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Sergio Burstein
Sergio Burstein 's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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Daddio (2023) |
The truth is that “Daddio” gives both of them [Penn & Johnson] an unbeatable opportunity to shine and it is precisely thanks to them that the film works as well as it does. [Full review in Spanish] - Los Angeles Times
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| Posted Jul 02, 2024
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Inside Out 2 (2024) |
A decidedly charming tale that can be enjoyed by children and adults alike and will no doubt spark interesting conversations among viewers who have been through similar situations. [Full review in Spanish] - Los Angeles Times
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| Posted Jun 27, 2024
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Kidnapped: The Abduction of Edgardo Mortara (2023) |
A top-notch film that no film buff, who so admired being one, should miss. [Full review in Spanish] - Los Angeles Times
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| Posted Jun 12, 2024
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In A Violent Nature (2024) |
It is impossible not to admire the audacity that Nash had in creating an unusual and even experimental production that cannot be appreciated with indifference. [Full review in Spanish] - Los Angeles Times
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| Posted Jun 12, 2024
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Ezra (2023) |
A film that nevertheless deserves to be seen and discussed. - Los Angeles Times
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| Posted Jun 12, 2024
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The Dead Don't Hurt (2023) |
Mortensen does not aggressively impose his vision on us, nor does he do so with the typical shoot-outs of the genre, which appear in a justified and even responsible manner. [Full review in Spanish]
- Los Angeles Times
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| Posted Jun 12, 2024
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Young Woman and the Sea (2024) |
A film that is full of production value, filmed with classic elegance and that, above all else, shows new generations a situation that, beyond any commercial imposition, had to be deeply complicated for female development. [Full review in Spanish] - Los Angeles Times
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| Posted Jun 12, 2024
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The Last Stop in Yuma County (2023) |
In addition to obtaining outstanding performances from all his actors, the director demonstrates that he has extensive knowledge of the cinematographic language, and uses it to immerse us in its simple but ingenious story. [Full review in Spanish] - Los Angeles Times
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| Posted May 25, 2024
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Adiós Buenos Aires (2023) |
A fresh and hopeful perspective, in which humor frequently intrudes. [Full review in Spanish] - Los Angeles Times
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| Posted May 25, 2024
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Kingdom of the Planet of the Apes (2024) |
Kingdom is the episode of the series that we didn't know we needed, distinguished by a powerfully set scene, more than decent level acting and a narrative proposal worth appreciating. [Full review in Spanish] - Los Angeles Times
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| Posted May 25, 2024
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Lost Soulz (2023) |
Overall impression is extremely positive, marked by a succession of great performances and by an incidental soundtrack that is created on the fly. [Full review in Spanish] - Los Angeles Times
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| Posted May 07, 2024
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New Life (2023) |
Lovers of hard-core horror with elements of science fiction and allusions to body horror, rejoice. [Full review in Spanish] - Los Angeles Times
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| Posted May 07, 2024
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Wildcat (2023) |
In the hands of such passionate talents, “Wildcat” becomes a curious and purposeful project that goes beyond the guidelines of traditional 'biopics' to try to give life to O'Connor's most intimate thoughts. [Full review in Spanish] - Los Angeles Times
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| Posted May 07, 2024
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Evil Does Not Exist (2023) |
One of the most environmentally friendly and honest films we have seen in a long time. [Full review in Spanish]
- Los Angeles Times
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| Posted May 07, 2024
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I Saw the TV Glow (2024) |
[Schoenbrun] makes us go from astonishment to fear and from fascination to confusion, obtaining effects similar to those offered by the films of David Lynch. [Full review in Spanish] - Los Angeles Times
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| Posted May 07, 2024
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The Fall Guy (2024) |
“The Fall Guy” is a large-scale entertainment that can be enjoyed with a bag of popcorn at your side and your mind in a relaxed state. [Full review in Spanish] - Los Angeles Times
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| Posted May 07, 2024
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Unsung Hero (2023) |
The staging of the Ramseys themselves and Smallbone (which they also direct) does not exceed what could be expected from a television production. [Full review in Spanish]
