CFMT is a proud supporter of this evening’s Juneteenth615 event at Fort Negley. Head to the historic site for a Proclamation Ceremony, that will include a family/community gathering with libations, performance art and history including Project ForeSight by Creative Storytelling, Mayor Freddie O’Connell, incredible music by Nashville African American Wind Symphony, Afrokokoroots, and a fireworks celebration. For full schedule, visit >> https://lnkd.in/eZT7TXea Juneteenth615 is Nashville’s celebration of the emancipation of enslaved people in the United States. The holiday was first celebrated in Texas on June 19, 1865. Juneteenth615 is the official historical Juneteenth celebration for the city of Nashville. The celebration is powered by FELLAVISION + AFRICAN AMERICAN CULTURAL ALLIANCE (AACA) in collaboration with and various other community partners. This event is open to the community at large and families are encouraged to attend. To learn more >> https://lnkd.in/eVcTGhFK
Community Foundation of Middle Tennessee’s Post
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Quote of the Day: In a statement, CNZ remarks the For The Arts funding programmes have "an emphasis on vision and purpose, valuing artists’ time, supporting longer-term development and building relationships with artists and organisations outside of funding." New Zealand is leading the way on re-imagining arts funding. It’s just brilliant—and a model that the NEA and other arts granting organizations should adopt! https://lnkd.in/gu6qAH7x
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Before we finish our “Meet Addy” display, we want to share a “Looking Back” with you all – just like in the original historical character books! Thank you to our very own assistant researcher, Leah Jenkins, for her hard work! ___ Looking Back: The Underground Railroad and Freedom By: Leah Jenkins, Assistant Researcher The Underground Railroad was a symbolic title for the secret network of houses, paths, and people that assisted fleeing enslaved in obtaining freedom outside of slave states. The system comprised of roads, trails, rivers, canals, bays and the Atlantic Coast, stretched as far north as Canada and as south as Mexico and the Caribbean. Beginning in the late eighteenth century, conductors – such as formerly enslaved individuals and white abolitionists – assisted freedom seekers or “passengers” in navigating the convoluted and treacherous routes. The most notable conductor was Harriet Tubman. A former enslaved individual herself, Tubman used her expertise in the railroad to aid dozens. Outside of the perilous environmental circumstances, conductors and passengers dodged federal marshals, slave catchers and plantations. Despite liberation, freedom came with its own hardships. Newly emancipated African Americans endured racial discrimination, job competition and indentured servitude. The Underground Railroad lost steam on January 1, 1863, when President Abraham Lincoln signed the Emancipation Declaration, announcing that “all people held as slaves are, and henceforth shall be free.” It is estimated that nearly 100,000 people escaped slavery through the Underground Railroad from 1810 to 1850. Learn more today: https://lnkd.in/gh4_w3Tb
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Associate Director of Regional Engagement - Georgetown University Alumni Association // master's student in Higher Education Administration
As a student of the profession, I know it's important for #highereducation leaders to reflect on the uncomfortable histories of our institutions and education in this country in general. Whose voices were left out, lives stolen, land "granted"... to form our beloved universities and colleges today? What can we do, in our current powers and time, to be anti-racist in our work? How can we continue to change the #structures, so higher education can live up to its full potential? We must start with an #awareness of the past and of the wrong-doings our communities. #Georgetown272
On Sept. 19, Georgetown marked the official launch of a new interdisciplinary center that examines the history of slavery and its legacies at the university, in Washington, DC, and in Catholic communities in the U.S. through creative projects, public programs and research. To inaugurate the Center for the Study of Slavery and Its Legacies, the university hosted a live musical performance that grapples with Georgetown’s own history with slavery and viscerally brings to life the stories of the children, women and men who were enslaved. Associate Professor Carlos Simon performed “Requiem for the Enslaved,” a requiem he composed to honor the 272 individuals who were enslaved and sold by the Maryland Province of the Jesuits in 1838, the proceeds of which benefitted Georgetown. In 2022, the requiem was nominated for a Grammy. “Professor Simon’s Grammy-nominated requiem offers a model of what Georgetown’s new Center for the Study of Slavery and Its Legacies hopes to foster and achieve,” Founding Director Adam Rothman said at the event. “We must learn our history well and teach it fully using all the tools at our disposal — including the arts — to do so.” https://bit.ly/45aPDho
Georgetown’s Center on Slavery Launches With Carlos Simon Musical Tribute Honoring the Enslaved
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Let the spirit of CarmelFest stay with you all year, honoring the intent behind our independence. Read this week's Civility Column in The Current here: https://bit.ly/4bI6j3i
