Thorpe Park’s Post

What do you know about ST2110? Grab a drink and check out this seminar that discusses the common pitfalls of deploying ST 2110 systems in live production environments. #Live #Broadcast #LeaderInstruments #phabrix #ST2110

Ambilight that gives you a whole other level of experience while watching TV. Check out the video on how Ambilight started, all the way through until now and heading into the future: https://lnkd.in/evnaYiai

You’ve got Broadcast or On-Set Virtual Production, what do you need to bolt in Gen-AI? What if the asset building could happen in real-time and give you something to see immediately? The workflow could change dramatically. Or at least provide something new in the creative process. Given the right set of circumstances I think the infrastructure could be even further consolidated. An OSVP-AI-box if you will, for in-camera, and external. Generate what you want the talent to see in a flash. #OSVP #SMPTE #UnrealEngine #Broadcast #GenAI

Come join me and my partner in crime, LaRonica Lawson, to talk about the power of OTT and strategies that will increase your campaign performance! 📺 We will have a live Q&A so come with questions! #OTT #ottadvertising #cookielessfuture

📢 We're thrilled to unveil the massive potential lying within the US Broadcast spectrum. 📡✨ 🔍 Discover the Opportunity: Delve into a staggering $100 Billion opportunity that is waiting to be unlocked. This isn't just a figure; it's a game-changer for the industry. 🛠️ Bricolage Innovation: Our approach is unique. We're not just thinking outside the box; we're redesigning it. Connect with us to understand how bricolage innovation is key to tapping into this potential. 🤝 Join Us and be part of this journey. Whether you're a Broadcaster, an API provider, or CE Manufacturer, there's something in it for everyone. Spot us at #CES2024 to learn more! #bricolage #broadcasting #digitaltransformation #spectrum #community #Nexusconnect #ica #IntelligentConsumerApps #MakingCommunitiesSafeSmartandSuccesful #atsc #atsc3 #nextgentv #broadcasting #experiencesthatmatter #scalingdeep

🎥 + 🏗 = ✨😍 What kind of environment would you want to capture on the XR Wall with the jib? Here's a quick look at the jib in action inside the Unreal Engine Western Town demo project! #virtualproduction #broadcast #technology

Think your brief is impossible ⛔️ to execute? Try us! Being in the 𝘃𝗮𝗻𝗴𝘂𝗮𝗿𝗱 𝗼𝗳 𝗯𝗿𝗼𝗮𝗱𝗰𝗮𝘀𝘁 𝘁𝗲𝗰𝗵𝗻𝗼𝗹𝗼𝗴𝘆 isn’t... ... just about the latest gadgetry. It's about leveraging the 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗶𝘃𝗶𝘁𝘆 to breathe audacious life into your ideas, no matter how 'out there' they might be. Ever found yourself staring at a brief, thinking it's an unattainable feat? Perhaps a location too difficult or a story too complex to convey? Well, that's where we thrive 🤩. We're not just throwing down the gauntlet - we're practically daring you to challenge us with your most ambitious endeavours. Share your most 𝗮𝘂𝗱𝗮𝗰𝗶𝗼𝘂𝘀 𝗯𝗿𝗶𝗲𝗳 and let's turn the impossible into the incredible together. #livebroadcast #livestreaming #livestream #broadcast

It was great meeting you this week - Krishna and Abhi! In our discussion, your passion and purpose to do what is right for the community stood out as the core DNA To my network: Whether you are in content production, programming or acquisition, Growth, Monetization, Product, Application, or infrastructure, this is the group you should belong to, regardless of where you are based. I could see many from my contact book already in the group. The More, the Merrier!

PTZOptics cameras are changing the game, capturing every thrilling moment with precision and flexibility. Whether in schools, production studios, or sports stadiums, PTZOptics is redefining sports broadcasting with adaptability and top-tier quality. 📷: outkastz on X #PTZOptics #ShareYourVision #SportsBroadcasting

Late to the ALEXA 35 Live party, but after some requests from industry practitioners, here are some musings as I take my ARRI hat off and put on my "Broadcast Cam op who grumbles about the early call for a useless 3rd rehearsal after wrapping late the night before" hat. To get it out of the way, Super 35 broadcast is going full steam ahead. Expect to see more tech riders, tenders and requests for S35 format spec with PL Mount lenses for big budget events. Concerts, talk shows, stand up comedy, important panel discussions, certain types of sports, house of worship. The list of live production genres where S35 excel will keep growing as more S35 lenses gets released into the market. Speaking of lenses, will my Japanese/German friends please help a little bit with a 40x PL box? :P Wishlist: 40x PL box lens 35-1400/T4....5 maybe. IS.... can current tech handle such large pieces of glass? Not sure. 35mm is abit tight yes, but compromises must be made for 1400mm. Will it be too big/heavy? No idea, but the Vinten 750 payload is 75kg :) The faster the lens, the better. But compromises must be made. Ok back to cameras. 1. The experience of S35 broadcast has an impact that is hard to replicate with other formats. Slow-mo gets incredibly intense due to the separation. CU facial emotions will hit audiences harder. 2. Will focus get harder? Yes. Can it be done? After talking to operators, the answer I got from them was: Likely yes if it isnt golf or anything that involves fast tiny objects in large open spaces. Football might be the limit. We will find out. 3. With the ALEXA35's REVEAL colour science, high saturation color lights are handled much more naturally. This coupled with the dynamic range allows for greater freedom in lighting the stage as the 35 has that ability to handle the very large contrast as well as the high saturation LED color lights that are delightful to the eye but a total nightmare for cameras. I have not tested other S35 camera systems extensively enough to comment on their performance in this regard but I wont be surprised if they all exceeded their B4 predecessors in this aspect regardless of manufacturer. 4. For slower songs and performances, I believe after some testing that slow half mixes will be more effective as a tool with S35 systems due to the separation and the softness of the bokeh. Please see comment 1 which I will post a picture as an example even though it isnt a song or performance and in still form. 5. The live production and cinema worlds are converging. From an investment POV, dockable S35 systems might present some interesting cost efficiencies for large broadcasters and rental owners (both cinema and broadcast rentals). 2 in 1 systems often have compromises somewhere but my belief is we are heading towards a point where such compromises will be tolerable for the efficiencies such systems will bring both technically and economically. And I am at Linkedin's character limit so thats it for now!