Looking for a show with instant hex appeal? Agatha All Along promises a cauldron's worth of witchy goods: thrills, chills, spills and no small amount of devilish glamour. Led by Francisco Pacheco (Visualisation Supervisor) and Charlie North (Visualisation Producer), Framestore Pre-production Services (FPS) cast forth the runes to deliver previz and techvz trickery for the new show, which streams via Disney+ on September 18. #agathaallalong #mcu #visualization #previs #techvis #virtualproduction #storytelling #tvproduction #vfxproduction #previz #unrealengine #vfx #preproduction #filmmaking
Framestore
Animation and Post-production
London, England 203,283 followers
We combine talent and technology to reframe the possible in film, content, advertising and immersive experience.
About us
Framestore combines talent and technology to reframe the possible in film, content, advertising and immersive experiences. Founded in 1986, Framestore is now a global company of over 3,000 people across eight locations. We create pixel-perfect images for blockbuster films and TV, iconic advertising campaigns and innovative immersive projects. Our portfolio of work is underpinned by an industry-leading expertise in VFX and has resulted in a multitude of awards including Oscars and BAFTAs as well as a record number of Cannes Lions awards, which all cement our position at the forefront of innovation. We have studios in London, Montreal, Vancouver, New York, Los Angeles, Chicago, Mumbai, Melbourne. Visit our website for current vacancies in film, advertising and immersive: https://www.framestore.com/careers
- Website
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https://lnk.bio/Framestore
External link for Framestore
- Industry
- Animation and Post-production
- Company size
- 1,001-5,000 employees
- Headquarters
- London, England
- Type
- Privately Held
- Founded
- 1986
- Specialties
- Production, Animation, Design, Digital, Advertising, Concept Art, Film, Games, Music Videos, Television, Title Sequences, Previsualisation, Software Development, VR, Data visualisation, VFX, Motion Capture, Digital installation, AR, Colour, Immersive, and Realtime
Locations
Employees at Framestore
Updates
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It may be August, but this weekend offered a first glimpse of Snow 🍎 The first teaser for Snow White was revealed at D23, showcasing some of the epic environments, photoreal creatures and magic spells conjured by our artists under the direction of VFX Supervisors Damien STUMPF and Sean Schur. Previz and postviz wizardry, meanwhile, came courtesy of Chris McDonald and Maike Feine for Framestore Pre-production Services (FPS). In theatres from 21 March 2025. #SnowWhite #VFX #CreatureAnimation #previz #postviz #Environments #CGI
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Ready to brave the Borderlands? The film blasts its way onto screens around the world TODAY, and our intrepid team of vault hunters, led by VFX Supervisor Avi Goodman, provided some 500 VFX shots to help bring Eli Roth's hyperkinetic vision to life. From concept art and character animation through to hefty environment builds, the film drew on a wide range of skills and specialisms. A huge congrats to the artists, producers and technologists who helped unlock all that high-octane action! #vfx #borderlands #madeitinmelbourne #animation #cfx #compositing #cgi #visualeffects #filmmaking #vfxproduction #conceptart #cg #visualeffects
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SXSW’s 2025 PanelPicker nominations are here, the polls are open, and you have the power to help send our panel, Empowering the Future: The Role of AI in Content Creation and Virtual Worlds, to SXSW 2025! Join ECD and Director William Bartlett and CTO Lincoln Wallen as they showcase examples of Framestore’s AI-enhanced projects and discuss the current and future role of AI in content production and virtual worlds. Like what you see? Be sure to vote for our panel and learn all about our proposal here: https://lnkd.in/eKrUkZUq #SXSW #PanelPicker #virtual #filmproduction #contentcreation
