We haven't been able to take payment
You must update your payment details via My Account or by clicking update payment details to keep your subscription.
Act now to keep your subscription
We've tried to contact you several times as we haven't been able to take payment. You must update your payment details via My Account or by clicking update payment details to keep your subscription.
Your subscription is due to terminate
We've tried to contact you several times as we haven't been able to take payment. You must update your payment details via My Account, otherwise your subscription will terminate.

The Pillowman

This is the first tour in Ireland of Martin McDonagh’s 2003 play, written a year before he embarked on a film career. The production is also noteworthy for being the theatre debut of stand-up comedian David McSavage. You wonder if the zany star of The Savage Eye can really deliver a disciplined performance as Tupolski, the detective questioning Katurian (Peter Campion), a writer whose short stories seem to have inspired a spate of child murders. McSavage does deliver, and it’s some of the performances around him from the experienced stage actors that are less assured, with Gary Lydon (the bad cop Ariel) allowing his accent to do a tour of east London and parts of America. McDonagh’s humour is as wicked and dark as ever, but only really crackles in the second half. Some of Katurian’s stories are acted out on a back stage by mimers and, while one was out of sync, the technique should have been used with all of them. “Could you skip to the end?” Michal (Michael Ford-FitzGerald) interrupts one tale being related by his brother Katurian. “This bit’s boring.” In a play full of self-referential humour, it’s one of the better in-jokes.

Gaiety, Dublin, Mon-Sat 7.30pm, Sat 3pm, €19.65