We haven't been able to take payment
You must update your payment details via My Account or by clicking update payment details to keep your subscription.
Act now to keep your subscription
We've tried to contact you several times as we haven't been able to take payment. You must update your payment details via My Account or by clicking update payment details to keep your subscription.
Your subscription is due to terminate
We've tried to contact you several times as we haven't been able to take payment. You must update your payment details via My Account, otherwise your subscription will terminate.
ARTS

The best new architecture of 2018

From the Scalpel in the City to two embracing skyscrapers in Beijing, architecture is heading to new heights this year

Leeza SOHO in Beijing by Zaha Hadid Architects
Leeza SOHO in Beijing by Zaha Hadid Architects
The Times

Puzzles

Challenge yourself with today’s puzzles.


Puzzle thumbnail

Crossword


Puzzle thumbnail

Polygon


Puzzle thumbnail

Sudoku


If 2017 was a momentous year, with sumptuous billion-pound offices for Apple and Bloomberg at one end of the scale and the tragedy of Grenfell Tower at the other, 2018 promises to be one in which architecture reaches new heights — quite literally in the UK, where the number of completed skyscrapers (more than 150m tall) will more than double in the space of 12 months.

The trend for building ever higher shows no signs of abating, with work on the 1km-tall Jeddah Tower in Saudi Arabia, 172m taller than the Burj Khalifa, on course to be completed at the end of 2018 or early 2019. However, most of the headline-grabbing projects this year will be cultural rather than commercial or cloud-piercing.

The “Bilbao effect”, where a landmark museum or gallery translates into instant economic regeneration, is still just about alive and twitching, and will be expected to work its magic in places as diverse as Dundee and Datong. It doesn’t hurt that such prestigious projects, with their commendably large budgets, tend to attract the best international talent. Here, then, are the top ten buildings to look forward to in 2018.

Jean Nouvel’s National Museum of Qatar
Jean Nouvel’s National Museum of Qatar

1 National Museum of Qatar, Qatar, Ateliers Jean Nouvel
Perhaps unsurprisingly, given the approbation heaped on his £1 billion outpost of the Louvre in Abu Dhabi, which opened late last year, the French architect Jean Nouvel seems to have cornered the market in Middle Eastern museums. If anything, Nouvel’s Qatari project seems to be even more ambitious than the Louvre, which featured a vast dome based on interlocking palm leaves, and probably gave the structural engineers more than a few sleepless nights. This one appears to be based on a type of local gypsum crystal known as a “desert rose”, familiar to geography students the world over. The resulting asymmetrical structure of interlocking discs is so spectacular that it will almost certainly feature as the set of the next Star Wars spin-off.
In a nutshell: A rose by any other name

V&A Dundee will reconnect the city with the River Tay
V&A Dundee will reconnect the city with the River Tay

2 V&A Dundee, Scotland, Kengo Kuma and Associates
Another project inspired by local geology, this colony of the V&A derives its distinctive form from the striations in nearby cliffs on the wild east coast, which are represented by 2,500 hanging stone panels, each weighing up to two tonnes. The first design museum to be built in the UK outside London, the scheme, by one of Japan’s best-known architects, is a phenomenally complex one, requiring a web of temporary steel supports and a cofferdam (a watertight area pumped dry to allow work below the waterline) before construction. Yet it is likely to produce one of the most unusual buildings of its generation and, with tilted walls that resemble the hull of a boat in silhouette, will reconnect the city with the River Tay, once the source of its prosperity.
In a nutshell: Rockstar

Advertisement

The triforium, by Ptolemy Dean, will be the first major addition to Westminster Abbey since 1745
The triforium, by Ptolemy Dean, will be the first major addition to Westminster Abbey since 1745

3 The triforium, Westminster Abbey, London, Ptolemy Dean
You would think that sticking a lift shaft on to the outside of one of the world’s most precious ecclesiastical buildings would provoke mild-mannered conservationists into armed insurrection, but such is the subtle brilliance of this 80ft freestanding tower that you would be forgiven for not noticing. The first major addition since 1745, the design is based on an octagonal star and, slightly tucked away in a corner, looks more medieval than modern. What it makes possible is astounding: the opening up of the triforium — the space at the top of the abbey — for the first time. A new gallery will be created to exhibit an extraordinary collection of manuscripts, glass, vestments and the Westminster Retable, a 13th-century carved and bejewelled panel that stood behind the high altar. Yet that may not be the greatest treasure on show: the view down into the nave from above is superlative-exhausting. Not for nothing did John Betjeman describe it as the best in Europe.
In a nutshell: Much more up top

David Chipperfield’s renovation of The Royal Academy in London includes a bridge linking the institution’s two main buildings
David Chipperfield’s renovation of The Royal Academy in London includes a bridge linking the institution’s two main buildings

4 The Royal Academy, London, David Chipperfield Architects
The granddaddy of all these cultural wonder-palaces is undoubtedly the Royal Academy, founded in 1768 with a collection of some of the greatest artists these islands have produced. For many years, however, the venerable institution has been living a somewhat divided existence, split between Burlington House on Piccadilly and 6 Burlington Gardens, the capacious palazzo behind. David Chipperfield, the arch restoration man who won serious international acclaim for his deft Neues Museum project in Berlin, has been brought in to weld the two parts together. That’s easier said than done with floors at different levels and diverse axes creating a maze of corridors. A bridge has proven to be an eloquent solution, while new galleries, a café and a courtyard have unlocked more space than at any time in the past 150 years. The star of the show is undoubtedly a beautifully refurbished and reconstituted lecture theatre, lit by clerestory windows, which may be one of the capital’s most elegant public rooms. And all in time for the RA’s 250th anniversary.
In a nutshell: State of the art

