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Portal:Middle Ages

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The Middle Ages portal

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A stained-glass panel from Canterbury Cathedral, c. 1175 – c. 1180. It depicts the Parable of the Sower, a biblical narrative.

In the history of Europe, the Middle Ages or medieval period (also spelt mediaeval or mediæval) lasted from approximately 500 to 1500 AD. It is the second of the three traditional divisions of Western history: antiquity, medieval, and modern. Major developments include the economic predominance of agriculture, exploitation of the peasantry, slow inter-regional communication, the importance of personal relationships in power structures, and the weakness of state administration. The period is sometimes subdivided into the Early, High, and Late Middle Ages, and the early medieval period is alternatively referred to as the Dark Ages.

Population decline, counterurbanisation, the collapse of centralised authority, the mass migration of tribes (mainly Germanic peoples), and Christianisation, which had begun in late antiquity, continued into the Early Middle Ages. The movement of peoples led to the disintegration of the Western Roman Empire and the rise of new kingdoms. In the post-Roman world, taxation declined, the army was financed through land grants, and the blending of Later Roman civilisation and the invaders' traditions is well documented. The Eastern Roman Empire (or Byzantine Empire) survived, but lost the Middle East and North Africa to Muslim conquerors in the 7th century. Although the Carolingian dynasty of the Franks reunited many of the Western Roman lands by the early 9th century, the Carolingian Empire quickly fell apart into competing kingdoms which later fragmented into autonomous duchies and lordships.

During the High Middle Ages, which began after 1000, the population of Europe increased greatly as the Medieval Warm Period allowed crop yields to increase, and technological and agricultural innovations introduced a "commercial revolution". Slavery nearly disappeared, and peasants could improve their status by colonising faraway regions in return for economic and legal concessions. New towns developed from local commercial centers, and urban artisans united into local guilds to protect their common interests. Western church leaders accepted papal supremacy to get rid of lay influence, which accelerated the separation of the western Catholic and eastern Orthodox Churches and triggered the Investiture Controversy between the papacy and secular powers. With the spread of heavy cavalry, a new aristocracy stabilised their position through strict inheritance customs. In the system of feudalism, noble knights owed military service to their lords in return for the lands they had received in fief. Stone castles were built in regions where central authority was weak, but state power was on the rise by the end of the period. The settlement of Western European peasants and aristocrats towards the eastern and southern peripheries of Europe, often spurred by crusades, led to the expansion of Latin Christendom. The spread of cathedral schools and universities stimulated a new method of intellectual discussion, with an emphasis on rational argumentation known as scholasticism. Mass pilgrimages prompted the construction of massive Romanesque churches, while structural innovations led to the development of the more delicate Gothic architecture.

Calamities which included a great famine and the Black Death, which reduced the population by 50 per cent, began the Late Middle Ages in the 14th century. Conflicts between ethnic and social groups intensified and local conflicts often escalated into full-scale warfare, such as the Hundred Years' War. By the end of the period, the Byzantine Empire and the Balkan states were conquered by a new Muslim power: the Ottoman Empire; in the Iberian Peninsula, Christian kingdoms won their centuries-old war against their Muslim neighbours. The prominence of personal faith is well documented, but the Western Schism and dissident movements condemned as heresies presented a significant challenge to traditional power structures in the Western Church. Humanist scholars began to emphasise human dignity, and Early Renaissance architects and artists revived several elements of classical culture in Italy. During the last medieval century, naval expeditions in search for new trade routes introduced the Age of Discovery. (Full article...)

Selected article

A Seal of the Knights Templar, with their famous image of two knights on a single horse, a symbol of their early poverty. The text is in Greek and Latin characters, Sigillum Militum Xpisti: followed by a cross, which means "the Seal of the Soldiers of Christ".
The Poor Fellow-Soldiers of Christ and of the Temple of Solomon (Latin: Pauperes commilitones Christi Templique Solomonici), commonly known as the Knights Templar or the Order of the Temple (French: Ordre du Temple or Templiers), were among the most famous of the Western Christian military orders.The organization existed for approximately two centuries in the Middle Ages. It was founded in the aftermath of the First Crusade of 1096, its original purpose to ensure the safety of the many Europeans who made the pilgrimage to Jerusalem after its conquest.Officially endorsed by the Roman Catholic Church around 1129, the Order became a favored charity across Europe and grew rapidly in membership and power. Templar knights, in their distinctive white mantles quartered by a red cross, were among the most skilled fighting units of the Crusades.Non-combatant members of the Order managed a large economic infrastructure throughout Christendom, innovating financial techniques that were an early form of banking, and building many fortifications across Europe and the Holy Land.The Templars' success was tied closely to the Crusades; when the Holy Land was lost, support for the Order faded. Rumors about the Templars' secret initiation ceremony created mistrust, and King Philip IV of France, deeply in debt to the Order, began pressuring Pope Clement V to take action against the Order.

