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The Magazine

March 7, 2022

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Goings On

Tables for Two

Every Night Is a Party at Dept of Culture Brooklyn

At a new Nigerian restaurant in Bed-Stuy, Ayo Balogun makes communal dinners for twelve that might include scorching fish pepper soup, a funky stew made with fermented locust beans, and spiced grilled octopus.
Art

The Rich Legacy of Buddhism

The Brooklyn Museum exhibits some seventy objects of Buddhist art, made in fourteen countries between the second century A.D. and the early two-thousands.

The Talk of the Town

David Remnick on Vladimir Putin’s historic delusion; building a better COVID test; “The Music Man”; Ai Weiwei’s exhibit of fakes; the chill rise of glaive.

D.I.Y. Dept.

Glaive Is Acing Hyperpop, Failing Math Class

The seventeen-year-old pop singer, who began making music as a COVID diversion, chats in his bedroom about his inspiration (girls), his current grade in math (54), and life as a sudden star.
Innovation Dept.

Breathalyze Your Way to a COVID Diagnosis

Bo Gehring, eighty, has helped Jeff Koons with 3-D imaging, invented motorcycle brakes, and made a hamburger fly, catching the eye of Steven Spielberg. Next up: a low-tech COVID test.
The Boards

Band Camp on Broadway

Blake Lively and Seth Meyers came out to salute the première of “The Music Man”; so did forty-five New York teen-agers armed with clarinets and sousaphones.
U.K. Postcard

Ai Weiwei’s Fake-Art Exhibit

The artist and activist does a final inspection of the antiquities (some counterfeit) and the scan of his brain after a police beating (real) at his new show, which mixes the phony and the authentic.
Comment

Putin’s Bloody Folly in Ukraine

The Russian leader’s assault on a sovereign state has not only helped to unify the West against him; it has helped to unify Ukraine itself.

Reporting & Essays

A Reporter at Large

The Elephant in the Courtroom

A curious legal crusade to redefine personhood is raising profound questions about the interdependence of the animal and human kingdoms.
Portfolio

In Ukraine, Daily Life in the Face of War

Through years of conflict, people in eastern Ukraine have sought a semblance of normal existence—one that’s now under siege.
Science

A Journey to the Center of Our Cells

Biologists are discovering the true nature of cells—and learning to build their own.
Annals of Activism

The Youth Movement Trying to Revolutionize Climate Politics

Sunrise has already shifted the conventional wisdom about climate change. Now it wants to create a mass movement, combining street protest with policy negotiation, while there’s still time.

Shouts & Murmurs

Shouts & Murmurs

We Demand Age Forgiveness Now!

Fiction

Fiction

One Sun Only

The Critics

The Theatre

Shifting Identities in Sanaz Toossi’s “English”

In a play about a TOEFL class in Iran, speaking a second language isn’t just a way to say the same things differently but a way to be different.
Books

Claire-Louise Bennett’s Women Without a Story

In “Checkout 19,” the author once again wages war against narrative, filtering experience through thoughts, textures, and the dark core of the self.
The Art World

Making Way for Faith Ringgold

At ninety-one, the veteran American artist is sorely overdue for canonical status.
Books

The Crisis That Nearly Cost Charles Dickens His Career

The most beloved writer of his age, he had an unfailing sense of what the public wanted—almost.
Books

Briefly Noted

“Rebels Against the Raj,” “Eating to Extinction,” “Strangers I Know,” and “Very Cold People.”
The Current Cinema

The Grim Intensity of “Huda’s Salon”

Hany Abu-Assad’s thriller is rubbed raw by the politics of the occupied territories, yet it doesn’t feel like an issue movie.

Poems

Poems

Why Not

Cartoons

1/13

“That word-puzzle gloat of yours is getting old fast.”
Cartoon by Julia Suits

Cartoon Caption Contest

Puzzles & Games Dept.

Crossword

The Crossword: Wednesday, February 23, 2022

A moderately challenging puzzle.
The Mail
Letters should be sent with the writer’s name, address, and daytime phone number via e-mail to themail@newyorker.com. Letters may be edited for length and clarity, and may be published in any medium. We regret that owing to the volume of correspondence we cannot reply to every letter.