Outside Quotes

“The worst wounds, the deadliest of them, aren't the ones people see on the outside. They're the ones that make us bleed internally.”
― Sherrilyn Kenyon, Infamous

“Go outside. Don’t tell anyone and don’t bring your phone. Start walking and keep walking until you no longer know the road like the palm of your hand, because we walk the same roads day in and day out, to the bus and back home and we cease to see. We walk in our sleep and teach our muscles to work without thinking and I dare you to walk where you have not yet walked and I dare you to notice. Don’t try to get anything out of it, because you won’t. Don’t try to make use of it, because you can’t. And that’s the point. Just walk, see, sit down if you like. And be. Just be, whatever you are with whatever you have, and realise that that is enough to be happy.
There’s a whole world out there, right outside your window. You’d be a fool to miss it.”
― Charlotte Eriksson, You're Doing Just Fine

“It's too cold outside for angels to fly.”
― Ed Sheeran

“None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.”
― Frédéric Gros, A Philosophy of Walking

“The desert and the ocean are realms of desolation on the surface.

The desert is a place of bones, where the innards are turned out, to desiccate into dust.

The ocean is a place of skin, rich outer membranes hiding thick juicy insides, laden with the soup of being.

Inside out and outside in. These are worlds of things that implode or explode, and the only catalyst that determines the direction of eco-movement is the balance of water.

Both worlds are deceptive, dangerous. Both, seething with hidden life.

The only veil that stands between perception of what is underneath the desolate surface is your courage.

Dare to breach the surface and sink.”
― Vera Nazarian, The Perpetual Calendar of Inspiration

“I was drinking in the surroundings: air so crisp you could snap it with your fingers and greens in every lush shade imaginable offset by autumnal flashes of red and yellow.”
― Wendy Delsol, Stork

“Everybody is equally weak on the inside, just that some present their ruins as new castles and become kings –”
― Simona Panova, Nightmarish Sacrifice

“There was a filmy veil of soft dull mist obscuring, but not hiding, all objects, giving them a lilac hue, for the sun had not yet fully set; a robin was singing ... The leaves were more gorgeous than ever; the first touch of frost would lay them all low to the ground. Already one or two kept constantly floating down, amber and golden in the low slanting sun-rays.”
― Elizabeth Gaskell, North and South

“When people tell me they can’t afford to join a gym, I tell them to go outside; planet Earth is a gym and we’re already members. Run, climb, sweat, and enjoy all of the natural wonder that is available to you.”
― Steve Maraboli, Unapologetically You: Reflections on Life and the Human Experience

“To come to nothing through something is the way to outside from both sides.”
― Dejan Stojanovic, The Sign and Its Children

“…he is unlike the other customers. They sense it too, and look at him with hard eyes, eyes like little metal studs pinned into the white faces of young men [...] In the hush his entrance creates, the excessive courtesy the weary woman behind the counter shows him amplifies his strangeness. He orders coffee quietly and studies the rim of the cup to steady the sliding in his stomach. He had thought, he had read, that from shore to shore all America was the same. He wonders, Is it just these people I’m outside or is it all America?”
― Updike, John, Rabbit, Run

“The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.”
― Frédéric Gros, A Philosophy of Walking

“Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful.”
― Frédéric Gros, A Philosophy of Walking

“Every moment is a crossroad in time. Consider that, as above so below and as inside so outside and live accordingly.”
― Grigoris Deoudis

“Outside the window, a bank of clouds appeared on the horizon, inching slowly across the sky, finally slipping across the Moon and blocking out its radiant light. As he clicked off his overhead light, he turned his eyes one last time to the heavens. Outside, in the newly fallen darkness, the world had been transformed. The sky had become a glistening tapestry of stars.”
― Dan Brown

“My favourite outdoor activity is going back inside.”
― H.P. Lovecraft

“Slowness means cleaving perfectly to time, so closely that the seconds fall one by one, drop by drop like the steady dripping of a tap on stone. This stretching of time deepens space. It is one of the secrets of walking: a slow approach to landscapes that gradually renders them familiar. Like the regular encounters that deepen friendship.”
― Frédéric Gros, A Philosophy of Walking

“Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.”
― Frédéric Gros, A Philosophy of Walking

“Freedom was a thing that shifted as you looked at it, the way a forest is dense with the trees up close but from the outside, from the empty meadow, you see its true limits. Being free had nothing to do with chains or how much space you had. On the plantation, she was not free, but she moved unrestricted on its acres, tasting the air and tracing the summer stars. The place was big in its smallness. Here, she was free of her master but slunk around a warren so tiny she couldn't stand.”
― Colson Whitehead, The Underground Railroad

“But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.”
― Frédéric Gros, A Philosophy of Walking

“There had been a problem in Bean's house. The problem was staples. Bean loved staples. She loved them so much that she had stapled things that weren't supposed to be stapled. The things looked better stapled, but her mother didn't think so, and now Bean was outside.

She was going to be outside for a long time.”
― Annie Barrows, What's the Big Idea?

“The outside doesn't always match the inside.”
― Rebekah Crane, The Upside of Falling Down

“I was almost sad when we arrived a the squat, white clubhouse. It was halfway to dark by then, with both a moon and a sun sitting high in a sky that was sugar almond pink and shot with gold. The birds were singing valiantly against the coming night, swooping over the greens in long, drunken loops. The air was grassy, with a hint of flowers and earth, and the warm, sweet outbreath of the day sighed gently into our hair and over our skin. I felt like asking Raymond whether we should keep walking, walk over the rolling greens, keep walking till the birds fell silent in their bowers and we could see only by starlight. It almost felt like he might suggest it himself.”
― Gail Honeyman, Eleanor Oliphant Is Completely Fine

“The true artist resides on the inside.
The outside is chaos, bondage and destruction.
The inside is peace, freedom, and creation.”
― Michael Bassey Johnson, The Oneironaut’s Diary

“Student: Master, you told me that when you look outside, sometimes you see outside, sometimes you see inside! I thought about this a lot but I didn't understand anything! Master: If you have problems in your mind when you look outside, you will see your own problems, your own inside, not outside! The outer world truly appears before you only when your inner world is at peace!”
― Mehmet Murat ildan

“With you, life would be a pleasant dream,
a dream where all alone, just two, we are,
outside of which, this pleasant dream,
nothing left that’s true we’d have to spar;
yet my life without you wanes,
so I’m left with just my dreams,
each dream I live - there all is well, though, -
my dreams without a flame like embers glow…”
― Will Advise, На чист Български...: Pristine Bulgarian sayings...

“It seemed to me also that, sadly, the urge to cleanse ourselves of what we fear is sin or madness comes from a deeper urge to believe outward appearance has everything to do with what's inside... But nothing ever goes away. Nothing can be washed away.”
― Penelope Przekop, Aberrations

“Even a circle has two sides an inside and an outside.”
― Aegelis, Specks of Shadows, Flecks of Light

“Even a circle has two sides, an inside and an outside”
― Aegelis, Specks of Shadows, Flecks of Light

“It wasn’t a suit of armor, it was my insides on the outside. A wearable prayer.”
― Robin Brown, Glitter Saints: The Cosmic Art of Forgiveness, a Memoir