CLASSICAL

Opera review: The Greek Passion, Opera North; Don Giovanni and Werther, Royal Opera

Martinu’s patchy Passion gets a powerful Opera North treatment

The Sunday Times
Holding pattern: the Opera North chorus in Martinu’s The Greek Passion
Holding pattern: the Opera North chorus in Martinu’s The Greek Passion
TRISTRAM KENTON

In typically adventurous style, Opera North opened its 2019-20 season with a regional touring production of Bohuslav Martinu’s operatic swan song, The Greek Passion, based on Nikos Kazantzakis’s epic novel Christ Recrucified. This opera was famously rejected in 1957 by a subcommittee of the Covent Garden Opera Company, much to the consternation of its then music director, the great Czech conductor in exile Rafael Kubelik.

Kubelik clearly had an empathy not only with his compatriot’s score, but also with the subject matter: at Eastertide, village elders in Lycovrissi, Greece (under Ottoman rule in the novel), choose members of the community for leading roles in the annual Passion play. Their spokesman, the priest Grigoris, warns of the influx of a tribe of refugees seeking asylum