- Los Angeles Times
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| Posted May 07, 2024
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Humane (2024) |
Beyond the lack of subtlety of the message and the lack of depth of the characters, Cronenberg manages to make the proceedings entertaining and handles the actions well within this unique environment. [Full review in Spanish] - Los Angeles Times
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| Posted May 07, 2024
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Boy Kills World (2023) |
Despite the enthusiasm it generates, “Boys Kills World” is – now – pure style over substance. [Full review in Spanish] - Los Angeles Times
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| Posted May 07, 2024
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Challengers (2024) |
“Challengers” could be accused of favoring style over content, but if so, it does so with a tremendous sense of taste. [Full review in Spanish] - Los Angeles Times
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| Posted May 07, 2024
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Mourning in Lod (2023) |
The active participation of everyone... is so generous and moving that it won't leave any spectator indifferent. [Full review in Spanish] - Los Angeles Times
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| Posted Apr 23, 2024
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Sasquatch Sunset (2024) |
It's brilliantly filmed, constantly maintains our interest, boasts first-rate prosthetics, and is completely distinct from whatever else is found at the box office. [Full review in Spanish] - Los Angeles Times
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| Posted Apr 23, 2024
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Abigail (2024) |
An intense, well filmed and absolutely entertaining work in which any horror fan would have a good time. [Full review in Spanish] - Los Angeles Times
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| Posted Apr 23, 2024
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Do Not Expect Too Much from the End of the World (2023) |
If you are a film buff passionate about unpredictable cinematic adventures and works with novel aesthetics, you cannot miss this fabulous Romanian film. [Full review in Spanish] - Los Angeles Times
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| Posted Mar 27, 2024
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Late Night with the Devil (2023) |
A story in which there is no shortage of allusions to classics such as “The Exorcist” and “Carrie”, but which has its own identity, keeps us constantly in suspense and leads to an absolutely brilliant final scene. - Los Angeles Times
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| Posted Mar 27, 2024
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Immaculate (2024) |
Mohan, for his part, films with a great sense of space and frequently presents us with images that remain on the retina. [Full review in Spanish] - Los Angeles Times
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| Posted Mar 27, 2024
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Stopmotion (2023) |
A British film that finds a particularly creepy way to generate fear. [Full review in Spanish] - Los Angeles Times
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| Posted Mar 27, 2024
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Ordinary Angels (2024) |
On the other hand, although the approach to things may be too simplistic, the double Oscar winner Hilary Swank holds the entire scaffolding with her excellent performance. [Full review in Spanish] - Los Angeles Times
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| Posted Mar 27, 2024
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They Shot the Piano Player (2023) |
The experimentation sometimes loses its rhythm, but both good music and emotional impacts are absolutely guaranteed. [Full review in Spanish] - Los Angeles Times
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| Posted Mar 27, 2024
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Io Capitano (2023) |
This is no walk in the park, but a work of exceptional value. [Full review in Spanish] - Los Angeles Times
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| Posted Mar 27, 2024
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Disco Boy (2023) |
Disco Boy drives by with a certain striking aesthetic that can be hypnotic, and Rogowski is a sufficiently charismatic actor, enough to generate empathy. [Full review in Spanish] - Los Angeles Times
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| Posted Feb 21, 2024
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Out of Darkness (2022) |
This first work by British director, Andrew Cumming, counts for a sufficient dose of originality and talent, transforming into a necessary visionary work for lovers of the genre. [Full review in Spanish] - Los Angeles Times
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| Posted Feb 21, 2024
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The Taste of Things (2023) |
Hung carefully fabricates a microcosm of an era in which the delicacies presented can only arise from the hands of people with the experience, sensibility, and proximity shared between both protagonists. [Full review in Spanish] - Los Angeles Times
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| Posted Feb 21, 2024
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Perfect Days (2023) |
An outstanding dramatic film that is accompanied not only by its merit of being nominated for an Oscar... rather, it also represents the true creative resurrection its illustrious German director, Wim Wenders.[Full review in Spanish] - Los Angeles Times
