
The Academy Awards telecast is employing a number of new ideas in its quest to capture a bigger, younger audience.
By Melena Ryzik
Anne Hathaway is the consummate professional, rattling off Oscar show trivia, while James Franco is much more laconic.
By Melena Ryzik
The Academy is taking its new mandate to be more open and revealing, with a new video and plan to include fans on the red carpet (at least virtually).
By Melena Ryzik
With the Academy Awards a mere 12 days away, details are beginning to leak out about the telecast – or rather, be meted out in a very methodical, public relations-managed way.
By Melena Ryzik
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The Academy is opening up the red carpet and backstage experience at the Oscars with its “You’re Invited” campaign. And on Monday, it is live streaming the Oscars lunch.
By Melena Ryzik
Adam Shankman, the co-producer of last year’s Oscars telecast, has been offering his advice – and some offbeat ideas – to this year’s overseers
By Melena Ryzik
James Franco and Anne Hathaway have given away little about what to expect the Oscars, but this new promo suggests there will be dancing and, perhaps, violence.
By Melena Ryzik
ABC is looking for a substantial boost in ad rates, after last year’s resurgent viewership numbers.
By Melena Ryzik
The competition is stiff.
By Melena Ryzik
Some of the nominations were predictable, like those for “The King’s Speech” and “The Social Network,” but in a surprise, “True Grit” from the Coen brothers was shut out.
By Brooks Barnes and Michael Cieply
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