Rock Lititz’s Post

"There used to be a code, a sacred game of atonement." Official Trailer produced by #Clever_Caboose and #RebelAV for #Grindstone #Lionsgate. (Posted 6/26/24) Our website is a must visit: clever-caboose.com #movietrailers #filmmarketing #entertainment #entertainmentmarketing #entertainmentindustry #entertainmentnews

Score pages from “Lucent Confitage” For Ensemble, Viola Deora, Verity Troupe Cornet in D, Calibrium Banjo, Alto Flute (Mars Hill Tuning), Fulcanelli Concept Oboe https://lnkd.in/g3pgpesH

Get on Up (2014) - Settle Down Captain Scene (1/10) https://lnkd.in/dRjmsc2

LATEST TREK CONTENT DROP: STAR TREK PRODIGY S2E4 ''TEMPORAL MECHANICS 101'' SPOILER RECAP & REVIEW #StarTrekProdigy #SPOILERS #netflix #YouTube https://lnkd.in/gd_48mVJ Join @Expat_Creator as he discusses the main plot points, character development, and his thoughts on the episode!

"You both rise to the challenge and handle your differences like gentlemen." Official Trailer produced by #Clever_Caboose with #RebelAV for #Grindstone #Lionsgate. (Posted 6/26/24) Check out the website: clever-caboose.com #movietrailers #filmmarketing #entertainment #entertainmentmarketing #entertainmentindustry #entertainmentnews

Tomorrow! Learn more about the WGA and SAG-AFTRA strikes and how it impacts you. RSVP in original post. #filmindustry #wga #sagaftrastrong #sagaftrastrike #wgastrike

Movies Worth Viewing: How to "Save the White Race" with Daryl Davis:

We Dare to Dream Trailer: https://lnkd.in/eEmh5WY3 (By Violet Films)   In the We Dare to Dream movie, we follow the story of refugee athletes as they prepare to compete in the 2020 Olympic Games. Telling these athletes stories, the film highlights their determination and resilience as they fight to compete for a place on the world stage during unthinkable situations.    Audazzio is the perfect tool to help share these types of stories. Audazzio enhances viewer experiences by seamlessly connecting seconds screens with what's on TV, expanding the opportunity to deliver more paired content with minimal (~1 second) latency. With the 2024 Olympics around the corner, imagine receiving facts about the athletes and the IOC Refugee Team as they are competing. Enhance the viewers experience and their connection to the athletes that are on their screen in real time. Engage with viewers across multiple platforms, extending branded content from their TVs to the phones in their hands. #secondscreens #engagement #broadcast

Page from Score: “Lucent Confitage” For Ensemble Viola Deora, Verity Troupe Cornet in D Calibrium Banjo, Alto Flute (Mars Hill Tuning), Fulcanelli Concept Oboe https://lnkd.in/g3pgpesH

I need to watch this! It reminds me of when joined Dolby Europe in 1997 and how far the industry has come in a relatively short (27) years, such big changes… My first job was to transfer the 6-track master sound ‘hot off the mix’ of an upcoming feature film called ‘The Avengers’ from a 6-track magnetic tape master onto the Dolby Magneto Optical Disk (via the Dolby DS10), then run it through the Dolby Stereo Matrix Encoder (mixing down the 6-track sound to 4 channels and creating Dolby Stereo; a 2-channel, encoded version for the optical back-up sound), add Dolby SR Noise Reduction and transfer that on to the MO master disk, so that the master (digital/analog) sound could be transferred to optical film, which would in turn, be married with the picture to create a MASTER negative, in which copies would be created, the trailer that would then go into all the cinemas around the U.K. to promote the upcoming release of the film. It was my first introduction to 35mm film, projectors and mag-audio playback; Kinoton (FP30/38), Cinemeccanica (Victoria 5/8), Sondor. Aligning the 6-track heads (azimuth/focus/dolby level), lacing up the projectors, checking sync, focus, light levels, A-Chain & B-Chain alignment of the projector, sound replay and the room/electro-acoustics alignment. A very in-depth, rather technical process. There was a certain respect for film, a ‘measure twice, cut once kinesthetic approach’ like a top savile row tailor who knew their way around the materials, the creative and the tools. These editors understood the look and feel of the end product from the design process, working with the director to implement their vision right through to the Final Cut, with a legacy understanding of the ‘end to end’ rather complex process. I wish the whole team involved with MOVIOLA the very best of luck.