What Does Anxiety Look Like? How Pixar Created the ‘Inside Out 2’ Villain
The breakout character was initially envisioned as a monster. But when the filmmakers saw it wasn’t working, they found their way to a softer antagonist.
By
The breakout character was initially envisioned as a monster. But when the filmmakers saw it wasn’t working, they found their way to a softer antagonist.
By
In the first of a projected four-film cycle, Kevin Costner revisits the western genre and U.S. history in a big, busy drama.
By
David Marchese talks to the comedy legend about navigating the minefield of fame, “Family Feud” and changing Hollywood forever.
By
The chills are more effective than the thrills in this prequel to the “A Quiet Place” franchise.
By
Celine Dion Can Only Be Herself
The singer’s over-the-top sincerity and expressiveness were once seen as irredeemably uncool. In the new documentary “I Am: Celine Dion,” they have become her superpowers.
By
‘Last Summer’ Review: A Shocking Affair to Remember
Few directors get as deeply under the skin as Catherine Breillat, a longtime provocateur who tests the limits of what the world thinks women should do and say and be.
By
‘Fahrenheit 9/11’ at 20: Revisiting the Fear and Anger
Michael Moore’s hit documentary isn’t a prosecutor’s brief but a political and emotional appeal, rooted in the ways in which the country’s burdens are unequally borne.
By
Three Great Documentaries to Stream
This month’s picks look at a summer in Paris, a summer at the Olympics and the heat of the erotic thriller.
By
‘Daddio’ Review: Two for the Road
Sean Penn and Dakota Johnson outclass a humdrum script as two people who talk — and talk — in a New York City taxicab.
By
Advertisement
The star of “Ripley” and “All of Us Strangers” has become one of our most reliably excellent actors.
By Maya Phillips
Still ambitious, she’s also starring in Scarlett Johansson’s directing debut. “I have always had this sense that I am going to get what I wanted.”
By Melena Ryzik
The model-turned-actress-turned-businesswoman is the new president of Actors’ Equity. In an interview, she explained what she’s doing there.
By Michael Paulson
“Sausage Party: Foodtopia,” “Lady in the Lake,” “Love Lies Bleeding” and “Those About to Die” arrive, and “Snowpiercer” returns.
By Noel Murray
The writer and director, famous for making theatergoers squirm in their seats, says he feels most at home wherever the outsiders gather in his native city.
By Megan McCrea
Wearing a costume from “Frozen” in daily life has become a pastime for many children who identify with the character, regardless of gender.
By Abigail Covington
The actress stars in the new “Beverly Hills Cop” movie, but off-camera, she’s reading several books at once and streaming both YouTube and the Criterion Collection.
By Leigh-Ann Jackson
Dr. Alex Arroyo, a director of pediatric medicine in Brooklyn, gets to live out his “Star Wars” dreams, practice jujitsu and make a big mess while cooking for his family.
By Sarah Bahr
The French filmmaker Catherine Breillat has been exploring relationships between girls and older men since the 1970s. Her latest, “Last Summer,” flips the script.
By Carlos Aguilar
This month’s selections include a Japanese serial-killer thriller, a Pride Month pick from Sri Lanka, a Malaysian drama about undocumented street hustlers and more.
By Devika Girish
A bunch of major titles are leaving for U.S. subscribers this month, including films by George Lucas and Ang Lee. See them while you can.
By Jason Bailey
A new Balmain collection pays homage to the Disney film on a milestone anniversary. Plus, a preppy designer makes a comeback.
By Ruth La Ferla
Even as the technology advances, stubborn stereotypes about women are re-encoded again and again.
By Amanda Hess
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
By The New York Times
Advertisement
“How to Come Alive With Norman Mailer” hits on an ingenious structure that avoids hagiography even as it includes friends and family.
By Alissa Wilkinson
When Zara (Joey King) realizes that her mom (Nicole Kidman) is dating her boss (Zac Efron), she tries to split them up.
By Glenn Kenny
“The Apprentice,” a dramatized origin story about Donald J. Trump, has faced fierce criticism from the former president and his allies.
By Brooks Barnes
In Penny Lane’s newest film, she turns the camera on herself to document her experience donating a kidney to a stranger.
By Natalia Winkelman
An endangered French aristocrat is stranded with a benighted rural family in this tragicomic fairy tale.
By Jeannette Catsoulis
An ethereal, experimental new drama retells the story of the mythical Greek hero.
By Beatrice Loayza
Jake Paltrow’s film braids three fictional stories around the 1962 execution of Adolf Eichmann, the Nazi official and war criminal.
By Nicolas Rapold
This debut feature about a missing woman on an Oklahoma reservation is an imperfect but palpably emotional portrait of desperation and hard-won hope.
By Brandon Yu
It’s clear that Rita’s life in rural Argentina could use a bit of magic. But her willingness to bend the truth to achieve it heralds disaster.
By Beatrice Loayza
It’s been a challenge to follow the case. Here are its many twists and turns.
By Jonathan Mahler
Advertisement
After an accidental on-set shooting death — and two years of bitter legal combat — the movie star is about to have his day in court.
By Jonathan Mahler
The service is an art house answer to what’s missing on some of the more popular streamers.
By Jason Bailey
Irene Taylor, director of the new documentary “I Am: Celine Dion,” talks about the decision to include a grueling scene of the pop star in crisis.
By Annie Aguiar
Mr. Majors, who was sentenced to a year of domestic violence programming and was dropped by Marvel, is set to star in the independent thriller “Merciless.”
By Reggie Ugwu
The Wayans brothers’ subversive comedy is smarter than you remember.
By Robert Daniels
Dion’s voice made her a star. A new documentary on Amazon Prime Video brings her back to Earth, showing her intimate struggles with stiff person syndrome.
By Chris Azzopardi
To make “Horizon,” he put his own money on the line and left “Yellowstone,” the series that revived his career — all with little Hollywood support.
By Nicole Sperling
The actor was playing a young Michael Jackson when Elton John spotted him. Three decades later, the new attention to his legacy is “gratifying.”
By Ashley Spencer
Amid challenges in Hollywood, the Academy of Motion Picture Arts and Sciences renewed its chief executive’s contract a year early.
By Robin Pogrebin
The company’s latest internal memo about its corporate culture is more about how it expects employees to behave than what it wants to become.
By Nicole Sperling
Advertisement
In a way that’s both cathartic and devastating, Pixar’s latest portrays how anxiety can take hold, our critic writes.
By Maya Phillips
In a three-decade career, he’s developed an impressive range without forgetting how to have fun.
By Beatrice Loayza
The actor and director is turning his attention to his ambitious film series about post-Civil War America.
By Maya Salam
The British filmmaking team were maestros of Technicolor and so much more. If you don’t know their work, your favorite directors do.
By Ben Kenigsberg
Whether in the lead or a supporting role, the actor’s immense talent and range were apparent in six decades of performances.
By Scott Tobias
This month’s picks include demon baby, a cursed chef and all kinds of people trapped in hellish situations.
By Erik Piepenburg
Advertisement
Advertisement