Vanessa Bakewell’s Post

An insightful read as always from Will Page in Music Business Worldwide (MBW) on the tricky festival landscape. ‘Consumers in the UK spent just over GBP £2bn on live music and £2bn on recorded music, taking the total spend in 2022 to £4.1bn. That was up by almost a billion on pre-lockdown 2019. Impressed? Now add another £700m in spend across 2023 – 10% growth in recorded and a reported 24% in live – and we’re soaring towards £5bn (£4.9bn, see below). Not only that, music’s share of consumers’ ‘recreational’ wallet in 2023 rose to 3.3%. In other words, music’s getting a bigger share of a fatter wallet.’ https://lnkd.in/ewGGvQ2B

  • No alternative text description for this image
Martin S.

Cultural industries policy specialist; film investment professional; arts chair/trustee: Visiting Fellow at the Institute for Creative and Cultural Entrepreneurship, Goldsmiths, University of London

3w

Will is right, as usual! I used to be involved, by association, in the festivals business, including early days LOVESUPREME, which is (1) genre focused and (2) very well run. I also chaired a classical music festival for several years. My perspective is that pre-pandemic there were both too many festivals and too many not very well run festivals, which is not the same thing. Now the biggest factor is that we have a zombie economy which affects everyone in the #entertainment industries. This, of course, is no consolation to those (well run) festival managers who bust a gut to make things work and are still finding things exceptionally difficult.

To view or add a comment, sign in

Explore topics