Meadow Quotes

“Aren't they supposed to be hiring someone else to train me, ANYWAY?"
"Yes," he said, getting up and pulling her to her feet with him. "and I'm worried that if you get into the habit of making out with your instructors, you'll wind up making out with him, too."
"Don't be sexist. They could find me a female instructor."
"In that case you have my permission to make out with her, as long as I can watch."
"Nice." Clary grinned, bending down to fold up the blanket they'd brought to sit on. "You're just worried they'll hire a male instructor and he'll be hotter than you."
Jace's eyebrows went up. "Hotter than ME?"
"It could happen," Clary said. "You know, theoretically."
"Theoretically the planet can crack in half, leaving me on one side and you on the other side, forever and tragically parted, but I'm not worried about that, either. Some things," Jace said, with his customary crooked smile, "are just too unlikely to dwell upon.”
― Cassandra Clare

“It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again.

This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.”
― Christopher Hitchens, Hitch 22: A Memoir

“Meadow's Waltz

...the meadow had become
her sanctuary of spirit
offering an escape from a pain
no child should ever endure
foreboding clouds began...”
― Muse, Enigmatic Evolution

“... ancient days of sorrow
ancient days of pain
-
heartaches of the past
slowly began to wane ...

(from gleaning granules)”
― Muse, Enigmatic Evolution

“I know I can't own a hilltop, a meadow, or a mountainside. But keeping it a secret somehow makes it mine.”
― Joyce Rachelle

“Aline found herself walking quickly, almost running, to her favorite place by the river, where a wildflower meadow sloped down to tall grasses alive with meadow-brown and marbled-white butterflies.”
― Lisa Kleypas, Again the Magic

“And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart.
I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding.
'Love is the thing that only God sees.'
I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise.
Love is the thing that only God sees. I supposeyou'dsay that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.”
― Joanne Harris, The Strawberry Thief

“And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart.
I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding.
'Love is the thing that only God sees.'
I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise.
Love is the thing that only God sees. I suppose you'd say that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.”
― Joanne Harris, The Strawberry Thief

“A meadow of flowers flows impossibly from the other side of the window. There is no river there, no scrub grass or mud. Just endless blooms, and among them scattered bones, as white as petals.”
― Holly Black, The Stolen Heir

“You can judge me all you want, but it's just ridiculous coz we're both part of the same universe. Let's just ride the horses into the meadow and let them roll in the delightful grass.”
― Jay Woodman

“In the courtyard, jasmine sugared the air, great white sprays tumbling from the top of a wooden arbor at the side of the lawn. Huge goldfish swam slowly near the surface of the pool, listing their plump bodies backwards and forwards to court the afternoon sun. It was heavenly, but I didn't stick around; a distant band of trees was calling to me and I wove my way towards it, through the meadow dusted with buttercups, self-sown amid the long grass. Although it wasn't quite summer, the day was warm, the air dry, and by the time I reached the trees my hairline was laced with perspiration.
I spread the rug in a patch of dappled light and kicked off my shoes. Somewhere nearby a shallow brook chattered over stones and butterflies sailed the breeze. The blanket smelled reassuringly of laundry flakes and squashed leaves, and when I sat down the tall meadow grasses enclosed me so I felt utterly alone.”
― Kate Morton, The Distant Hours

“I lay on the grasses in rolling fog,
In yellow hayrattle and fairy flax,
By the dusky moorland and blanket bog;

The snipe chirps out her plaintive monologue,
A skylark warbles while diving her tracks,
I lay on the grasses in rolling fog;

Sky continues his subtle dialogue,
The sun recites hymns to the zodiacs,
By the dusky moorland and blanket bog;

The peaceful clouds roll by in epilogue
Casting shadows of forgotten syntax,
I lay on the grasses in rolling fog;

The meadow hums in ancient analog,
Oxeye daisies keep their secretive pacts
By the dusky moorland and blanket bog;

I need no other church or synagogue
Within my particular parallax,
I lay on the grasses in rolling fog
By the dusky moorland and blanket bog.”
― Ruth Ann Oskolkoff, The Bones of the Poor

“I lingered at the edge of an open field of lanky meadow buttercups. The vibrant green-and-yellow field was deserted. Behind me arose a gnarled crab apple tree in full, glorious bloom, the petals of its flowers littering the shaded bench on which I'd been about to sit. A breeze set the branches rustling, a waterfall of white petals flittering down like snow.”
― Sarah J. Maas, A Court of Thorns and Roses

“I was running, as fast as I could,
carrying you, Carnation,
shaking and scared ...