Shed-like structures provide an industrial backdrop for the Windermere Jetty Museum of Boats, Steam and Stories
Shed-like structures provide an industrial backdrop for the Windermere Jetty Museum of Boats, Steam and Stories
FORBES MASSIE

5 Windermere Jetty Museum of Boats, Steam and Stories
It may look like a group of sheds on first inspection, but this unassuming ensemble, clad in copper that will weather to green, provides a fittingly industrial backdrop for the internationally significant collection of boats displayed on and off the lake. There’s the usual café and shop, of course, but also a workshop for conservation and restoration. Simple but appropriate, given the stunning surroundings.
In a nutshell: Of the first water

Cascading vegetation on Nanjing Green Towers is designed to absorb CO2 from the streets below
Cascading vegetation on Nanjing Green Towers is designed to absorb CO2 from the streets below
STEFANO BOERI ARCHITETTI

6 Nanjing Green Towers, China, Stefano Boeri Architetti
A pioneer of eco-friendly edifices, Stefano Boeri has already built a dramatic tree-clad skyscraper in his home city of Milan and this year intends to roll out the concept to one of the most polluted countries on the planet: China. A vertical forest, the 656ft arboreal tower and its smaller sibling will house office space, a museum, an architecture school (that emphasises planet-affable design), a rooftop club and a hotel, and be covered in cascading greenery intended to suck up and absorb CO2 from the streets below. If that works out, a whole vegetation-blanketed city is on the drawing board.
In a nutshell: Branching out

ARC power plant in Copenhagen will feature a 500m artificial ski slope
ARC power plant in Copenhagen will feature a 500m artificial ski slope
CHRISTOFFER REGILD

7 ARC power plant, Copenhagen, Denmark, Bjarke Ingels Group
Further proof that environmentalism doesn’t have to be po-faced and puritanical, this long-anticipated project marries a state-of-the-art power station with a 500m artificial ski slope, one of the world’s longest. Denmark receives plenty of snow, but has relatively few hills, so Bjarke Ingels’ genius is to make use of the soaring aluminium structure, which will burn through 400,000 tonnes of waste a year and generate enough energy for 60,000 homes, to provide routes for beginners through to experts in the sport, all while helping Copenhagen achieve its goal of becoming carbon-neutral by 2025. There’s also a chimney that blows smoke rings — what else would you expect from the man behind the multicoloured Lego House in Billund, completed last year?
In a nutshell: Wasting away

Leeza SOHO, in Beijing, will boast the world’s tallest atrium
Leeza SOHO, in Beijing, will boast the world’s tallest atrium

Advertisement

8 Leeza SOHO, Beijing, China, Zaha Hadid Architects
It’s going to be a big year for ZHA, which continues to defy expectations and bad publicity in the wake of the death of its incomparable founder, Zaha Hadid. It is all set to open the incredible Morpheus Hotel in Macau, which looks as if it has melted in the middle, and the futuristic One Thousand Museum tower in Miami, but the star of the show in 2018 is likely to be the Leeza office building, effectively a pair of skyscrapers locked in a twirling embrace and boasting the world’s tallest atrium. Expect to see it gracing myriad magazine covers.
In a nutshell: Twist in the tale

The Scalpel, by Kohn Pedersen Fox, wears its 190m altitude lightly
The Scalpel, by Kohn Pedersen Fox, wears its 190m altitude lightly

9 The Scalpel, City of London, Kohn Pedersen Fox
Given the dross that has been flung up in the City in recent years, more of which is in the pipeline, it’s refreshing to be able to praise a more attractively proportioned addition to the capital’s beleaguered skyline, albeit one 190m tall. Yet unlike, say, the Cheesegrater (aka the Leadenhall Building) or the Walkie-Talkie (20 Fenchurch Street) near by, the Scalpel — its official name — wears its altitude lightly and leans back carefully from the all-important views of St Paul’s. One might even describe it as sensitive were it not that, seen in conjunction with the Cheesegrater from the east, the City appears to be sticking two fingers up to Canary Wharf, its nearest rival.
In a nutshell: Sharper than the rest

The long-awaited Goldsmith Street, in Norwich, is a model example of good social housing
The long-awaited Goldsmith Street, in Norwich, is a model example of good social housing

10 Goldsmith Street, Norwich, Mikhail Riches
Given what happened at Grenfell we must include an example of good, solid, homegrown social housing — the absolute antithesis of all the poor-quality blocks that were erected in the 1960s and 1970s and which are again going up in their hundreds across our cities. Goldsmith Street, long awaited, is a new take on the traditional terrace, incorporating the highest possible environmental standards, that of Passivhaus, which drastically increases energy efficiency by use of careful design and selection of materials. It combines this with shared communal space and a carefully crafted mix of light-filled flats and houses. Let’s hope it becomes the model for many more such sympathetic developments.
In a nutshell: Down-to-earth goodness