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Actresses

Under Review

How Anna May Wong Became the First Chinese American Movie Star

A new biography revisits the pathbreaking Golden Age Hollywood actress’s life and legacy.
Persons of Interest

Jodie Comer Puts Her Talents on Trial

The actress often plays women defined by their mastery. In “Prima Facie,” she takes on her toughest role yet: a lawyer who defends men accused of sexual assault.
The New Yorker Radio Hour

Jon Meacham: Indictment Won’t Break the Trump Fever

The writer and historian talks with David Remnick about the stakes of a Trump reëlection. Plus, Brooke Shields on the sexualization of girls in Hollywood.
The New Yorker Interview

Sandra Oh’s Sense of Purpose

The actor discusses Hollywood survival skills, winning the lottery, and her interest in telling “messy” Asian American stories.
The New Yorker Interview

Cate Blanchett Plays Herself

The star of “Tár” reunites with her opening-scene partner for a conversation about listening to music, going before audiences, and the art of acting in life and in the movies.
Notes on Hollywood

The Best Actress Race at the Oscars Is Crowded, Unpredictable, and Weird

Andrea Riseborough came out of nowhere to earn a nomination, whereas Michelle Yeoh and Cate Blanchett appear to be the front-runners.
Daily Cartoon

Daily Cartoon: Tuesday, January 17th

It’s everyone’s favorite pick-me-up. Wow!
Rabbit Holes

The Funniest Wasp Mom on TikTok

Caitlin Reilly revived her acting career by doing dead-on impressions of nervous publicists, actresses on Instagram, wellness influencers, overbearing mothers, and other fellow Los Angelenos.
Daily Comment

Iran Detains Its Most Celebrated Actress

Taraneh Alidoosti is the latest prominent figure to be arrested, as the regime faces the most serious challenge to its rule since it took power in 1979.
Postscript

Anne Heche’s Stubborn Incandescence

The actress spent much of her career trying to shake off reputational baggage. Now the question is how the culture will choose to remember her.
The Front Row

“In Front of Your Face,” Reviewed: The Great Hong Sangsoo Reaches New Heights

In the luminous tale of an actress’s homecoming, the South Korean director takes on the overwhelming mysteries of life and art.
Profiles

How Elisabeth Moss Became the Dark Lady of the Small Screen

The actor—who is also a director, a rom-com fan, and a Scientologist—likes to swim in the weird.
Onward and Upward with the Arts

In “Russian Doll,” Natasha Lyonne Barrels Into the Past

How the actress turned showrunner took on inherited trauma through time travel.
Bio-Pic Dept.

Valérie Lemercier’s Céline Dion Kinda-Bio-Pic

The writer, director, and star of “Aline,” about a familiar-seeming Quebecois power balladeer, discusses criticism from some of Dion’s relatives (“We come off as a bunch of bums”) and playing Aline at every point in her life, starting as a five-year-old.
Dream Role

The Anti-Elizabeth Holmes

Amanda Seyfried describes why she almost passed on a dream role, playing the Theranos fraudster in Hulu’s “The Dropout,” in favor of staying on her farm upstate, where she collects her sheepdog’s fur to spin into yarn for crocheting.
The New Yorker Interview

Christina Ricci Knew the Spiky Roles Were Coming

The forty-one-year-old actress on “Yellowjackets,” child stardom, and what happened in between.
The Pictures

Weird Sisters? Make That Twisted Sisters

How the British actress Kathryn Hunter used her contortionist skills and cigarette voice to steal Joel Coen’s “The Tragedy of Macbeth.”
Afterword

Betty White’s Comic Reversals

Something about her always made it seem as if she was in on the joke.
Onward and Upward with the Arts

Bridget Everett Is Larger Than Life

The comedian survived waitressing, karaoke, and the alternative-cabaret circuit before creating and starring in “Somebody Somewhere,” her autobiographical coming-of-middle-age series, on HBO.
Annals of War

The Afghans America Left Behind

The U.S. promised protection to the locals it relied on during the war. When it withdrew, it abandoned thousands to the Taliban.