Christine Rose, MBA’s Post

Marketers here are some weekend Swiftie facts....This was the Highest grossing concert movie ever and Highest opening concert movie of all time connect your Brand with NCM moviegoers #cinema #adagencies #mediaplanning #tampabayfl #miamidade #tallahassee #nonprofitmarketing #collegemarketing #ooh #premiumvideocontent #audienceengagement

How do we bring more value back to the audience? How do you create and market great experiences with lower overhead and ticket prices? And where do we create those? #creators #producers https://lnkd.in/epE6UHBE

Get an innovative insight into lighting design with LED glowing balls. 🌟 Discover how these vibrant decorations can transform the visual experience and boost audience engagement at concerts and other events. Ready to light up your next event? Read on! 💡 #LED #lightingdesign #lightingdesignidea #Concerts #Eventplanning #miceevent #gflai #Singapore Read the full content below 🔽 🔽 🔽

Do you remember the virtual spaces we crafted for the PLAY advertisement? Are you curious about how we utilized our state-of-the-art Visual LED wall to bring this project to fruition? We invite you to explore what Agnieszka Chylińska, Tadeusz Śliwa - director, and Bart Biały - creative director, have to say about this modern technology! LED technology is not just a backdrop - it is a tool that opens up new, limitless possibilities for creating reality. Through collaboration like this one with VUFINDER STUDIOS we transcend the boundaries of traditional production, introducing innovations at a global level in the advertising world. 💡🎥 #virtualproduction #roevisual #LEDwall #UnrealEngine #LEDvolume #UnrealEngine Let us know what you think about the application of such technologies in advertising! Do you see the future of virtual production expanding into other areas? Share your thoughts!

Do you remember the industrial spaces that we created for @PLAY commercial? Do you want to know how our highest-quality LED wall from ROE Visual was used to create this commercial? Check out what Agnieszka Chylińska - the famous Polish vocalist, Tadeusz Śliwa - the director and Bart Biały - Creative Director from Plej agency have to say about this latest technology! #virtualproduction #roevisual #LEDwall #UnrealEngine #LEDvolume #UnrealEngine #EpicGames

The audience understands! Audiences are looking for engagement like the AR+ solutions we build at iSPARX™...

The music industry is facing significant hurdles that hinder artists from creating their best work. Two major challenges are: 1. Low compensation - artists earn a mere $0.0035 per stream on average 2. Delayed payments - artists wait 2-3 months to receive their earnings But there's hope! Mag Rodriguez, the visionary CEO of EVEN, is tackling these issues head-on using emerging technology, including Magic. With EVEN's innovative platform, artists can: ✅ Get paid daily, ensuring a steady income stream ✅ Earn over 100x more per stream compared to traditional streaming services We had the privilege of sitting down with Mag to discuss how EVEN is reshaping the future of the music industry. In this exclusive interview, Mag shares insights on empowering artists and creating a more sustainable and equitable ecosystem. Don't miss out on this game-changing conversation! Watch the full interview here 👇 #MusicIndustry #ArtistEmpowerment #EVENmusic #Musictech

Part IV: JFL's Options? Tudum Part I https://lnkd.in/ezUDfw2A Part II https://lnkd.in/eUdMvd4p Part III https://lnkd.in/eeUqbTzG 4) Netflix seems odd but we're talking about a DVD company that got into streaming; a licensor that then produced its own shows; a streamer that released movies in theatres; an subscription business that embraced advertising; a virtual company that is now launching pop up stores; so this is actually less crazy than some of its other forays. After all, Netflix is already a major underwriter of comedy shows. Since a major hurdle of JFL is that it doesn’t own the rights to the shows it hosts - because comedians want to keep their comedy routines private to sell tickets, or sell their stand up routines to Netflix for shows, Netflix owning 49% of the festival allows it to film everything, and then offer it on its platform via SVOD and AVOD. If Netflix owned JFL, then it could have multiple bites of the apple & dominate comedy. They may want 100%, but who wants to run full scale festivals around the world? While Netflix sought global rights, it did acquire many shows that left the producing partner retain certain geographies, there's no reason why it can't let Bell Media keep Canadian rights, but it's not like Bell Media (which owns CTV News, Much) would air 100% of the JFL shows it produces. Netflix' appetite would entice it to put as much of it on its platform, with most comedians eager to get paid and leverage Netflix' marketing muscle. This would up the value of the JFL franchise, benefitting Groupe CH whose Canadiens de Montréal has grown four-fold in value since Geoff Molson acquired it from George Gillett in 2009. Read more https://lnkd.in/eWT_f6J8 While BCE may be open to divesting from media, it may choose to retain its JFL stake, even though in this scenario evenko may be fine to replace its media partner Bell with Netflix, upping its stake to 51%. Now of course, Netflix doesn't need to own 49% of the festival, it cares about rights to the content vs owning the festival, since it can technically rent the milk instead of owning a cow that without subsidies would lose money. So for this to happen, Netflix would need to ask, do we want to own this asset? Not sure, since it can use the cash to license the comedy: it paid Chappelle $20M each for 3 shows. Owning the festival doesn't really do anything to reduce the cost, nor does it help earn more in revenues (since people subscribe to the service, and not a given show per se). When said and done, I really think that CAA is too large & JFL too small within it for them to rush into anything, but for the reasons highlighted above, JFL remains as double-edged sword with potential if you can navigate its pitfalls. Are there any other suitors for the festival? You tell me.

The future of entertainment is diverse and inclusive. 🍿 Fandom's Stephanie Fried, PlayStation's Jaap O. Tuinman, and Audible's Susan Jurevics discussed representation in entertainment. Key insights include the necessity of diverse representation in gaming, using taxonomy to deepen fan engagement, and how storytelling can drive societal change. Watch it here: https://lnkd.in/gti4_QG7 _ #GroupMCannes

In the entertainment industry, equipment rental providers such as 4Wall Entertainment often integrate the IT aspects of a visual production. Here's a look at how projection design enables large-scale concerts and Broadway shows to come to life.