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Fr. Tuyen Nguyen, pastor of Blessed Sacrament Catholic Church in Westminster, center, joins Maria Cristina Barba, left, and Jojo Penning, as they sit in the Sorrowful Mysteries section of Marian Gardens at Christ Cathedral in Garden Grove, CA, on Tuesday, May 28, 2024. The beams of metal and wood atop this section are meant to symbolize the crown of thorns worn by Jesus during his crucifixion. The gardens are a walk-through Roasry with four areas – joyful, luminous, sorrowful and glorious – each devoted to one segment of the Mysteries of the Rosary. (Photo by Jeff Gritchen, Orange County Register/SCNG)
Fr. Tuyen Nguyen, pastor of Blessed Sacrament Catholic Church in Westminster, center, joins Maria Cristina Barba, left, and Jojo Penning, as they sit in the Sorrowful Mysteries section of Marian Gardens at Christ Cathedral in Garden Grove, CA, on Tuesday, May 28, 2024. The beams of metal and wood atop this section are meant to symbolize the crown of thorns worn by Jesus during his crucifixion. The gardens are a walk-through Roasry with four areas – joyful, luminous, sorrowful and glorious – each devoted to one segment of the Mysteries of the Rosary. (Photo by Jeff Gritchen, Orange County Register/SCNG)
Jonathan Horwitz
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The Christ Cathedral opens a new Marian Gardens on Wednesday, May 29, where Catholics and all will be welcome to reflect in peaceful prayer or to enjoy the international art, marble statues and architecture that constitute the $3.6 million, 3,500-square-foot addition to the grounds.

The gardens feature a Rosary walk, a four-part experience celebrating Jesus through the life of the Virgin Mary, that complements the cathedral’s Our Lady of La Vang shrine — a 12-foot-tall Virgin Mary statue in a traditional áo dài dress representing the Marian apparition said to have appeared in 1798 in central Vietnam to comfort persecuted Catholics who took refuge in a forest. The shrine was completed in 2021 and quickly became a popular destination.

“While the Our Lady of La Vang Shrine is for Masses and other large celebrations, the Marian Gardens are serene. It’s a park-like prayer area,” said Elysabeth Nguyen, CEO of the Our Lady of La Vang Foundation.

Each of the four section of gardens represents elements of the mysteries of the Rosary: joyful, luminous, sorrowful and glorious. The gardens are meant to be walked through in that order and the serpentine, glass-speckled walkway that weaves between them changes with the motif. For instance, yellow and orange glass in the joyful garden give way to somber shades of wine red and burgundy in the sorrowful garden — the passion and blood of Christ.

The meditation gardens, while meant to be enjoyed individually and as a break from the bustle of urban life, simultaneously are laid out to feel like a procession — a ritual integral to numerous Catholic traditions in Europe, Latin America and Vietnam, said Bishop Thanh Thai Nguyen. He added that by concretizing the Rosary, he hopes the gardens make it easier for the faithful community he serves to see a clear message in their prayers: A path forward.

Each garden has five installations of art related to the life of Christ, but which are also intended to allow for “subliminal exploration,” Elysabeth Nguyen said. All 20 installations were hand-crafted in the Peruvian Andes by skilled artisans from Artesanos Don Bosco, a Catholic Church-affiliated nonprofit.

In the joyful garden, vibrant mosaics depict Jesus’ childhood. In the luminous garden, five fusion-glass works illuminated from behind with embedded LED lights emit a fire-like translucence and tell the story of his baptism and adulthood. The sorrowful garden has artwork made of copper and bronze, evoking feelings of Jesus’ sacrifice and the heavy burden he carried for humanity, church officials said.

Meanwhile, the glorious garden has bright limestone panels that tell of the triumph of Jesus and the Virgin Mary after Jesus’ resurrection. That garden will eventually be completed with the installation of a Carrara marble statue, “The Love of Mother Mary,” depicting the virgin mother and her child, Jesus.

Each garden is partially enclosed by rotund cement walls, a material choice deliberately made by architect David Pfeifer for its tangible subservience to the eye-catching stainless steel behind the nearby Our Lady of La Vang shrine, he said. The complement of the cement to the steel symbolizes the Catholic symbology of alpha and omega, he said.

Pfeifer, a practicing Christian, designed every bit of the gardens with careful and often allegorical intentions. During the design phase, he said he asked himself and his partners, “How do we convey joy and sorrow through concrete, metal, wood and art to help those who are praying the rosary to experience those messages, those stories, in a more holistic manner? Rather than just read and think, you have walls and surfaces that hopefully are ringing those same adjectives.”

The cement walls of the sorrowful garden are particularly narrow to evoke feelings of enclosure, encapsulation and imprisonment, church officials said. Unlike the others, this garden has a latticed roof structure of metal beams and wood to symbolize the crown of thorns worn by Jesus during his crucifixion.

And, whereas other gardens have multiple benches for observers to meditate close to others, this garden has only one bench — to represent the singular loneliness of the Virgin Mary in knowing that she was losing her son and could not protect him, they said. Conversely, the cement walls of the next garden over, the glorious garden, provide a sense of calm and airiness as they spiral upward, representing Mary’s assumption into heaven.

The landscaping features mature olive trees that beckon to the Mediterranean flora of what would be the life and times of Jesus, while smaller succulents surround the trees as an ode to the garden’s place and time in Southern California. In a year or so, ivy is expected to grow in to cover a canopy above the luminous garden, complementing crushed blue glass in the walkway with lush greenery above, symbolic of the relationship between sky and earth.

Although the gardens tell the story of Jesus through his mother’s eyes, Bishop Nguyen emphasized that the focus of prayer in the Catholic faith is on Jesus. Thus, Pfeifer designed the last spiral of the glorious garden to open to a view of the massive crucifix atop the Tower of Hope on the Christ Cathedral campus far beyond the Marian Gardens.

In addition to the Marian Gardens, Christ Cathedral has built its version of the Garden of Gethsemane that contains a walking path, benches and a Carrara marble statue of Jesus in prayer. Symbolically, the placement of his statue puts Jesus centered between his earthly mother to his right — as depicted in the Our Lady of La Vang statue — and his heavenly father inside the cathedral, officials said.

The Marian Gardens will officially open to the public after a 5:15 p.m. Mass on Wednesday, to be presided over by Diocese of Orange Bishop Kevin Vann.

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