Discover the Captivating World of Edward Steichen Photography

Alfred Stieglitz, Edward Steichen, High Fashion Photography, Straight Photography, Photographers Gallery, History Of Photography, Famous Photographers, Great Photographers, Vienna Austria

Ten Milestones in the Life of Edward Steichen

As The Photographers’ Gallery celebrates Edward Steichen’s Condé Nast work of the 1920s and 30s, AnOther presents 10 key facts

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Alfred Stieglitz

Edward Steichen

High Fashion Photography

Straight Photography

Photographers Gallery

History Of Photography

Famous Photographers

Great Photographers

Vienna Austria

Edward Steichen, Alfred Stieglitz, Marisa Berenson, Stone Roses, Carole Lombard, Marlene Dietrich, Steve Mcqueen, Jolie Photo, Foto Inspiration

Steichen, Edward (1879-1973) - 1930c. Carol Lombard

Edward Jean Steichen (March 27, 1879 – March 25, 1973) was an American photographer, painter, and art gallery and museum curator. He was the most frequently featured photographer in Alfred Stieglitz' groundbreaking magazine Camera Work during its run from 1903 to 1917. Steichen also contributed the logo design and a custom typeface to the magazine. In partnership with Stieglitz, Steichen opened the "Little Galleries of the Photo-Secession", which was eventually known as 291, after its…

Edward Steichen, 1879 – 1973

Brooklyn Bridge, 1903. Gloria Swanson, New York, 1924. Drizzle On Fortieth Street, New York, 1925. Edward Steichen (1879-1973) is unquestionably one of the most prolific, versatile, influential, an…

History Of Photography

Magazine Art

Light And Shadow

White Photography

Black And White Photography

Edward Steichen. Diagram of Doom Number 2. c. 1922. Platinum print. 9 15/16 × 7 15/16" (25.3 × 20.3 cm). Bequest of Grace M. Mayer. 416.1997. © 2021 The Estate of Edward Steichen / Artists Rights Society (ARS), New York. Photography Edward Steichen, Abstract Photography, Creative Photoshoot Ideas, Aesthetic Movement, Botanical Beauty, Famous Photographers, Great Photographers, Number 2, Artistic Photography

Edward Steichen. Diagram of Doom Number 2. c. 1922 | MoMA

Edward Steichen. Diagram of Doom Number 2. c. 1922. Platinum print. 9 15/16 × 7 15/16" (25.3 × 20.3 cm). Bequest of Grace M. Mayer. 416.1997. © 2024 The Estate of Edward Steichen / Artists Rights Society (ARS), New York. Photography

Kees Smeding

Edward Steichen

Abstract Photography

Creative Photoshoot Ideas

1,618

Marlene Dietrich by Edward Steichen 1934

Edward Steichen | Sunflowers from Seed to Seed, 1920-61.

Edward Steichen. Sunflowers from Seed to Seed. 1920-61. Gelatin silver print. 13 11/16 × 10 5/8" (34.8 × 27 cm). Gift of the artist. 238.1961. © 2024 The Estate of Edward Steichen / Artists Rights Society (ARS), New York. Photography

Richard Avedon

Vanity Fair September 1935 Joan Bennett photo Edward Steichen

Mirror Self Portraits from the Early Days of Photography

Staring into a mirror and taking a self-portrait with a camera is nothing new. People have been trying to find ways to take their photographs since the

Fashion forward: Edward Steichen's trailblazing Vogue photographs – in pictures

Shooting for Vogue and Vanity Fair in the 20s and 30s, father of fashion photography Edward Steichen devised a mode of portraiture that still sets the template for style magazines today

Photos: Edward Steichen’s Iconic Portraiture

During the 1920s and 30s, photographer Edward Steichen popularized an emerging genre in Vanity Fair: celebrity portraiture. From Amelia Earhart to Charlie Chaplin, see classic works from his oeuvre.

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Edward steichen

Ten Milestones in the Life of Edward Steichen

As The Photographers’ Gallery celebrates Edward Steichen’s Condé Nast work of the 1920s and 30s, AnOther presents 10 key facts

Steichen, Edward (1879-1973) - 1930c. Carol Lombard

Edward Steichen, 1879 – 1973

Brooklyn Bridge, 1903. Gloria Swanson, New York, 1924. Drizzle On Fortieth Street, New York, 1925. Edward Steichen (1879-1973) is unquestionably one of the most prolific, versatile, influential, an…

Edward Steichen. Diagram of Doom Number 2. c. 1922 | MoMA

Edward Steichen. Diagram of Doom Number 2. c. 1922. Platinum print. 9 15/16 × 7 15/16" (25.3 × 20.3 cm). Bequest of Grace M. Mayer. 416.1997. © 2024 The Estate of Edward Steichen / Artists Rights Society (ARS), New York. Photography

1,618

Marlene Dietrich by Edward Steichen 1934

Edward Steichen | Sunflowers from Seed to Seed, 1920-61.

Edward Steichen. Sunflowers from Seed to Seed. 1920-61. Gelatin silver print. 13 11/16 × 10 5/8" (34.8 × 27 cm). Gift of the artist. 238.1961. © 2024 The Estate of Edward Steichen / Artists Rights Society (ARS), New York. Photography

Richard Avedon

Vanity Fair September 1935 Joan Bennett photo Edward Steichen

Mirror Self Portraits from the Early Days of Photography

Staring into a mirror and taking a self-portrait with a camera is nothing new. People have been trying to find ways to take their photographs since the

Fashion forward: Edward Steichen's trailblazing Vogue photographs – in pictures

Shooting for Vogue and Vanity Fair in the 20s and 30s, father of fashion photography Edward Steichen devised a mode of portraiture that still sets the template for style magazines today

Photos: Edward Steichen’s Iconic Portraiture

During the 1920s and 30s, photographer Edward Steichen popularized an emerging genre in Vanity Fair: celebrity portraiture. From Amelia Earhart to Charlie Chaplin, see classic works from his oeuvre.