Andy Kurtts’ Post

View profile for Andy Kurtts, graphic

Creative Director & Founder at Buttermilk Creative, Co-host of the Kirk + Kurtts Design Podcast, Board Member, Mentor

What a nice orange spot color...let's see what it looks like in process...ohhhhhhh nooooooooooo... A quick review for all those out there who don't stare at swatch books all day long: Spot colors, AKA Pantone Colors or PMS Colors, are (in a perfect world) precise, vibrant and consistent. The idea is that the exact color I spec in my swatch book, that I then add to my swatches in my design file will print perfectly at the printer. (There might be some variation due to substrate, but usually "What You See Is What You Get" rings true. Essentially these colors are created with a special recipe of ink that is created precisely by a press person. Process colors, on the other hand, can sometimes be a completely different animal. These are colors created by layering CMYK. There's still a "recipe", however because these colors are made this way they are often less vibrant and a little unpredicatble. Just look at the conversion of yellow colors, ornage colors, and even some blue to see the stark differentces between Spot and Process colors. If you have the time and budget, work with your printer on scatter proofs or drawdowns for the proposed colors. This way, you, your designer, and the printer can align on expectations before committing to printing 250k units! Navigating the world of spot vs. process colors can be tricky, but understanding these basics can save you from some major headaches. Share your color challenges below! The good, the bad and the ugly! #PackagingDesign #GraphicDesign #ColorStruggles #SpotColors #ProcessColors #ButtermilkCreative #betterwithbuttermilk

  • No alternative text description for this image
Andy Kurtts

Creative Director & Founder at Buttermilk Creative, Co-host of the Kirk + Kurtts Design Podcast, Board Member, Mentor

1mo

Not even going to get into the whole thing with Pantone and Adobe removing swatch books from apps - but that adds a WHOLE new layer on complication to all of this!

Hélène Dion Jean

Pressière numérique - infographiste

4w

I'm the press person in this situation. Drawdowns are great, indeed, yet...Sometimes it is worth pushing CMYK+1 additonal color (blue, orange, green, red, etc.) to your client to best match expected results. Expensive, yes, but it usually broaden the spectrum juuust enough to have stable, stellar results in the long run.

Lisa Rockwell

Experienced CPG Creative | Brand Design, Packaging & Retail | former Whole Foods Market

1mo

I recently worked on matching a digital-native palette with CMYK and Pantone. Lots of educated guesses, scatter proofs and compromise. Would have been a quicker process with a full Pantone library available in Illustrator.

Rick Fitzgerald

Chief Design Officer at Merchant Boxes

1mo

Spot on!! lol!

David Ziegler-Voll

⚡️ brand + creative + design leader ⚡️ 3 x 70.3 🏅 1 x 140.6 🏆 4 x 26.2

1mo

Blues and greens are the worst. CMYK blue-green approximations worst of the worse. Having to explain to digitally native marketers why the blue-green looks different in print than on screen--9th-level-of-hell worst.

Christine Barrington

Digital Print Evangelist, Flexible Packaging SME: Pouches • Rollstock, Manufactured In-House

4w

I want to laugh and cry all at the same time. Great post ♥️

Adam Peek

SVP @ Meyers • I help acronyms (CPG) navigate and prepare for other acronyms (EPR, RFID, H2R) • Book a meeting with me 👇🏼 • 6x winner of LinkedIn’s prestigious “Worlds Okayest Packaging Podcast”

1mo

The best representation of the Pantone Bridge book I’ve seen! So accurate

It’s all about the process for process printing. How often do you pull a color from a Pantone book that is based off a laydown on coated paper, then apply it to art for a clear stand up pouch and wonder about opacity, vibrancy, and accuracy? Have you ever compared your Pantone book to someone else’s? How about seeing a product set in a store that’s all Pantone? Huge delta errors from run to run in both sincerios . Color management is important no matter how you print. CMYK +OGV can lead to more consistency from run to run if managed properly.

Carlos Marques

Pre-Press & Color Manager

3w

And with pantones, the variation during production is "just", more ink, less ink. With cmyk, even on the best machine in the world, there will be color variations... Sometimes, I change a cmyk color to pantone just to make the final work better and avoid complaints.

Francois Robert

Freelance Graphic Designer

3w

Story of my life… back when I did a lot of catalogs we would go for press checks and tweak the press if something looked a bit off, but I haven’t had to do that in 5 years-no call for printed catalogs in the business I’m in, it’s all online now…

Like
Reply
See more comments

To view or add a comment, sign in

Explore topics