See you in Cannes! #NFLPA x #TheAList #thisisTheAList #CannesLions2024 https://lnkd.in/g3ZQ65rZ
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Fun Fact Friday: The Story of Shakespeare's First Folio William Shakespeare, a name synonymous with literary genius, has left an indelible mark on literature and theatre. Yet, there is a lesser-known fact about this Bard of Avon. #ShakespeareLegacy #FirstFolio #LiteraryHistory #BardOfAvon #ClassicLiterature #TheatreHistory #ShakespeareanPlays #ElizabethanEra #BookCollectors #TimelessLiterature
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Test your knowledge of The Lerner Theatre's history with this question! 🎭 📜 Comment your answer below⬇️
Test Your Knowledge of The Lerner Theatre
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🕐 Time for our second workshops. The focus will be on Key Stage 4 Transitions. Making it meaningful (encounters) - Foster lecture theatre 2 Employers Standards - Foster lecture theatre 3 Lancashire Labour Market Information - Darwin lecture theatre #inspiringlancashire
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Thank you so much to Matt Barbot for this kind and thoughtful review of my work, amazing interview, and for sharing your thoughts on my play, turning your body into a compass. You can read the full interview "Being From Elsewhere" in the Immigrant Report here: https://lnkd.in/eEXfY-4i #activism #politicaltheatre #theatre #immigrantreport
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New Post: Month in Review: April 2024 https://buff.ly/4duAnRN Literature April was my month for Reading the Theatre, and most of my reading did fall into that theme, with a few exceptions -- and some cross-pollination with other challenges,
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In my book, Hamlet’s Mirror, I use the word Buttons when writing about what causes performing artists to take things personally, preventing them from reaching their performance potential. I have been asked, and understandably so, why I use button rather than “trigger,” which is the common idiom today to describe this phenomenon. Please follow the link for the full post: https://lnkd.in/gx6qdKJ8 #HamletsMirror #ElmaLinzKanefield #booklover #bookclub #shelfhelp #selfpublished #theatre #performer #mentalhealth #performancepotential #reflections #buttons (originally published on July 24, 2023)
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My review of ‘Theatre in a Post-Truth World: Text, Politics, and Performance’ is now available in the latest edition of Contemporary Theatre Review: https://lnkd.in/dn7FZkhY
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THIS. ❤️ makes it all worth while. Driving change, one young female at a time. #leadershipdevelopment #empowerment #femalefounders #femaleleadership #femaleempowerment #dei #diversityandinclusion #diversity #thefutureisyou #theatre #education #artseducation #art #breakthebias #girlseducation #girlsempowerment
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✒️ https://lnkd.in/eSVSpFag Hopefully the first of many articles we'll be writing about this exciting project!
Introducing the world premiere of Sarah Dickenson's The Commotion Time, produced by Exeter Northcott! 📜 Local history takes centre stage in this landmark drama, featuring an ensemble of local performers alongside professional actors. 🎭 February 1547. When the authorities introduce reforms set to drive division into the heart of the community, the people take action in the only way left to them; marching to Exeter to challenge the king and finally be heard. As well as being Exeter Northcott’s welcome return to home-produced drama, The Commotion Time will also be the first production directed for the theatre by our new Creative Director, Martin Berry. Created in association with Poundstock Gildhouse. Find out more 👀 https://lnkd.in/ewSGm34i
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