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Documentary

Critics at Large

The Changing World of Nature Documentaries

The genre, long celebrated for its lush visuals and hard-won footage, is increasingly reckoning with the fact that the landscapes and the species it showcases may soon be gone forever.
The Front Row

How Hindsight Distorts Our View of the Beatles in “Let It Be”

Usually seen as a document of the band’s breakup, the documentary, newly restored by Peter Jackson, is just as much a record of freewheeling inspiration.
The New Yorker Documentary

Laughing in the Face of Dying Young, in “Cherry”

The actor Marie-Lise Chouinard faces her terminal-cancer diagnosis with grace and comedy in Laurence Gagné-Frégeau’s short documentary.
The New Yorker Documentary

An Iranian Woman Finds Her Might, in “The Smallest Power”

Both the subject and the makers of this animated short discover their identities and a new love of their nation.
The New Yorker Documentary

Crashes and Community in “Demolition”

In Alec Sutherland’s short film, upstate New York’s demolition derbies are a loud, brutal, deeply physical antidote to the isolation of digital life.
The New Yorker Documentary

Flipping the Script on Trans Medical Encounters

Noah Schamus and Brit Fryer’s short film offers a vision of how physicians and trans patients can meet one another on equal footing.
The New Yorker Documentary

For Black Women, Embracing Natural Hair Is About More Than Style

Lindsay Opoku-Acheampong’s film “Textures” follows three women through the private and meaningful rituals of caring for their hair.
The New Yorker Documentary

A Teen-Ager’s Quest to Manage His O.C.D. in “Lost in My Mind”

In Charles Frank’s short film, a young man offers a candid look at life with O.C.D. and his experiences with exposure therapy.
The New Yorker Documentary

A Ukrainian TikTok Influencer Shares Her Life as a Refugee in “Following Valeria”

Nicola Fegg’s short documentary follows a young woman who becomes a social-media star during the war in Ukraine.
The New Yorker Documentary

Roger J. Carter’s Toy Soldiers and Black Revolutionaries

Justin Fairweather’s short film “Roger J. Carter: Rebel Revolutionary” shows how the artist arrived at his innovative way of making portraits of Black figures.
The New Yorker Documentary

Bowling Without Sight, in “Friday Night Blind”

Scott Krahn and Robb Fischer’s short film follows a trio of friends who take part in a bowling league for people who are visually impaired.
The Front Row

James Baldwin’s Anguished Prescience in “I Heard It Through the Grapevine”

Reflecting on the civil-rights era in the nineteen-eighties, the author sounds like our contemporary.
The New Yorker Documentary

One Man’s Fight to Close the Racial Wealth Gap, in “The Barber of Little Rock”

John Hoffman and Christine Turner’s short film follows Arlo Washington as he helps members of his community escape the hazards of banking while Black.
Screening Room

Coming of Age While Confronting Arab Stereotypes, in “Simo”

An Egyptian teen-ager, living in the suburbs of Montreal with his brother and father, confronts the sting of racism at home, in the writer and director Aziz Zoromba’s film “Simo.”
The New Yorker Documentary

A Pioneer of Echolocation for the Blind in “Echo”

The filmmakers Ben Wolin and Michael Minahan’s documentary short follows Daniel Kish, who uses clicks and echoes to listen his way through the world.
The New Yorker Documentary

A Land-Mine Survivor’s Resilience, in “Carpenter”

Khalil Sahragard’s documentary short follows an amputee in Kurdistan who carves prosthetics for others who, like him, have lost limbs to explosives after the Iran-Iraq War.
The New Yorker Documentary

The Euphoria of Cold-Water Immersion in “Swimming Through”

In Samantha Sanders’s documentary short, a group of Chicago women find pandemic solace, in a death-defying winter ritual.
Cultural Comment

The Revealing Spectacle of Beyoncé’s “Renaissance”

Beyoncé’s nearly three-hour-long concert film captures a grandiose affair, but it also has its own lofty aspirations.
The New Yorker Documentary

An Intimate Cartography of Costa Rica in “Direcciones”

In María Luisa Santos and Carlo Nasisse’s short film, addresses suggest an alternative understanding of space and time.
The New Yorker Documentary

Revisiting New York’s Historic Abortion Law in “Deciding Vote”

Jeremy Workman and Robert Lyons’s film reconstructs the passage of a 1970 law that made the state a sanctuary for people seeking abortions, and cost a lawmaker his career.