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As we celebrate the final days of the Paris 2024 Games and our #SummerofSports, see how Toyota, worldwide Olympic and Paralympic sponsor, highlights the power of community in the spot ‘All For One’, featuring VFX crafted by our team in LA. Brand: Toyota Motor Corporation Agency: Saatchi & Saatchi, dentsu Production Company: Object & Animal Director: Ruben Östlund EP: James Cunningham Producer: Alex Chamberlain DP: Fredrik Wenzel VFX: Framestore VFX Supervisor/CD: Alex Thomas EP: Brittney Walker Senior Producers: Bethaney Phillips, Susan Harris Producer: Valia Brinck (Dudzyana) Comp Supervisor: Carlos Adarraga Gomez CG Supervisor: Clement Renaudin Design Supervisor: Lawrence Jones Layout Supervisor: Sean Dollins Lighting Supervisor: Rich Shallcross Asset Lead: Soren Barton Production Coordinator: Maria David Editorial: CARTEL Editing & Post-Production Editor: Dan Sherwen Color: Harbor #vfxbyframestore #visualeffects #vfx #Toyota #Paris2024 #Olympics #Paralympics #StartYourImpossible
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Missed our UK and US webinar and want to find out how Framestore built a scaleable, beginning-to-end VFX pipeline with Unreal Engine at its core? Sign up for this second screening of our webinar, wherein Oscar-nominated VFX Supervisor Theo Jones and CG Supervisor Nèstor Prado discuss the process and practicalities of establishing the FUSE pipeline, and how it was used to bring the award-winning short film FLITE to life. This session will be moderated by Oscar-winning Chief Creative Officer and FLITE writer / director, Tim Webber whose credits include Gravity, Avatar, and Children of Men. The session takes place on Wednesday 14 August at 8am BST / 5pm AEST / 12:30pm IST - be sure to come armed with questions! #vfx #unrealengine #realtime #filmmaking #vfxproduction #visualeffects #filmproduction
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In collaboration with TMV, Stink Films and Traktor, Kamen Markov and Luigi Russo helped bring the Suzuki campaign to life for the launch of the Suzuki Swift. Titled ‘Good Different’, the campaign plays on the idea that the Suzuki Swift is the ‘best secret on the road.’ Drivers love it so much, they go to hilarious lengths to keep it hidden from everyone else! #vfxbyframestore #visualeffects #vfx #SuzukiSwift #GoodDifferent #StinkFilms #Traktor #NewSwift Credits: Brand: Suzuki Agency: TMW Unlimited CCO: Graeme Noble Creative Director: Mark Urey Associate Creative Director Team: Neil Matthews & Stuart Wood Head of Production: Millie Graham-Campbell Senior Agency Producer: Stelios Theocharous Production Company: Stink Films Director: Traktor 1st AD: Ed Bellamy Executive Producer / Managing Director: Andrew Levene Producer: Ben Roberts DOP: Franz Lustig VFX: Framestore Creative Director: Kamen Markov VFX Supervisor: Luigi Russo VFX Shoot Supervisor: Murray Butler VFX Producer: Ben Stell Compositing: Luigi Russo, Benjamin Lilley, Guy Lubin, Aitor Echeveste, Simon Stoney, Maxwell Lane DMP: Chelsea Aston & Ivo Horvat VFX Editor: Humberto Reynaga Asset Lead: Billy Butler Lighting: Antoine Barbannaud FX: Jason Daoud Layout: Oliver Cordwell Colour: Company 3 Colourist: Jean-Clément Soret, Matthieu Toullet Editorial: Final Cut Editor: Ryan Beck Post-Production (audio): Factory Sound Design and Mix: Josh Campbell
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Fasten your seatbelts and store your tray table in the upright position, we'll soon be departing to Peru ✈️ Join Paddington on his latest adventure from 8th November 🍊 #PaddingtonMovie #Paddington #VFX #Animation
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Meet Mumbai’s Mansi Vadgama, a Texture Artist who can’t live without her Pen Tablet, loves Indian artforms and dreams of someday working on a project with the epic grandeur of the Avatar films. Mansi Vadgama, you’ve been [FRAMED]. #vfxartist #textureartist #vfx #interview https://lnkd.in/d_2wtVK8
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Welcome to Oz 💚 This new #WickedMovie trailer provides a sneak peek at the magical lands of Oz, crafted by our amazing artists. Flying onto the big screen from 22nd November. #VFX #Wicked #Animation #WickedWednesday