Latinx Literature Quotes

“Our family was stuck in a cosmic hamster wheel of toxic love, making the same mistakes, saying the same words, being hurt in the same ways generation after generation. I didn’t want to keep playing a role in this tragedy of errors.”
― Yamile Saied Méndez, Furia

“The girl Diego said he loved was the strong one, the winning Camila, the one with a future she was forging for herself… If he rescued me, if I quit for him. I wouldn’t be the girl he loved. I wouldn’t be myself.”
― Yamile Saied Méndez, Furia

“Did something count as a miracle if it possible only because of a lie?”
― Yamile Saied Méndez, Furia

“Twenty years from now, would that be me? Would I be resigned to my fate, pushing my daughter toward the light so she could be free? Or pulling her down so I wouldn’t be along in the dark?”
― Yamile Saied Méndez, Furia

“I felt joy for being alive, playing a sport that a generation ago could have landed me in prison.”
― Yamile Saied Méndez, Furia

“I looked at his hand clasping mine. Three years ago, on October 15, 2016, the brilliant blue blaze of the comet had crossed the vastness of our world in Colombia. I could see it, almost as if we were back there, standing on the roof of the dorms as we looked over the city together. We didn’t know it then, but our life together was just beginning.”
― Kayla Cunningham, Fated to Love You

“I had forgotten how beautiful fútbol was. Without referees, lines on the ground, trophies, tournaments, or life-changing contracts, the ball was a portal to happiness.”
― Yamile Saied Méndez, Furia

“In the place Calliope had bled, a trail of corn sprouted behind her. She picked the two tallest corn shoots then sat beside two large, smooth stone metates for grinding. From within her husk rebozo, she pulled a mano, shucked the corn, laid it on the altar, and with the mano in both hands, she began moving with the weight of her whole body, the strength of her shoulders and back pressing down through her arms, back and forth, shearing, until the corn became a fine yellow powder.
The Ancients sang her on as she worked. When the Earth has had enough, she will shake her troubles off. She will shake her troublemakers off. She scooped this and mashed it into the butter of her hands. Rolled it into a ball, flattened it again. Shaped and shaped until the corn grew into a child, who sprang from the stone of her hands, laughing.
For she was finished, and sank into the earth, solid, hardened, at peace. And as her corn-made child ran from the mound to the grass below, the spirits intoned. The Earth has all the power she needs.
When she decides to use her power, you will know.”
― Jennifer Givhan, Trinity Sight

“Rosario showed a different face depending on how you looked at her. She changed when you saw her from a bus, or a luxury car, or your own feet.”
― Yamile Saied Méndez, Furia

“When we played, we were all the same. We were all one.”
― Yamile Saied Méndez, Furia

“Scoring a goal is almost like kissing. The more you do it, the more you want. I wanted to keep scoring until it hurt.”
― Yamile Saied Méndez, Furia

“She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful.
Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her.
Had they done it for her? Or for their son’s chance at a football scholarship?
She’d never know.
What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice.
Only, she hadn’t chosen for herself.
She hadn’t.
Awareness must come. And it did. Too late.
If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe.
She knew that, deep inside.
Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms.
These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world.
Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl.
She’d open her palm, and the stone had turned to dust.
She swept it away on her jeans.
A daughter doesn’t solve anything; she needed her mama to tell her this.
But she makes the world a lot less lonely. A lot less ugly.
 ”
― Jennifer Givhan, Jubilee

“A shock of light. Unbelievable light. Blood orange swallowing the Albuquerque evening. A pulling in, taking back, reclaiming something stolen. Halfway home from her Saturday-morning lecture, Calliope Santiago drove across the river toward West Mesa and the Sleeping Sisters, ancient cinder-cone volcanoes in the distance marking the stretch of desert where she lived. Only now she could see no farther than two feet ahead of her from the blinding light, the splotches in her eyes bursting like bulbs in an antique camera. She blinked, not sure what she was seeing. She meant to cover her eyes. Meant to shield her sight.”
― Jennifer Givhan, Trinity Sight

“The rocks pummeled her belly. Something rose in her throat and when she tried to speak, from her mouth she dislodged a rock. She was made of rocks. She couldn’t move from the fossilized casing she’d once called her body.
Heat crackled nearby. A conversation wove through the fire. A child’s sweaty body curled at her lap, chest rhythms of breathing, up and down, pressing against her.
'I didn’t want to believe it was happening again.”
― Jennifer Givhan, Trinity Sight

“Young and beautiful crowds filled the myriad bars and clubs in El Poblado, in the heart of Medellín. Amid the hypnotic sound of Latin music, vibrant colors swayed back and forth across a tiny dance floor as I walked into the Iguana Roja, or Red Iguana, salsa club.”
― Kayla Cunningham, Fated to Love You

“Mamá Teté has a saying: “Al que no le gusta el caldo, que le den dos tazas.” I guess I grew up thinking that was the only way. That if I didn’t like something, I should keep at it, until the habit of turning up my nose at whatever it was, was gone.”
― Lorraine Avila, The Making of Yolanda La Bruja