She was there, waiting for me.
Standing surrounded by a meadow of lavender,
her arms opened wide for me
to run into and cry and cry ...”
― Susan L. Marshall, Fleur of Yesterday

“Every Saturday, heat or cold, rain or shine, Milly would see Avery running up their road, her long blond ponytail swishing in time with her legs, just as the sun was making gemstones out of the fields and the hills and the bales of hay scattered across the landscape. Twiss would still be snoring away upstairs. Years of sleep remedies had failed to subdue her; she still slept like a wild animal and woke like one, too.
On warm mornings, Milly would take her cup of tea out to the porch to watch Avery run by. Though she'd never been a runner herself- she didn't like the sensation of breathlessness, or the hard thunk of her heart- she'd loved to watch Twiss run. And Avery was an even better runner than Twiss had been, and certainly more graceful. She'd run first on the Spring Green high school team and then on the university team and now was training to run the marathon in the Olympic trials.
In an interview, when a reporter from the 'Gazette' asked her why she ran, Avery said, "Why does anybody do anything?" which had made Milly like Avery even more.
Each Saturday morning, after she passed the driveway, Avery would pick up speed in order to crest the upcoming hills. Sometimes she ran with a yellow music player and matching headphones, but most of the time, she ran without them.
"Something comes in and something goes out," Avery had added in the interview, as if she'd been playing at being coy but couldn't really play when it came to running. "I'd keep running forever if my legs would let me."
"Tell me about the routes you run in Spring Green," the reporter had said.
"My favorite is my Saturday route," Avery said. "There's this little purple meadow I pass on my way up into the hills. When I was little, my grandpa used to say it was enchanted. He said if you walked through it, you'd never be the same person again."
"Where did he hear the story?" the reporter asked.
"I guess he used to know the people who lived in that house," Avery said.
"The bird sisters?" the reporter said.
"All I know is, when I pass that meadow, suddenly I can run faster," Avery said.
"Are you superstitious?"
"I visualize the meadow during all of my races, if that's what you mean."
"Have you ever walked through it?"
"I believe in it too much," Avery said.
"Can you be more specific?" the reporter asked.
"No," Avery said.”
― Rebecca Rasmussen, The Bird Sisters

“They lounged together at their favorite spot by the river, where a meadow sloped down to the banks. Tall grasses camouflaged them from view as they sat on flat rocks that had been worn smooth by the quietly persistent flow of water. The air was thick with the scents of bog myrtle and sun-warmed heather, a mixture that soothed Aline's senses.”
― Lisa Kleypas, Again the Magic

“One evening as she sat on a lower branch of the middle oak, while the combe was filling with shadow and she knew they would come soon for her to return to the warmth, she decided for a change to cut across the meadow and pay a visit to the neighbor's sheep.”
― Muriel Barbery, The Life of Elves

“It's just the two of us. She shows me more secret passageways through the woods until the trees clear to reveal a large, moonlit meadow. We stop at the edge. Emma's looking at me expectantly, and at first I'm not sure what I'm supposed to see. I see tall, unkempt grass surrounded by trees. Then, like my eyes are playing tricks on me, fluorescent green lights flash on and off in the field, some of them rising up like bubbles in a pot of boiling water, some shooting across and lighting up the ground below them.
"Whoa."
"Pretty, right?" Emma says, turning her neck slowly from me to the meadow.
"I almost never see fireflies."
"I did some research, and they're not even supposed to exist west of Kansas. I have no idea why there's so many of them here."
We walk through the field together, and in the blinking green lights I can see Emma's hand inches from my own, I see the curves and dips of her face in profile and I wonder how it is that I can find the space between things beautiful.
Emma stops for a second and reaches into the waist-high grass, her hand disappearing in the dark. She pulls it back out to reveal a berry I have never seen before, not in the smorgasbord of rainbow-colored fruit at American grocery stores and definitely not anywhere in Mexico. It is the size of a child's fist, and the skin is prickly, like a lychee's.
"When I was a kid, if I was mad at my mom, I'd hide out here for the day, picking out berries," Emma says. "I had no way of knowing if they were poisonous, but I'd feast on them anyway." She digs her thumb into the skin to reveal a pulpy white interior. She takes a bite out of it and then hands it to me. It's sweet and tangy and would be great in a vinaigrette, as a sauce, maybe along with some roasted duck. "I don't even think anyone else knows about these, because I've never seen them anywhere else. I'm sure she'd put it on her menu if she found out about them, but I like keeping this one thing to myself."
We grab them by the handful, take them with us down the hill toward the lake. Sitting on the shore, gentle waves lapping at our ankles, we peel the berries one by one. A day or two ago, I thought of Emma as pretty. Tonight, her profile outlined by a full moon, she looks beautiful to me. I wish I could drive the thought away, but there it is anyway. The water---or something else about these nights---really does feel like it can cure hopelessness.”
― Adi Alsaid, North of Happy

“Fog lined the edges of the wood, hanging in low swirls over the meadow. The crows cawed together like a disjointed heartbeat. Nothing else moved.”
― T. Kingfisher, Nettle & Bone

“The first rays of the sun charmed curls of mist from the grass of Sheep Meadow, fairy clouds that sparkled silver against the green backdrop of the pasture. Harriet slowed her steps to take in the sight, savoring the slant of spring light and the emerald glow of new leaves before she crossed the meadow into the chilly shadows of the woods.”
― Louisa Morgan, The Age of Witches

“As the earth smiles in the memories of unremembered flowers, poetry breaks loose from the meadows for the blooms that have gone to sleep. Celebrating their stories, let it be a festival of memories, of somebody's last words, those last moments with untold goodbye...”
― Jayita Bhattacharjee

“Love, if it is true, will awaken you to a festival of seasons. You walk through a desert and it becomes a meadow of roses. You behold the sunset and there you fall in love with the sky. You come to the sea to drink into it for there you find the wine of ecstasy...”
― Jayita Bhattacharjee