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Actors

The New Yorker Interview

Maya Rudolph Is Ready to Serve

The actress and comedian on motherhood, studying the lives of billionaires for her show “Loot,” and her “S.N.L.” portrayals of women in the spotlight—from Beyoncé to Kamala Harris.
The New Yorker Interview

Why Jerrod Carmichael Turned His Life Into a Reality Show

The comedian discusses “artists’ lib,” putting a billboard in his home town to get his mother’s attention, and his new effort to “Truman Show” himself.
The New Yorker Interview

Nicolas Cage Is Still Evolving

The actor talks about the origins of “Adaptation,” his potential leap to television, and the art of “keeping it enigmatic.”
The New Yorker Interview

Rashida Jones Wonders What Makes Us Human

The actor discusses the encroachment of A.I., her adolescent tiff with Tupac, and her enduring love of philosophy.
The New Yorker Interview

Jonathan Groff Rolls Merrily Back

The actor reflects on his journey in reverse: from his latest Tony nomination to his arrival in New York, waiting tables and dreaming of Broadway.
The New Yorker Interview

Aasif Mandvi Contains Multitudes

The actor and comedian on his “Daily Show” breakthrough, writing the roles he wanted to see, and playing a new kind of character in “Evil.”
Culture Desk

Can a Film Star Be Too Good-Looking?

Alain Delon and the problem of beauty.
On Television

“Jerrod Carmichael Reality Show” Is Exhibitionism as Art

Two years after “Rothaniel,” the comedian has committed another moving—and deeply entertaining—act of self-exposure.
The New Yorker Interview

Michael Imperioli Knows Art Can’t Save Us

The “White Lotus” and “Sopranos” star discusses his formative first encounter with Martin Scorsese, his philosophy of acting, and the climate protest that just disrupted his Broadway début.
The Theatre

The Art of the Robocall

“Lennox Mutual,” a one-on-one immersive theatrical experience, raises questions about performance, A.I., and corporate culture.
Culture Desk

The Oscars: Who’ll Win, Who Should Win, and Who’s Overdue

More than in most years, the doctrine of dueness has dominated the 2024 awards season.
The New Yorker Interview

Lily Gladstone Is Holding the Door Open

The “Killers of the Flower Moon” star on how to curse in Blackfoot, being nominated for an Oscar, and the many Native actors she hopes will follow her.
The New Yorker Interview

How Mads Mikkelsen Generates Sympathy for the Devil

The Danish actor on his new film, “The Promised Land,” the difference between working on indie films and starring in Hollywood franchises, and his love of Buster Keaton.
The Front Row

Now That the Oscar Nominations Are in, Here’s What Deserves to Win

This time, for a change, several of the year’s best movies found favor with the Academy.
The New Yorker Interview

Danielle Brooks Comes Full Circle

The actor, who played Sofia in the revival of “The Color Purple” musical on Broadway, reprises the role in a new film adaptation of the musical.
The New Yorker Interview

Talia Ryder Says Yes to Adventure

The twenty-one-year-old actress, who stars in the indie romp “The Sweet East,” on her early years as a child performer, making meaningful art in a man’s world, and why Madonna is her role model.
2023 in Review

The Year in Moviegoing

The year resounded with large, loud, and costly films—some of which were so poorly conceived they led me to wonder, why not get A.I. to write them?
The New Yorker Interview

How Mark Duplass Fights the Sadness

Since childhood, the filmmaker and “Morning Show” actor has dealt with the ups and downs of depression—a struggle he calls “the Woog.” Now he’s sharing what he’s learned.
Persons of Interest

Isabelle Huppert Lives from Scene to Scene

Throughout her career, the celebrated French actor has worked with auteurs ranging from Jean-Luc Godard to Hong Sangsoo—and maintained a matter-of-fact approach to her craft.
Assessment

The Enduring Strangeness of Nicolas Cage

The actor’s performance in “Dream Scenario” seems crafted to remind viewers that he’s more than a meme.