Adam

“For here was the thing that no fairy tale would ever admit, but that she understood in that moment: love was not inherently good.

Certainly, it could inspire goodness. She didn’t argue that. Poets would tell you that love was electricity in your veins that could light a room. That it was a river in your soul to lift you up and carry you away, or a fire inside the heart to keep you warm.

Yet electricity could also fry, rivers could drown, and fires could burn; love could be destructive. Punishingly, fatally destructive.

And the other thing, the real bloody clincher of it all, was that the good and the bad didn’t get served up equally. If love were a balance of electric lights and electric jolts, two sides of an equally weighted coin, then fair enough. She could deal.

That wasn’t how it worked, though. Some love was just the bad, all the time: an endless parade of electrified bones and drowned lungs and hearts that burned to a cinder inside the cage of your chest.

And so she looked down at her son and loved him with the kind of twisted, complex feeling that came from having never wanted him in the first place; she loved him with bitterness, and she loved him with resignation. She loved him though she knew no good could ever come from such a bond.”
― Sunyi Dean, The Book Eaters

“Like Nycteris, she thought, and cringed.

There was an old fairy tale called The History of Photogen and Nycteris that she still carried a copy of. The main character in it was a young woman who had been raised by a cruel witch, inside a cave beneath a castle.
The girl had grown up knowing only darkness, which at the time hadn’t seemed much of an issue to child-Devon.

But the general idea was that Nycteris’s world was narrow: she thought the lamp in her cave was a sun, and that the universe was just a tiny series of rooms. She knew nothing of society and had very few books. A relatable situation, for a book eater woman.

One day, Nycteris escaped her cave by following a stray firefly. She ended up in the castle garden. But her reactions in the story were strange and unexpected. Upon espying the moon for the first time, Nycteris decided that it must be a giant lamp, akin to the one in her cave. She saw the sky, and likewise decided it must be another kind of roof. And when she looked at the horizon, she saw not a limitless world, but merely another room, albeit with distant walls.

The concept of outside didn’t exist for one such as Nycteris, nor could it ever. Her upbringing had given her such a fixed perspective that, even when encountering something new, she could only process it along the lines already drawn for her.

The story’s complexity had baffled Devon as a child, but she understood it well enough now. The truth was, Nycteris never really escaped. Oh, she got a prince and a castle and the cruel witch died at the end. But Nycteris could not ever leave the cave, because the cave was a place in her mind; it was the entire way she thought about reality.

Princesses like that couldn’t be rescued.”
― Sunyi Dean, The Book Eaters

“Being eaten by a bugbear makes me uncomfortable, Carl. So if your boyfriend ogling your tootises keeps these easy-peasy bugs coming at us instead of more of those lava-spitting llamas, then you better buck up, get over your human male privilege, and take one for your princess.”
― Matt Dinniman, Dungeon Crawler Carl

“In the modern world it is not bricks and roads, cannon and swords that define power. No; it is paper. Books of law, deeds of ownership, writs of forbiddance and permission. Titles of lordship, directives of the king's sub-Ministry for Associated Trade. Memoranda from that last desk alone could sink and shake kingdoms, decide the fates of thousands across the sea. Ink runs thicker than blood. Paper: more powerful than an army or the pox.”
― Raymond St. Elmo, The Harlequin Tartan