Streamland Media’s Post

From “GENERATING A WHIRLWIND OF WILD EFFECTS FOR BRASH, BRAZEN GEN V” via VFXV Magazine (Visual Effects Society): The invisibility-powered Maverick was an entertaining character to work on, according to [Karen Heston, Visual Effects Supervisor]. Ghost VFX “took that on as their own and had their animators put in the extra sauce” that made Maverick into an individual, Heston says. “Being that Maverick is just a hat and glasses, I decided to add more personality to the #animation passes. We decided to play up the facial gestures such as scrunching your nose or subtle glasses adjustments, wiggling to the hat, etc.” These typically subtle gestures were given a lot more movement than usual so that one can ‘see’ that it’s Maverick. — Gen V has 1,350 VFX shots - Ghost VFX and Ingenuity Studios were among those tasked with bringing visual effects to life. Ghost VFX + Ingenuity Studios are part of Streamland Media #VFX #VisualEffects #GenV #TheBoys #PostProduction #Series #Television #Superhero #Maverick

Picture Head provided color grading services on the campaign for TULSA KING in collaboration with sister company Picture Shop. • Picture Head + Picture Shop are part of Streamland Media • #PostProduction #Marketing #ColorGrading #Colorist #ColorServices #Campaign

• Formosa Group is part of Streamland Media •

BRAND SPOTLIGHT • Ghost VFX Patrick Dean, Ghost VFX VP and Executive Producer, UK “My advice for anyone wanting to break into #VFX is to keep your options open and don’t disregard any route into the industry. My route into the industry was not a direct one, I came to VFX with experience of working in #postproduction, location assisting and working with talent on live #studio projects. Once I was working in VFX I started in #editorial and then moved into #production. Don’t be afraid to take a role in a department you don’t think is relevant, or even in a different sector of the industry. Some of the things I learned in cutting rooms, #sound stages or on location is still the best, most relevant, practical knowledge I use in my #job today.” • GHOST VFX is part of STREAMLAND MEDIA •

Picture Head provided post-production picture and audio services for Apple TV +’s #Sunny teaser campaign. — Located in the heart of #Hollywood, Picture Head has spent 20 years as the premiere destination for cutting-edge, Ad-based #finishing for some of the world's biggest brands and hottest studios. Picture Head's clients rely on them to speak the boldest voice for their #brand across all A/V media resulting in thousands of successful #marketing campaigns that include industry-leading TV, Film, and Commercial #Trailers, #Broadcast/Online, #Promos, and #Radio Spots. • PICTURE HEAD is part of STREAMLAND MEDIA •

“The [Formosa Group] sound team... takes its sound design to an enitrely new level.” - Timothy Muirhead, Tonebenders Netflix’s AVATAR: THE LAST AIRBENDER • Featuring the talents of Formosa Group Supervising Sound Editor Tim Kimmel, Re-Recording Mixer Joe Barnett, Re-Recording Mixer Adam Jenkins, and Sound Designer Luke Gibleon. • Formosa Group is part of Streamland Media • #FormosaBroadcast #SoundWithVision #PostProduction #Sound #Audio #AvatarTheLastAirbender #SoundDesign #SoundEditing #SoundMixing

• Ingenuity Studios is part of Streamland Media •

Picture Shop Senior Colorist Tony D’Amore did a color session with four acclaimed The American Society of Cinematographers #cinematographers including Armando Salas, ASC, for the master class students at Picture Shop’s Sunset facility in #Hollywood. • Picture Shop is part of Streamland Media • (Left to Right): Senior Colorist Tony D’Amore & Cinematographer Armando Salas