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The answer is as close as breath. Tell me or die. One by one. Tell me and die. One by one. I eat ignorance. One, two, four, three, two, three, one, four . . . (A cry. The Sphinx’s? Oedipus’? A singular, piercing cry of woe becomes a muted... more
ABSTRACT Since the signing of the Belfast Good Friday Agreement of 1998, Northern Ireland has made significant progress towards a postcolonising transformation of its political culture and its major political and social institutions, as... more
Transnational history and the history of gender and sexuality have both been concerned with the issue of borders and their crossing, but the two fields themselves have not intersected much in the past. This is beginning to change, and... more
ABSTRACT Thousands of Neolithic and Bronze Age open-air rock art panels exist across the countryside in northern England. However, desecration, pollution, and other factors are threatening the survival of these iconic stone monuments.... more
This article focuses on a copper still transported from London to the Mesopotamia estate in Jamaica and used to convert waste sugar products into rum, one of the many New World intoxicants which transformed British consumption patterns in... more
This essay examines the intersections of discipline, compassion and community in a selection of monastic texts from the late tenth through to the mid-thirteenth centuries, focusing on disciplinary rituals involving punitive flogging or... more
In her dedication to articulating the impossibility of separate, polarized identities, María Menocal often reveled in surprising her reading public with evidence of the social and cultural intimacies that existed between peoples popularly... more
The score for Alfred Hitchcock’s Marnie (1964) features three main themes, as well as several subsidiary motifs closely related to the main themes. I examine how the complex relationship between the characters is reflected in a network of... more