Applied Musicology and Ethnomusicology

A special issue of Arts (ISSN 2076-0752). This special issue belongs to the section "Musical Arts and Theatre".

Deadline for manuscript submissions: 31 August 2024 | Viewed by 4874

Special Issue Editor


E-Mail Website
Guest Editor
Institute of Musicology, Serbian Academy of Sciences and Arts, Beograd 11000, Serbia
Interests: Balkan music; popular music; Russian/Soviet music since 1950; Serbian music since 1950
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

This Special Issue on Applied Musicology and Ethnomusicology gathers together scholars from different disciplines (musicology, ethnomusicology, media studies, music theory, and anthropology) who are engaged in innovative and groundbreaking work in the domain of applied science. Applied musicology and ethnomusicology use knowledge to influence social interaction and to direct the course of cultural change beyond typical academic contexts, thus linking knowledge with social activism and responsibility and focusing on results that are publicly visible and practically applicable. Applied ethnomusicology only entered academic discussions about fifteen years ago, while applied musicology is yet to be properly defined. Hence our main goal is to define applied musicology and provide case studies for both applied musicology and ethnomusicology as “hybrid” disciplines at the junction of science, culture, and art. Our contributors will examine the theoretical, methodological, and practical aspects of the emerging concept of applied musicology (including the related concepts of engaged and public musicology), as well as foster the rapprochement between academic research and applied musicology and ethnomusicology. With this Special Issue, we will redefine the role of musicology and ethnomusicology in contemporary society and make an impact on global research trends. We will highlight how these disciplines can and do contribute to the betterment of society by preserving and promoting musical heritage both in local and international contexts through performing practices, safeguarding initiatives, music programming, creating digital archives, developing new educational and scientific policies, and other forms of the public dissemination of research results.

Dr. Ivana Medić
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • applied musicology
  • applied ethnomusicology
  • contemporary music
  • opera
  • music festivals
  • internet platforms
  • 21st-century avant-garde

Published Papers (3 papers)

Back to TopTop