Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California
Published:
2007
Online ISBN:
9780520940000
Print ISBN:
9780520248885
Contents
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Meeting the Mrs.: Fan Magazine Culture and the Domestication of Women's Space Meeting the Mrs.: Fan Magazine Culture and the Domestication of Women's Space
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Home Wreckers and Exotic Fawns: Cautionary Tales and the Racial Erotics of Submission in Male Country Song Home Wreckers and Exotic Fawns: Cautionary Tales and the Racial Erotics of Submission in Male Country Song
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“Women Ought to Rule the World”: Female Performers and Fans Strike Back “Women Ought to Rule the World”: Female Performers and Fans Strike Back
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Reassessing Gender Conservatism in Migrant Musical Culture Reassessing Gender Conservatism in Migrant Musical Culture
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Chapter
5 Playing Second Fiddle no More? Country Music, Domesticity, and the Women's Movement
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Pages
159–179
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Published:April 2007
Cite
Chapelle, Peter La, 'Playing Second Fiddle no More? Country Music, Domesticity, and the Women's Movement', Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California (Oakland, CA , 2007; online edn, California Scholarship Online, 24 May 2012), https://doi.org/10.1525/california/9780520248885.003.0006, accessed 15 July 2024.
Abstract
Although the gender politics of local country music moved in conservative directions, especially within some segments of fan culture, new women auteurs began playing significant and often underacknowledged roles in challenging the constrictions that women faced in the 1950s and 1960s. This chapter explores the complex interplay between the progressive messages offered by these female Okie stars and the general gender conservatism of locally produced country music fan magazines.
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