WWE marched into what its top executives described as “a new era” over WrestleMania 40 weekend this past Saturday and Sunday. That phrase was bandied about because there were a number of firsts that went down in Philly. This was the first WrestleMania produced under Endeavor, which acquired WWE last year and combined it with UFC to form a new company known as TKO. On Saturday night, WrestleMania 40 featured Dwayne “The Rock” Johnson’s first match since 2016, which saw him partner in a tag team match with Roman Reigns, whose own historic run as WWE champion was brought to an end Sunday after Reigns spent 1,316 days as the face of the sports entertainment brand.
During a post-show press conference, Paul “Triple H” Levesque, WWE’s chief creative officer, proclaimed WrestleMania 40 as the biggest in the company’s history, with the event already having broken a litany of the company’s records for social media engagement, merchandise sales, and more. Not everything was a first; this was another in a long line of WrestleManias that have streamed live on Peacock. The deal between WWE and NBCUniversal’s service is set to expire in March 2026; after that, it’s feasible that Netflix could scoop up the rights to WWE’s premium live events — known as pay-per-views in the old days — just as it has already done for Monday Night Raw, which will start streaming weekly on the service in January.
Raw’s move to streaming will be a watershed moment for WWE. But even right now, change is afoot. With Levesque, CEO Nick Khan, and some new faces running things behind the scenes, the company has been exploring new production and presentation techniques. Fans are noticing all-new camera angles and a different feel to WWE’s live programming. Shots have longer to breathe, a welcome change compared to the whiplash camera cuts that were a hallmark of TV broadcasts under the company’s former head of production, Kevin Dunn.
It’s nothing drastic (yet), but Levesque credited some of that innovation to Lee Fitting, an ESPN veteran who the company hired at the start of this year to lead its media and production unit and bring fresh ideas to the table. There are more of those coming, Levesque said during the presser, but his team is taking its time to implement them.
I traveled to WrestleMania 40 for a couple reasons. For one, I wanted to witness my childhood pal, known to WWE fans as Karrion Kross, have his first “WrestleMania moment” and perform on the card. But I also wanted to get a read on how WWE is embracing tech as it sets out on this post-Vince McMahon era. This is a company that has dabbled in VR and 360-degree video through the years, and the WWE Network was groundbreaking for its time — even if it eventually shut down to make way for Peacock’s much bigger audience.
As it has in recent years, WWE made heavy use of AR graphics throughout both nights of the show. That involved six cameras (of 30 total used for the
Manager Live Production @ RIEDEL
1dExciting times!