Actors
The New Yorker Interview
Maya Rudolph Is Ready to Serve
The actress and comedian on motherhood, studying the lives of billionaires for her show “Loot,” and her “S.N.L.” portrayals of women in the spotlight—from Beyoncé to Kamala Harris.
By Michael Schulman
The New Yorker Interview
Why Jerrod Carmichael Turned His Life Into a Reality Show
The comedian discusses “artists’ lib,” putting a billboard in his home town to get his mother’s attention, and his new effort to “Truman Show” himself.
By Andrew Marantz
The New Yorker Interview
Nicolas Cage Is Still Evolving
The actor talks about the origins of “Adaptation,” his potential leap to television, and the art of “keeping it enigmatic.”
By Susan Orlean
The New Yorker Interview
Rashida Jones Wonders What Makes Us Human
The actor discusses the encroachment of A.I., her adolescent tiff with Tupac, and her enduring love of philosophy.
By Michael Schulman
The New Yorker Interview
Jonathan Groff Rolls Merrily Back
The actor reflects on his journey in reverse: from his latest Tony nomination to his arrival in New York, waiting tables and dreaming of Broadway.
By Michael Schulman
The New Yorker Interview
Aasif Mandvi Contains Multitudes
The actor and comedian on his “Daily Show” breakthrough, writing the roles he wanted to see, and playing a new kind of character in “Evil.”
By Inkoo Kang
Culture Desk
Can a Film Star Be Too Good-Looking?
Alain Delon and the problem of beauty.
By Anthony Lane
On Television
“Jerrod Carmichael Reality Show” Is Exhibitionism as Art
Two years after “Rothaniel,” the comedian has committed another moving—and deeply entertaining—act of self-exposure.
By Inkoo Kang
The New Yorker Interview
Michael Imperioli Knows Art Can’t Save Us
The “White Lotus” and “Sopranos” star discusses his formative first encounter with Martin Scorsese, his philosophy of acting, and the climate protest that just disrupted his Broadway début.
By Zach Helfand
The Theatre
The Art of the Robocall
“Lennox Mutual,” a one-on-one immersive theatrical experience, raises questions about performance, A.I., and corporate culture.
By Kristen Roupenian
Culture Desk
The Oscars: Who’ll Win, Who Should Win, and Who’s Overdue
More than in most years, the doctrine of dueness has dominated the 2024 awards season.
By Justin Chang
The New Yorker Interview
Lily Gladstone Is Holding the Door Open
The “Killers of the Flower Moon” star on how to curse in Blackfoot, being nominated for an Oscar, and the many Native actors she hopes will follow her.
By Michael Schulman
The New Yorker Interview
How Mads Mikkelsen Generates Sympathy for the Devil
The Danish actor on his new film, “The Promised Land,” the difference between working on indie films and starring in Hollywood franchises, and his love of Buster Keaton.
By Alex Barasch
The Front Row
Now That the Oscar Nominations Are in, Here’s What Deserves to Win
This time, for a change, several of the year’s best movies found favor with the Academy.
By Richard Brody
The New Yorker Interview
Danielle Brooks Comes Full Circle
The actor, who played Sofia in the revival of “The Color Purple” musical on Broadway, reprises the role in a new film adaptation of the musical.
By Doreen St. Félix
The New Yorker Interview
Talia Ryder Says Yes to Adventure
The twenty-one-year-old actress, who stars in the indie romp “The Sweet East,” on her early years as a child performer, making meaningful art in a man’s world, and why Madonna is her role model.
By Naomi Fry
2023 in Review
The Year in Moviegoing
The year resounded with large, loud, and costly films—some of which were so poorly conceived they led me to wonder, why not get A.I. to write them?
By Anthony Lane
The New Yorker Interview
How Mark Duplass Fights the Sadness
Since childhood, the filmmaker and “Morning Show” actor has dealt with the ups and downs of depression—a struggle he calls “the Woog.” Now he’s sharing what he’s learned.
By Michael Schulman
Persons of Interest
Isabelle Huppert Lives from Scene to Scene
Throughout her career, the celebrated French actor has worked with auteurs ranging from Jean-Luc Godard to Hong Sangsoo—and maintained a matter-of-fact approach to her craft.
By Rebecca Mead
Assessment
The Enduring Strangeness of Nicolas Cage
The actor’s performance in “Dream Scenario” seems crafted to remind viewers that he’s more than a meme.
By Isaac Butler