Opinion: Declaration a plea for purpose, respect
https://www.youarecurrent.com
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“Culture should provide not just expensive spectacle but ways in which anyone can express themselves and their dreams”. Could not agree more! Culture should be about empowering everyone to express themselves and chase their dreams, not just glittery, expensive spectacles. This is where academia, particularly universities specialists in the creative arts, can play a fundamental role. By fostering partnerships and developing platforms for staff, students and community engagement, these institutions can become hubs for multi-dimensional knowledge transfer. Imagine students and community members coming together to create, learn, dream and share! This, at its core, is a powerful pedagogical approach to creative education and knowledge exchange. It has the potential to profoundly impact individuals, objects, and cultural phenomena itself! #ucagalleriessurrey #curatorialandculture #culture #creativeeducation #publicengagemnet
Arts & Culture Network Founder | U.N. Special Advisor, Arts & Culture Working Group | Brand and marketing consultant | Chair at Culture Chelmsford | FRSA | FCIM | BNI | Percussionist | Pirate
“Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.” (UN declaration of human rights, 1948.) https://lnkd.in/er7qg3MK Lisa Russell
The Guardian view on culture: fight for the arts in our era of austerity | Editorial
theguardian.com
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The arts are an unstoppable force. Learn more about how we’re strengthening cities through the power of the arts in our Annual Report. https://bloom.bg/3vMlbhM
Read our Annual Report
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September is Month of the Artist in Alberta, and we're proud to be part of a province that recognizes and celebrates the immense value artists bring, not only culturally but also economically. According to a recent article from the Alberta Foundation of the Arts, supported by a survey conducted by the Alberta Government: 👉 In 2022-23, an impressive 70.3% of Albertans attended arts and culture activities, showcasing a strong appetite for artistic experiences within our communities. 👉 Even more inspiring, 54% actively participated in arts activities, demonstrating the deep passion that our residents have for the arts. But it doesn't stop there. The survey also reveals that an overwhelming 76.3% of Albertans believe that arts and culture activities make their community a better place to live. These numbers speak volumes about the impact of the arts on our communities. We believe in the power of the arts to transform lives and uplift our city, and we invite you to join us in supporting our youth. Supporting the arts is not just about culture; it's an investment in the heart and soul of our community. Let's connect, collaborate, and continue to create positive change together. 💪 Read the whole article here: https://lnkd.in/gsYGA9q3 #YouthSingers #ArtsInCalgary #CommunityImpact #InvestInArts #InvestInYouth #YouthSingersofCalgary
70% of Albertans attend arts events
affta.ab.ca
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Check out this gorgeous article from the The New York Times
“Under Bain, the executive director, the Center is also hosting new programming, including dance and yoga classes, trumpet lessons and events that engage the mostly Spanish-speaking community, whether through music or social activism.” “‘Louis and Lucille were two Black artists who owned their own home in the ’40s,”’ Bain said. “‘Why can’t we have a workshop here about homeownership for our neighbors? If it’s in the legacy of Louis and Lucille — that’s what this space can also be.’”
Secret No More: Louis Armstrong Center Amplifies Satchmo’s Vision
https://www.nytimes.com
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This recent research draws together the work of St Hild, Urban Life and the Black Light course to explore the cultivation of lifestyles and ministries which promote mutuality, diversity and partnership among Black and White Christians. Read more at https://lnkd.in/ebDw-8Wf
Natalie Chen and Anna Ruddick, YTEP
durham.ac.uk
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Personal Development Coach. NLP Practitioner. Working with people to reconnect with their creative selves.
What I don't understand is why the people in power undervalue the Arts. There are so many ways in which we benefit as a society, as a community, as an individual from access to the Arts. The Arts are a tool. Use them to mend what is broken, Use them to inspire when hope has gone. Use them to regenerate. Use them to soothe. Use them to make us laugh. Use them to Educate. Use them to communicate. Use them to prevent violence. Use them to fight prejudice. Use them for health. Use them to cause us to question ourselves. And others. Use them to be analytical. Use them to find new creative solutions. The Arts could benefit everyone. I am sure you could add to this list.
"A problem now driving arts & cultural services to the point of collapse." Today in the House of Lords, the Earl of Clancarty asked the Arts Minister (Lord Parkinson) about the "significant underfunding" of local authorities and the profound impact on arts & culture provision.
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