In 1835 an ambitious 13-year-old named Louis Vuitton left his home, in France's mountainous Jura region, for Paris, where he found work as an apprentice to master trunkmaker Monsieur Maréchal. Louis displayed such a talent for the craft that Eugénie de Montijo, wife of Napoleon III, eventually hired him to create custom trunks for her corsets and crinolines. The rest, as they say, is history.
Vuitton struck out on his own in 1854 and five years later opened a workshop in Asnières, northwest of Paris. By the 1860s his flat, stackable trunks had revolutionized travel for the era’s jetset.
For 170 years Vuitton’s exquisite cases have remained largely unchanged, apart from a few updates. In 1892, for example, his son Georges-Louis created the famous LV monogram as an homage to his father. Then, in 2014, creative director Nicolas Ghesquière reimagined the trunk once more—as a handbag.
The Petite Malle bears all the hallmarks of the full-size OG: the wooden box construction made with poplar, protective lozine edges, those signature latches and locks. And like many of its predecessors, it can be personalized—in exotic skins like crocodile, ostrich, and lizard (above), with the customer’s initials, and with a panoply of colors, finishes, and hardware options.
Ten years after its inception, the Petite Malle is as relevant as ever—and an icon in its own right. Sure, it may not have the capacity of the original, but haven’t you heard? Traveling light is now a power move.
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This story appears in the Summer 2024 issue of Town & Country.
Sophie Dweck is the associate shopping editor for Town & Country, where she covers beauty, fashion, home and décor, and more.