Reza Rasenda’s Post

Unveiling the Mystery of Typeface vs. Font
 🖋️ Ever hear someone say "font" when they really mean "typeface"? While often used interchangeably, these terms have distinct meanings in the world of design and communication. 
 Think of it this way: Typeface: The overall design aesthetic of a set of letters, like Helvetica or Times New Roman. Font: A specific variation of a typeface with particular characteristics like size, weight, and style (e.g., Helvetica Bold).
 📐Understanding this distinction can help you: - Communicate clearly in design discussions. - Make informed choices about your visuals. - Impress your network with your typography knowledge. #Typography #DesignTips #TypefaceVsFont ✨

Curious about the personalities of different fonts? This video hilariously captures the unique quirks of fonts like Garamond and Chiller. It's a typographic comedy show you don’t want to miss! Big thanks to Elle Cordova for collaborating on this fun project. Watch the video here: https://lnkd.in/egm4CKQB Explore the world of typefaces with a Monotype Fonts subscription (monotypefonts.com). #Typography #FontHumor #DesignLaughs #MonotypeMagic

Check out my latest article about the difference between typefaces and fonts!

🌟 Quacktastic Insight: Typefaces vs. Fonts 🌟 Ever find yourself scratching your head over the difference between "typefaces" and "fonts"? Well, worry no more! I’ve got a splash-tastic article for you to dive into! 🔗 Read the full article here: What’s the Difference Between Typefaces and Fonts? #DesignTips #Typography #Fonts #Typefaces #GraphicDesign #CreativeProcess #ModuckApproved #DuckWisdom #Modesignuae #LoveModuck

Antiquel - Font Duo Download here: https://lnkd.in/gibMHisz #font #typeface #typography #typedesign #branding #lettering #calligraphy #graphicdesign

NEW RELEASE: DEKAL V2 ’23 Dekal version 2.0 started in January 2023, over a decade after the original design. Designed by Jonathan Hill, it has three interchangeable line styles: Multi, Inline, and Solid, with over 500 glyphs per style. In this digital interpretation, lines and spacing are more expansive to help construct lowercase characters that work harmoniously with the uppercase. Version 1.0 of Dekal was initially released in 2011 and was described by the industry as a liberal interpretation of Wolf Magin’s Blackline. It was also released at a time when revival, retro display typefaces were off the menu. Now though, with more advanced font development tools, Jonathan felt it was time to revive the revival! Why not give Dekal a try? Download free trial fonts from The Northern Block: https://lnkd.in/dJtegBSv #thenorthernblock #northernblock #typeface #typedesign #font #fonts #fontdesign #typography #dekalfont #retrofont #displayfont #experiementalfont #creative #fontinspiration

Varkas - Brush Script Download here: https://lnkd.in/gfT869Tu #fonts #typography #typeface #typedesign #lettering #creative #branding #logotype

Read about Austerlitz, a typeface loosely inspired by Série 16 (circa 1878) published after the departure of d’Alexandre de Berny 1809-1881, by Deberny & cie. ➽ https://lnkd.in/gB8guRXx Austerlitz is the 4th exploration of the world of Didots and their variants, following Ambroise (2001-16), Mencken Head (2004-16), AW Conqueror Didot (2010-18) published by Typofonderie. Austerlitz is an exception though, in that it is not a pure Didot, it is a versatile typeface in 7 weights with italics, in 4 optical sizes for a total of 56 fonts. From 1877 onwards, Charles Tuleu, 1849-1934 runs the business. In 1870, explaining this transmission of the business, Charles Peignot stated that Charles Tuleu was the natural son of Alexandre de Berny. In Livrets typographiques (the name of the typeface catalogue published by this foundry) Deberny & cie, the “labeur” (body text) typefaces are identified by a serial number. Série 16 will remain one of the “caractères ordinaires modernes” (ordinary modern typefaces) intended for typographic composition at Deberny & Peignot until its closure in 1974. — — — #fontsinuse #typefaces #fonts #glyphs #typography #logotype #typedesign #typedesigner #typeinspiration #365typefaces #thedailytype #type01 #ILTtoo #contemporarytype #graphicdesign #designinspiration #skillshare #grafikfeed #branding #itsnicethat #communicationarts #eyemagazine

Font Pairings: Ovink and Barnet Sans Ovink by Sofie Beier is a rounded sans serif type family named after the legibility researcher Gerrit Willem Ovink. The wide span of weights motivates a broad usage for the setting of both display and text. Ovink includes nine weights with matching italics and over 440 characters per style. Barnet Sans by Joe Elwell is a humanist typeface with a grotesque-inspired personality. Created for use in both print and screen settings, it delivers a hint of flavour in large sizes, while being subdued enough to work in smaller text-driven settings. Details include seven weights with matching italics and 665 characters per style. Explore our font library, where you can also access free trials of Ovink and Barnet Sans: www.thenorthernblock.co.uk #thenorthernblock #northernblock #typefoundry #font #fonts #fontdesign #typeface #typefacedesign #typeface #typography #typedesign #lettering #design #graphicdesign #editorial #magazine #bookdesign #brandidentity #logo #branding #webdesign #fontpairings #trialfonts #typespecimens #sanserif #displayfont #ovinkfont #barnetsansfont