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| Posted Feb 21, 2024
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Lisa Frankenstein (2024) |
It succeeds with us having a good time, and is capable of withstanding more than one viewing. [Full review in Spanish] - Los Angeles Times
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| Posted Feb 21, 2024
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Scrambled (2023) |
A charming comedy-drama. [Full review in Spanish] - Los Angeles Times
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| Posted Feb 20, 2024
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Pictures of Ghosts (2023) |
Armed with abundant archival material... also supported by dramatizations and scripted scenes, Kleber Mendonça Filho recovers essential moments from his artistic training and the development of his craft in Pictures of Ghosts. [Full review in Spanish] - Los Angeles Times
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| Posted Feb 20, 2024
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The Promised Land (2023) |
The only problem here is that the whole ends up feeling a bit didactic and leaning towards the narrative style of Hollywood simplicity, yet does not take away from the power of a film that definitely deserves to be seen. [Full review in Spanish] - Los Angeles Times
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| Posted Feb 20, 2024
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Tótem (2023) |
Confirms Avilés as a great creator of realistic situations while not having to resort to artifice to move the viewer. [Full review in Spanish] - Los Angeles Times
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| Posted Feb 20, 2024
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Argylle (2024) |
Appreciating all these stars during a single visit to the movie theater is undoubtedly satisfying; but it was reasonable to expect much more from a $200 million mega-production that… is excessively conditioned by the use of CGI. [Full review in Spanish] - Los Angeles Times
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| Posted Feb 20, 2024
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Mayhem! (2023) |
In place of saturating the whole film with action sequences, the script by Magali Rossitto takes the necessary time to develop its characters and situate us in each context. [Full review in Spanish] - Los Angeles Times
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| Posted Jan 30, 2024
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Night Swim (2024) |
It opts, in turn, for a Hollywood-esque correct esthetic, lacking in surprises and assuming an air of stubborn solemnity. [Full review in Spanish] - Los Angeles Times
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| Posted Jan 30, 2024
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Memory (2023) |
Franco radically turns the rudder to dive us into a story about an impossible love with unpredictable consequences, supported by stupendous performances by Chastain and Sarsgaard. [Full review in Spanish] - Los Angeles Times
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| Posted Jan 30, 2024
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Inside the Yellow Cocoon Shell (2023) |
The entire film is marked by the brilliant cinematographic language used by its director and screenwriter Phạm Thiên Ân, who, in his first long-term work, displays an impressive and calm handling of images. [Full review in Spanish] - Los Angeles Times
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| Posted Jan 30, 2024
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Origin (2023) |
Origin is a sincere, passionate, and excellently acted film that takes us on a discovery, with wonder, of fascinating historical situations. [Full review in Spanish] - Los Angeles Times
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| Posted Jan 30, 2024
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I.S.S. (2023) |
The plot remains within the confines of a B series due to a lack of character complexity and a succession of illogical decisions, director Gabriela Cowperthwaite manages to grant a certain complexity to the cosmonauts presented. [Full review in Spanish] - Los Angeles Times
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| Posted Jan 30, 2024
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Bad Hombres (2024) |
Fortunately, the actors do their thing well, some secondary characters call your attention, and the humor employed takes away the solemnity of the whole ordeal, but the shootouts shine rather realistically. [Full review in Spanish] - Los Angeles Times
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| Posted Jan 30, 2024
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The Seeding (2023) |
The atmosphere is spectacular, and the disturbing moments are not missed, but it failed, definitively, at the end of its cook time. [Full review in Spanish] - Los Angeles Times
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| Posted Jan 30, 2024
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The Breaking Ice (2023) |
The script by Chen manages to offer a coral look that allows us to get close to each central character and truly identify with them. [Full review in Spanish[ - Los Angeles Times
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| Posted Jan 29, 2024
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Sometimes I Think About Dying (2023) |
Sometimes I Think About Dying assumes a reflexive position to demonstrate that what happens in Fran's head is not a passing matter, so much as a subtle yet expressive interpretation by Ridley. [Full review in Spanish] - Los Angeles Times
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| Posted Jan 29, 2024
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