Aston Carr's Reviews > Of Princes and Poisons

In "Of Princes and Poisons," the portrayal of trauma in the series is strikingly accurate, delving into the fears and coping mechanisms of the characters. Monroe's struggles, manifested in flashbacks and relived moments, authentically depict the lasting impact of her traumatic experiences. Similarly, Heidi's defensive facade, portraying her as supremely bitchy, serves as a shield against vulnerability and the fear of being abandoned.

However, a notable critique lies in the handling of the romantic interest dynamics. The abrupt shift in Monroe's feelings towards Cohen, from absolute love to disinterest, feels forced and lacks believability. The attempt to vilify Cohen, previously presented as a swoony, morally grey prince, raises questions about the character's sudden transformation. The author's choice to portray Cohen's actions as a consequence of his upbringing and the ingrained cultural norms adds complexity, making it challenging to accept the drastic about-face in Monroe's emotions. The narrative seems to lean towards a plot twist at the expense of character consistency.