Selected biography

Joan of Arc (French: Jeanne d'Arc, ca. 1412– 30 May 1431), nicknamed "The Maid of Orléans" (French: La Pucelle d'Orléans), is a folk heroine of France and a Roman Catholic saint. She was born a peasant girl in what is now eastern France. Claiming divine guidance, she led the French army to several important victories during the Hundred Years' War, which paved the way for the coronation of Charles VII of France. She was captured by the Burgundians, transferred to the English in exchange for money, put on trial by the pro-English Bishop of Beauvais Pierre Cauchon for charges of "insubordination and heterodoxy", and was burned at the stake for heresy when she was 19 years old.

Twenty-five years after her execution, an inquisitorial court authorized by Pope Callixtus III examined the trial, pronounced her innocent, and declared her a martyr. Joan of Arc was beatified in 1909 and canonized in 1920. She is – along with St. Denis, St. Martin of Tours, St. Louis, and St. Thérèse of Lisieux – one of the patron saints of France. Joan said she had received visions from God instructing her to support Charles VII and recover France from English domination late in the Hundred Years' War. The uncrowned King Charles VII sent her to the siege of Orléans as part of a relief mission. She gained prominence when she overcame the dismissive attitude of veteran commanders and lifted the siege in only nine days. Several additional swift victories led to Charles VII's coronation at Reims.

To the present day, Joan of Arc has remained a significant figure in Western civilization. From Napoleon I onward, French politicians of all leanings have invoked her memory. Famous writers and composers who have created works about her include: William Shakespeare (Henry VI, Part 1), Voltaire (The Maid of Orleans), Friedrich Schiller (The Maid of Orleans), Giuseppe Verdi (Giovanna d'Arco), Pyotr Ilyich Tchaikovsky (The Maid of Orleans), Mark Twain (Personal Recollections of Joan of Arc), Arthur Honegger (Jeanne d'Arc au bûcher), Jean Anouilh (L'Alouette), Bertolt Brecht (Saint Joan of the Stockyards), George Bernard Shaw (Saint Joan), Maxwell Anderson (Joan of Lorraine), Leonard Cohen (Joan of Arc), and Orchestral Manoeuvres in the Dark (Joan of Arc). Cultural depictions of Joan of Arc have continued in film, theatre, television, video games, music, and performances. (Read more. . .)

Did you know...

  • ...that a paillasse is a thin mattress filled with hay or sawdust and was commonly used in the middle ages?
  • ...that a barbican is a tower or other fortification defending the drawbridge, usually the gateway?
  • ...that a coif is a type of armored head-covering made out of chain-mail and worn under the helmet for extra protection?
  • ...that a heriot is a payment owed to the lord of the manor by a serf’s family upon the serf’s death; usually the family’s best animal, such as a cow, horse or most commonly ox?
  • ...that before 1066, it was noted in the Domesday Book, if one Welshman killed another, the dead man’s relatives could exact retribution on the killer and his family (even burning their houses) until burial of the victim the next day?
  • ...that buboes are pus-filled egg-sized swellings of the lymph glands of the neck, armpits, and groin; typically found in cases of bubonic plague?
  • ...that laws passed in the late 1300s aimed at maintaining class distinctions by prohibiting lower classes from dressing as if they belonged to higher classes?
  • ...that Pier Gerlofs Donia, a 15th century Frisian freedom fighter of 7 feet tall was alleged to be so strong that he could lift a 1000 pound horse?
  • ...that Edgar Ætheling was the last of the Anglo-Saxon Kings of England, but was only proclaimed, never crowned?

Selected image

Credit: Eadfrith of Lindisfarne

The Lindisfarne Gospels is an illuminated Latin manuscript of the gospels of Matthew, Mark, Luke and John. The manuscript was produced on Lindisfarne in Northumbria in the late 7th century or early 8th century, and is generally regarded as the finest example of the kingdom's unique style of religious art, a style that combined Anglo-Saxon and Celtic themes, what is now called Hiberno-Saxon art, or Insular art.

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